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What the #$*! Do We (K)now!? (2004) [N/A]

Release Date:
April 23, 2004

Original Title:
What the #$*! Do We (K)now!?

Alternate Titles:
Quem Somos Nós?
What The Bleep Do We (K)now!?
What the #$! Do We (K)now!
What the Bleep Do We Know
What the Bleep Do We Know!?
What tнē #$*! D̄ө ωΣ (k)πow!?
Y tú qué sabes!?
¿¡Y tú qué sabes!

Genres:
Comedy | Documentary | Drama

Production Companies:
Lord of the Wind

Production Countries:
United States of America

Ratings / Certifications:
BR: 14  ES: 16 

Runtime: 109

Time to get wise.

Overview from TheMovieDB

Amanda is a divorced woman who makes a living as a photographer. During the Fall of the year Amanda begins to see the world in new and different ways when she begins to question her role in life, her relationships with her career and men and what it all means. As the layers to her everyday experiences fall away insertions in the story with scientists, and philosophers and religious leaders impart information directly to an off-screen interviewer about academic issues, and Amanda begins to understand the basis to the quantum world beneath. During her epiphany as she considers the Great Questions raised by the host of inserted thinkers, she slowly comprehends the various inspirations and begins to see the world in a new way.

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Production

Assistant Director:
Eugene Mazzola

Costume Design:
Ronald Leamon

Director:
William Arntz
Betsy Chasse
Mark Vicente

Director of Photography:
Mark Vicente
David Bridges

Editor:
Jonathan P. Shaw

Hair Department Head:
E. Larry Day

Makeup Department Head:
E. Larry Day

Original Music Composer:
Christopher Franke

Producer:
Betsy Chasse
Todd C. Guzze
Mark Vicente
William Arntz

Production Design:
Nava

Writer:
Betsy Chasse
Mark Vicente
William Arntz

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.