A work in constant progress (and occasional regress).
Release Date:
August 31, 2006
Original Title:
The Wicker Man
Alternate Titles:
El Culto Siniestro
Klūgu vīrs
Omul de rachita
Pleteniy Chelovek
Wicker Man
Wicker Man - Das Geheimnis der Insel
Genres:
Horror | Mystery | Thriller
Production Companies:
Alcon Entertainment
EFO Films
Emmett/Furla Films
Equity Pictures Medienfonds GmbH & Co. KG III
Millennium Media
Nu Image
Saturn Films
Production Countries:
Canada | Germany | Mexico | United States of America
Ratings / Certifications:
DE: 16 DK: 15 FI: K-16 FR: U GB: 12A IE: 15 SE: 15 US: PG-13
Runtime: 102
A sheriff investigating the disappearance of a young girl from a small island discovers there's a larger mystery to solve among the island's secretive, neo-pagan community.
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"A" Camera Operator:
David Crone
"B" Camera Operator:
Andrew D. Wilson
3D Animator:
Stanislav Draganov
ADR Editor:
James Simcik
ADR Mixer:
Howard London
ADR Recordist:
Carlie Bergman
ADR Supervisor:
David A. Cohen
Armorer:
Rob Fournier
Art Department Assistant:
Peter Stratford
Art Department Coordinator:
Sharon Thompson
Art Direction:
Michael Diner
Assistant Accountant:
Louise Smith
Assistant Chef:
Garnett Humenick
Assistant Costume Designer:
Nancy Duggan
Assistant Craft Service:
Bri Lawrence
Assistant Location Manager:
Casey Nelson-Zutter
Assistant Makeup Artist:
Ladan Mojallal
Assistant Production Coordinator:
Trevor Westerhoff
Assistant Property Master:
Rowena O'Connor
Assistant Sound Editor:
Dana LeBlanc Frankley
Associate Choreographer:
Vicky Lambert
Best Boy Electric:
John D. Williams
Best Boy Grip:
Che Chomolok
Boom Operator:
Jeff MacFarlane
CG Animator:
Esteban Mora
Camera Trainee:
Cynthia Greer
Carpenter:
Brian Beatty
Casting:
Heidi Levitt
Casting Assistant:
Lauren Fernandes
Casting Associate:
Colleen Bolton
Chef:
Barb Foster
Choreographer:
Paul Becker
Co-Executive Producer:
Jochen Kamlah
Co-Producer:
Simon Franks
Shawn Williamson
Manfred D. Heid
Gerd Koechlin
Zygi Kamasa
Construction Buyer:
Sarah Martin
Construction Foreman:
Gary Lawrence
Construction Manager:
John Beatty
Costume Design:
Lynette Meyer
Costume Set Supervisor:
Michele Maillet
Craft Service:
Diane Berezay
Dialect Coach:
Jessica Drake
Dialogue Coach:
Tony Alcantar
Dialogue Editor:
Paul Timothy Carden
Digital Compositor:
Eduardo Abon
Denitsa Dimitrova
Digital Intermediate Colorist:
Corinne Bogdanowicz
Digital Intermediate Editor:
Kate Crossley
Digital Intermediate Producer:
Cindy Bond
Director:
Neil LaBute
Director of Photography:
Paul Sarossy
Dolly Grip:
Paul Sheridan
Driver:
Ken Atherton
Editor:
Joel Plotch
Executive Producer:
Josef Lautenschlager
George Furla
Trevor Short
Danny Dimbort
JoAnne Sellar
Andreas Thiesmeyer
Elisa Salinas
Extras Casting:
James Forsyth
Finance:
Stanley Tepper
First Assistant "A" Camera:
Sean M. Harding
First Assistant "B" Camera:
Thom Ryan
First Assistant "C" Camera:
Sacha Fassaert
First Assistant Director:
John McKeown
First Assistant Editor:
Eric E. Osmond
Foley Editor:
Willard Overstreet
Foley Mixer:
Ryan Maguire
Gaffer:
Burton 'Joe' Kuchera
Generator Operator:
Gilbert Jamault
Graphic Designer:
Sally Hudson
Grip:
Rob Crone
Hairstylist:
Ilona Herman
Head Carpenter:
Desi Brett
Head of Production:
Manfred D. Heid
Key Grip:
David Cameron
Key Hair Stylist:
Anne Carroll
Key Makeup Artist:
Francesca von Zimmermann
Key Production Assistant:
Andrew Christmas
Lead Set Dresser:
Elizabeth Mackinnon
Line Producer:
Brad Van Arragon
Loader:
James Barela
Location Manager:
Laura Irvine
Location Scout:
Tim Moshansky
Modeling:
Ivaylo Mechkata Ivanov
Music Coordinator:
Selena Arizanovic
Music Editor:
Micha Liberman
Music Supervisor:
Ashley Waldron
Novel:
Robin Hardy
David Pinner
On Set Dresser:
Patrick Jennings
Original Film Writer:
Anthony Shaffer
Original Music Composer:
Angelo Badalamenti
Paint Coordinator:
Vaughan V. Baker
Painter:
Conrad Bleich
Payroll Accountant:
Shannon Harron
Playback Coordinator:
Darren Robertson
Post Production Accountant:
Tsila Adler
Post Production Assistant:
Greg Ng
Post Production Coordinator:
Candice Levy
Post Production Supervisor:
Jordan Kessler
Producer:
Nicolas Cage
Avi Lerner
Randall Emmett
Norman Golightly
Boaz Davidson
John Thompson
Producer's Assistant:
Lucie Guest
Production Accountant:
Carol Hocking
Production Assistant:
Cole Boughton
Production Controller:
Donald Bruce
Production Coordinator:
Sheryl Rhodes
Production Design:
Phillip Barker
Production Executive:
Melissa Jane Brantley
Production Sound Mixer:
Buck Robinson
Property Master:
Brent Lane
Props:
Gideon Hay
Prosthetic Designer:
John L. Healy
Publicist:
Lorraine Jamison
Rigging Grip:
Cameron Beck
Scenic Artist:
Herb Burnside
Screenplay:
Neil LaBute
Script Supervisor:
Susan Lambie
Second Assistant "A" Camera:
Tyler Woeste
Second Assistant "B" Camera:
Jean-Marc Saldini
Second Assistant Camera:
Richard Porta
Second Assistant Director:
Kathy Houghton
Second Unit Director:
Boaz Davidson
Security:
Darren Ling
Security Coordinator:
Larry Sostad
Set Costumer:
Debra Torpe
Set Decoration:
Shannon Murphy
Set Designer:
Doug Girling
Set Dresser:
Adam Catt
Sound Assistant:
Cameron Foodikoff
Sound Designer:
Ronald Eng
Sound Effects Editor:
Steve Tushar
Sound Mixer:
Darren Brisker
Sound Re-Recording Mixer:
Steve Pederson
Sound Recordist:
Gary Ritchie
Special Effects Assistant:
Rob Mackie
Special Effects Best Boy:
Rod Currie
Special Effects Coordinator:
Jak Osmond
Steadycam:
David Crone
Still Photographer:
Alan Markfield
Storyboard Artist:
Ling Yang
Stunt Coordinator:
Scott J. Ateah
Eddie Yansick
Stunt Double:
Eddie Yansick
Monique Ganderton
Stunts:
Paul Becker
Darryl Scheelar
Kevin Schartner
Monique Ganderton
Mike Carpenter
Pat Young
Mike Birkwieser
Claire Webb
Rikki Gagne
Tom Glass
Ryan Ennis
Garvin Cross
Supervising Sound Editor:
Ronald Eng
Third Assistant Director:
Dan Mansfield
Transportation Coordinator:
John Johnston
Truck Supervisor:
Moira Fentum
Underwater Director of Photography:
Ian Seabrook
Unit Production Manager:
Brad Van Arragon
Utility Sound:
Brian Robinson
Visual Effects Compositor:
Ivet Jordanova
Visual Effects Editor:
Ryan Dorney
Visual Effects Producer:
Scott Coulter
Visual Effects Supervisor:
Ralph Maiers
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.