A work in constant progress (and occasional regress).
Release Date:
July 10, 1992
Original Title:
Universal Soldier
Alternate Titles:
Soldado universal
Unité spéciale
Universal Soldier
Universal Soldier - I nuovi eroi
Universal Soldier 01 Universal Soldier
Universal Soldier 1
再造战士
再造戰士
유니버설 솔져
Genres:
Action | Crime | Science Fiction | Thriller
Production Companies:
Carolco Pictures
Centropolis Entertainment
IndieProd Company Productions
Production Countries:
United States of America
Ratings / Certifications:
AU: MA 15+ BR: 16 DE: 16 DK: 15 FI: K-18 FR: 12 GB: 18 GR: 16 HU: 16 KR: 18 MX: B-15 NL: 16 NO: 18 PT: M/16 SE: 15 US: R
Runtime: 103
An American soldier who had been killed during the Vietnam War is revived 25 years later by the military as a semi-android, UniSols, a high-tech soldier of the future. After the failure of the initiative to erase all the soldier's memories, he begins to experience flashbacks that are forcing him to recall his past.
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ADR & Dubbing:
Elma Glutz
Art Direction:
Nelson Coates
Best Boy Grip:
Brian Robertson
Camera Operator:
Peter Krause
Casting:
Penny Perry
Annette Benson
Co-Producer:
Oliver Eberle
Construction Coordinator:
Bill Luckey
Frank Bollinger
Michael Eschger
Costume Design:
Joseph A. Porro
Director:
Roland Emmerich
Director of Photography:
Karl Walter Lindenlaub
Dolby Consultant:
Robert S. Warren
Bradford L. Hohle
Editor:
Michael J. Duthie
Executive Producer:
Mario Kassar
Fight Choreographer:
Clint Cadinha
First Assistant Director:
Steve Love
Foley:
Andy Malcolm
Hairstylist:
Shari Perry
Donna Richards
Janice Alexander
Key Hair Stylist:
Janice Alexander
Key Makeup Artist:
Zoltan Elek
Leadman:
Aaron Osborne
Location Manager:
Kenneth E. Fix
Makeup Artist:
Zoltan Elek
N. Kristine Chadwick
Music:
Christopher Franke
Music Editor:
Lisa Kauppi
Producer:
Craig Baumgarten
Allen Shapiro
Joel B. Michaels
Production Design:
Holger Gross
Property Master:
Tighe Barry
Scenic Artist:
Missy Vivenzio
Stella Juzefczyk Kornbacher
Susan F. O'Conor
Wayne Daddio
Brett Wert
Wayne Stone
Screenplay:
Richard Rothstein
Christopher Leitch
Dean Devlin
Script Supervisor:
Dea Cantu
Kay Sweeney
Second Assistant Director:
Robert Leveen
Second Second Assistant Director:
Michael Viglietta
Second Unit Cinematographer:
Daniel L. Turrett
Second Unit Director:
Vic Armstrong
Second Unit Director of Photography:
Daniel L. Turrett
Set Costumer:
Laureen Jacques
Set Decoration:
Alexander Carle
Set Dresser:
Elizabeth Frank
Sound Designer:
John P. Fasal
Sound Editor:
Clayton Collins
Bill Van Daalen
Joe Gillis
Sound Re-Recording Mixer:
Don White
Patrick Cyccone Jr.
David Appleby
Special Effects:
Kit West
Special Effects Makeup Artist:
Michael Burnett
Steadicam Operator:
Chris Haarhoff
Still Photographer:
Jürgen Vollmer
Stunt Coordinator:
Vic Armstrong
Stunt Double:
Jeff Jensen
Mark Stefanich
Donna Evans
Stunt Driver:
Bob Orrison
Stunts:
Billy D. Lucas
Andy Armstrong
Gary Baxley
Steve Geray
Richard E. Butler
Vince Deadrick Jr.
Clarke Coleman
BJ Davis
Kevin LaRosa
Bill M. Ryusaki
Jon Conrad Pochron
Ignacio Carreño
Denver Mattson
Steve Vandeman
Jack Carpenter
Rick Deming
Hubie Kerns Jr.
Vojislav Govedarica
Michael M. Vendrell
Gerard 'Gus' Williams
Raliegh Wilson
Diane Peterson
Allan Graf
Peter Malota
Dana Dru Evenson
Ric Roman Waugh
Peewee Piemonte
Supervising Sound Editor:
Sandy Gendler
Val Kuklowsky
Transportation Coordinator:
John Ornstein
Unit Publicist:
Steve Newman
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.