A work in constant progress (and occasional regress).
Release Date:
March 7, 2004
Original Title:
The Survivors Club
Alternate Titles:
Muerte por encargo
Genres:
Crime | TV Movie | Thriller
Production Companies:
Bender Brown Productions
CBS
Jaffe/Braunstein Films
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 85
After being raped by a serial killer, Jillian Hayes, Carol Rosen and Meg Pesaturo found "The Survivors Club", and they use the press to force the police and justice to arrest the rapist. Eddie Como is arrested, based on DNA evidences, and while going to court for trial, he is murdered by a sniper and the three women switch position from victims to suspects. Detective Roan Griffin, who is traumatized by the brutal murder of his beloved wife by the manipulative killer David Price, joins the investigation with detective Fitz Fitzpatrick trying to solve the case.
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Art Direction:
Jeremy Stanbridge
Casting:
Bette Chadwick
Donna Rosenstein
Costume Design:
Lorraine Carson
Director:
Christopher Leitch
Director of Photography:
Paul Sarossy
Editor:
John Duffy
Executive Producer:
Howard Braunstein
Michael Jaffe
Roma Downey
Kevin Kelly Brown
Tom Todoroff
Lawrence Bender
Gaffer:
John Helme
Key Hair Stylist:
Pauline L. Tremblay
Makeup Artist:
Diana Davison
Music:
Douglas J. Cuomo
Novel:
Lisa Gardner
Producer:
Lynne Bespflug
Christopher Leitch
Production Design:
Jo-Ann Chorney
Script Supervisor:
Deirdre de Butler
Set Decoration:
Shirley Inget
Sound Re-Recording Mixer:
Paul A. Sharpe
Gord Hillier
Iain Pattison
Special Effects Coordinator:
Eric Vrba
Tom Blacklock
Still Photographer:
Ben Mark Holzberg
Stunt Coordinator:
Bill Ferguson
Stunt Double:
Caroline Field
Terrance Leigh
Stunts:
Jim Broyden
Supervising Sound Editor:
Jacqueline Cristianini
Teleplay:
Nancey Silvers
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.