A work in constant progress (and occasional regress).
Release Date:
March 17, 2017
Original Title:
Goon: Last of the Enforcers
Alternate Titles:
Goon 2
Goon 2 - Last of the Enforcers
Iri Kıyım: Ruh Hastası
Genres:
Comedy
Production Companies:
Caramel Films
No Trace Camping
Taurus Film
Production Countries:
Canada | United States of America
Ratings / Certifications:
CA: 18A DE: 16 GB: 15 IE: 15 KR: 19 PL: 16 RO: 15 US: R
Runtime: 101
During a pro lockout, Doug "The Thug" Glatt is injured and must choose whether to defend his team against a dangerous new enemy, or be there for his wife as she prepares to give birth to his daughter.
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ADR Editor:
Guy Pelletier
Art Direction:
Michelle Lannon
Associate Producer:
Valérie d'Auteuil
Casting:
Sara Kay
Jenny Lewis
Casting Assistant:
Kalene Osborne
Co-Executive Producer:
Kyle Hunter
Ariel Shaffir
Co-Producer:
Jesse Chabot
Costume Design:
Lea Carlson
Dialogue Editor:
Guy Pelletier
Director:
Jay Baruchel
Director of Photography:
Paul Sarossy
Editor:
Jason Eisener
Executive Producer:
Jeff Arkuss
Evan Goldberg
Patrick Roy
Seann William Scott
Jesse Shapira
Mark Slone
Line Producer:
Hartley Gorenstein
Location Manager:
Ron McKenzie
Music Supervisor:
Evan Dubinsky
Original Music Composer:
Trevor Morris
Post Production Supervisor:
Melany Bourgouin
Producer:
Jay Baruchel
David Gross
André Rouleau
Production Coordinator:
Jonathan Pencharz
Production Manager:
Stefan Steen
Screenplay:
Jay Baruchel
Jesse Chabot
Script Supervisor:
Carolyn Arbuckle
Set Decoration:
Mary Kirkland
Sound Editor:
Antoine Morin
Thibaut Quinchon
Sound Re-Recording Mixer:
Christian Rivest
Stunt Coordinator:
Jean Frenette
Dan Skene
Stunt Double:
Cam Fergus
Dustin Faith
Dan Skene
Wolf Ryman
Stunts:
Marcello Baccala
Julian Lewis
Geoff Meech
John Kaye
Supervising Producer:
Chantelle Tabrizi
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.