A work in constant progress (and occasional regress).
Alias:
مارک هیپ
Birthplace:
Kodaikanal, Tamil Nadu, India
Born:
May 13, 1957
Mark Heap (born 13 May 1957) is a British actor and comedian. Television credits include Ghost Train (1991), Smith & Jones (1997–1998), Brass Eye (1997–2001), Kiss Me Kate (1998), The Zig and Zag Show (1998), How Do You Want Me? (1998–1999), Stressed Eric (1998–2000), Green Wing (2004–2007), Spaced (1999–2001), The Strangerers (2000), Jam (2000), Doc Martin (2000), Happiness (2001–2003), Lark Rise to Candleford (2008–2011), Desperate Romantics (2009), Friday Night Dinner (2011–2020), Upstart Crow (2016–2018), and Benidorm (2017–2018). Film credits include About a Boy (2002), Stardust (2007), The World's End (2013), Time Travel is Dangerous (2024). Heap was born in Kodaikanal, Tamil Nadu, India, to an English father and American mother, the youngest of four boys. When the family moved to the United Kingdom, they lived in Wales. He stayed there until he moved to northern England, where he lives now. He began acting in the 1970s as a member of the Medieval Players, a touring company performing medieval and early modern theatre, and featuring stilt-walking, juggling and puppetry. His brother Carl Heap, who is also an actor, was the artistic director of the company. After its demise, he became part of the street theatre duo The Two Marks (with Mark Saban). Heap starred in the BBC sketch show Big Train, where he performed a barefoot gymnastics routine and other sketches between 1998 and 2002, alongside other burgeoning comedy stars Simon Pegg, Julia Davis, Kevin Eldon, Catherine Tate, Amelia Bullmore, Rebecca Front, Nick Frost and Tracy-Ann Oberman. He appeared as struggling artist Brian Topp in Spaced (1999–2001), and the pompous Dr. Alan Statham in Green Wing (2004–07). Heap worked with Chris Morris, in Blue Jam, radio predecessor to Jam, and the documentary parody series Brass Eye. He voiced the lead character of Eric Feeble in the animated comedy Stressed Eric. Other recurring roles included: Terry Roche in Paul Whitehouse's comedy-drama Happiness and Derek Few in How Do You Want Me?. He played Harry in the short-lived Rob Grant TV series The Strangerers, in 2000. He also guested in the second series of the BBC comedy Look Around You as Leonard Hatred. He appeared as an unsuccessful businessman who became a bellboy, in the 2007 BBC One drama Hotel Babylon. Between 2008 and 2010, he appeared as head postman Thomas Brown, in 32 episodes of the BBC period drama Lark Rise to Candleford. He was the super villain Lightkiller, in an episode of the sitcom No Heroics. He also appeared as the father of Chris Miles in the Channel 4 programme Skins. Heap played the love interest of the main character in the second series of the BBC comedy Love Soup. He played the role of Charles Dickens in the 2009 BBC Two drama Desperate Romantics. He also played Jessica Hynes' husband in the one-off comedy written by Hynes and Julia Davis: Lizzie & Sarah.
Writer:
2000 Jam
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.