A work in constant progress (and occasional regress).
Release Date:
December 21, 2000
Original Title:
The Calling
Alternate Titles:
The Calling - La dernière Prophétie
Genres:
Horror | Thriller
Production Companies:
Constantin Film
Fanes Film
IMF
Production Countries:
Germany | United States of America
Ratings / Certifications:
CH: 16 DE: 16
Runtime: 89
On her wedding night, a young woman conceives a child during an hallucinatory encounter. Several years later, as her friends and family begin to behave strangely, she pieces together clues that lead to one conclusion...her son is the Antichrist
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Coordinator:
Cheryl Bickerton
ADR Editor:
Eva Claudius
ADR Mixer:
Kevin Taylor
ADR Supervisor:
Jacques Leroide
Art Direction:
Simon Bowles
Assistant Accountant:
Jason Potter
Assistant Art Director:
Sally Black
Assistant Costume Designer:
Tim Scotti-Henson
Assistant Editor:
Katja Birklein
Corinna Heinz
Assistant Production Coordinator:
Karen Everett
Associate Producer:
Elizabeth Wang-Lee
Best Boy Electric:
Steve Costello
John Turley
Boom Operator:
Christian Joyce
Camera Operator:
Keith Sewell
Ken Coles
Casting:
Beth Charkham
Billy Hopkins
Suzanne Smith Crowley
Kerry Barden
Casting Assistant:
Janis Powley
Clapper Loader:
Andrea Theis
Construction Manager:
Dave Garbe
Costume Design:
Pam Downe
Daily Wardrobe:
Lisa Shanley
Marco Scotti
Dialogue Editor:
Magda Habernickel
Digital Compositor:
Florian Martin
Christian Zeh
Klaus Wuchta
Director:
Richard Caesar
Director of Photography:
Joachim Berc
Dressing Prop:
Gus Lupton
Pat Begley
Michael Mills
Editor:
Michael Feick
Electrician:
Peter Richardson
Gary Nagle
Dave Moore
Martyn Welland
Tony Hannington
Freddie Palombo
Paul Duffy
Mickey Cooper
Vic Chandler
Vince Carol
Brian Sullivan
John Attwood
Micky O'Connell
Executive Producer:
Bernd Eichinger
Robert Kulzer
John Rice
Rudy Gaines
Matthias Deyle
Yvo Junkers
First Assistant Director:
Jeremy Kincaid Smith
Kevin Westley
Focus Puller:
Robert Patzelt
Rawdon Hayne
John Gamble
Adam Coles
Foley Artist:
Jörn Poetzl
Foley Editor:
Lisa Geffcken-Reinhard
Gaffer:
Marco Zwitter
Generator Operator:
Peter Richardson
Gary Nagle
Hairstylist:
Marilyn MacDonald
Key Grip:
Nick Ray
Line Producer:
Andy Birmingham
Location Manager:
Andy Pavord
Derek Harrington
Location Scout:
Johnny Bamford
Roger Elliott
Philip Morris
Location Sound Mixer:
Rudi Buckle
Makeup Artist:
Marilyn MacDonald
Deborah Jarvis
Faye De Bremaeker
Sam Bear
Sara Osborn
Negative Cutter:
Christa Garmeier
Original Music Composer:
Christopher Franke
Post Production Coordinator:
Andrea Dvorak
Producer:
Norbert Preuss
Production Accountant:
Ursula Schlieper
Carmel Cassidy
Production Coordinator:
Vicky Hutchings
Production Design:
Bernd Lepel
Production Executive:
Volker Schauz
Production Manager:
Philip Evenkamp
Production Supervisor:
Michael Murray
Property Master:
John Mills
Prosthetic Makeup Artist:
Ian Morse
Script Supervisor:
Diana Dill
Second Assistant Director:
Toby Hosking
Set Decoration:
Sonja Klaus
Sound Designer:
Friedrich M. Dosch
Sound Editor:
Christoph von Schönburg
Sound Mixer:
Max Rammler-Rogall
Tim Blackham
Special Effects Supervisor:
John Rafique
Special Effects Technician:
Doug McCarthy
Jody Taylor
Standby Property Master:
Micky Swift
Terry Wood
Steadicam Operator:
Keith Sewell
Still Photographer:
Oliver Upton
Storyboard Artist:
John Greaves
Stunt Coordinator:
Glenn Marks
Stunts:
Sy Holland
Tony van Silva
Kelly Dent
Third Assistant Director:
Andrew McEwan
Title Designer:
Lutz Lemke
Unit Manager:
Toby Eliot
John Withers
Video Assist Operator:
Simon Wheeler
Visual Effects Producer:
Angela Reedwisch
Visual Effects Supervisor:
Jürgen Schopper
Wardrobe Assistant:
Elisa Hunter
Wardrobe Supervisor:
Georgina Gunner
Writer:
John Rice
Rudy Gaines
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.