Paul Sarossy

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"A" Camera Operator:
2018  Her Stolen Past

Associate Producer:
2000  Lakeboat
2018  Her Stolen Past

Director:
2000  Lakeboat
2001  Mr In-Between
2018  Her Stolen Past

Director of Photography:
1989  Speaking Parts
1990  Terminal City Ricochet
1990  White Room
1991  Montreal Stories
1991  The Adjuster
1992  Giant Steps
1993  Ordinary Magic
1994  Exotica
1994  Love & Human Remains
1995  Blood & Donuts
1996  Mariette in Ecstasy
1996  Mistrial
1996  Satie and Suzanne
1997  Affliction
1997  Picture Perfect
1997  The Sweet Hereafter
1998  Jerry and Tom
1999  Felicia's Journey
2000  Duets
2000  Krapp's Last Tape
2000  Lakeboat
2000  Rated X
2001  Mr In-Between
2002  Ararat
2002  No Night Is Too Long
2002  Paid in Full
2002  Perfect Pie
2002  Pete's Meteor
2002  The Man Who Saved Christmas
2003  Martha, Inc.: The Story of Martha Stewart
2003  Soldier's Girl
2003  The Snow Walker
2004  Head in the Clouds
2004  Suburban Madness
2004  The Survivors Club
2005  Ripley Under Ground
2005  The River King
2005  Where the Truth Lies
2006  Eight Days to Live
2006  The Wicker Man
2007  All Hat
2008  Charlie Bartlett
2008  The Deal
2009  Adoration
2010  Abroad
2010  Anton Chekhov's The Duel
2010  Chloe
2013  Devil's Knot
2014  The Captive
2015  Remember
2017  Don't Talk to Irene
2017  Goon: Last of the Enforcers
2018  Her Stolen Past
2018  The Padre
2020  Guest of Honour
2024  Irena's Vow
2024  Longing
2024  The Silent Planet
2025  Seven Veils

Director of Photography:
1995  Picture Windows

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.