A work in constant progress (and occasional regress).
Alias:
Chris Franke
Christoph Franke
Tangerine Dream
Birthplace:
Berlin, Germany
Born:
April 6, 1953
Christopher Franke (born 6 April 1953) is a German musician and composer. From 1971 to 1987, he was a member of the electronic group Tangerine Dream. Initially, a drummer with The Agitation later renamed Agitation Free, his primary focus eventually shifted to keyboards and synthesizers as the group moved away from its psychedelic rock origins. While he was not the first musician to use an analog sequencer, he was probably the first to turn it into a live performance instrument, thus laying the rhythmic foundation for classic Tangerine Dream pieces and indeed for the whole Berlin school sound. After his departure from the group, he founded the Sonic Images record label, a new-age music label called Earthtone, and the Berlin Symphonic Film Orchestra, and produced a number of solo music works. After leaving Tangerine Dream, his only live concert was on 9 October 1991 at the Astoria Theatre in London. He performed on stage with Edgar Rothermich (a.k.a. Richard E. Roth) who is also his producer and engineer on all his solo projects and film music after 1990. Franke moved to Los Angeles in 1991 to pursue film work. In 1995 he scored the AFI short Requiem. He may be best known for composing the music for the science fiction television series Babylon 5, as well as the score of the anime movie Tenchi Muyo! in Love and in 2005 the music for the German musical Ludwig² (with Konstantin Wecker).
Music:
1984 Heartbreakers
1985 Legend
1987 Canyon Dreams
1992 Universal Soldier
1995 Requiem
1997 The Inheritance
2001 When Dinosaurs Roamed America
2003 The Elizabeth Smart Story
2006 What the Bleep! Down the Rabbit Hole
2013 Julia
Original Music Composer:
1977 Sorcerer
1981 Strange Behavior
1981 Thief
1982 The Soldier
1983 Risky Business
1983 The Keep
1983 Wavelength
1984 Firestarter
1984 Flashpoint
1984 Heartbreakers
1985 Legend
1985 Red Heat
1985 Vision Quest
1986 The Park Is Mine
1987 Canyon Dreams
1987 Near Dark
1987 Shy People
1987 Three O'Clock High
1991 Driving Me Crazy
1991 McBain
1992 She Woke Up
1992 Universal Soldier
1993 Journey to the Center of the Earth
1994 The Yarn Princess
1995 Night of the Running Man
1995 Requiem
1995 The Surgeon
1996 A Face to Die For
1996 Public Enemies
1996 Tenchi Muyo! In Love
1997 Menno's Mind
1997 Tell Me No Secrets
1997 The Devil's Child
1997 The Inheritance
1998 Babylon 5: In the Beginning
1998 Babylon 5: The River of Souls
1998 Babylon 5: Thirdspace
1998 Tarzan and the Lost City
1998 Terror in the Mall
1999 A Holiday Romance
2000 The Calling
2001 Jack the Dog
2001 Murder on the Orient Express
2001 When Dinosaurs Roamed America
2002 Babylon 5: The Legend of the Rangers - To Live and Die in Starlight
2002 Dancing at the Harvest Moon
2003 Footsteps
2003 Hunter: Back in Force
2003 Manhood
2003 The Elizabeth Smart Story
2004 What the #$*! Do We (K)now!?
2005 Berkeley
2005 Green Street Hooligans
2006 What the Bleep! Down the Rabbit Hole
2007 Babylon 5: The Lost Tales - Voices in the Dark
2011 Ultrasuede: In Search of Halston
2013 Julia
Music:
1989 Tales from the Crypt
1994 Babylon 5
2003 The Family
Original Music Composer:
1970 Scene of the Crime
1989 Tales from the Crypt
1994 Babylon 5
2003 The Family
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.