A work in constant progress (and occasional regress).
Release Date:
July 27, 2006
Original Title:
Scoop
Alternate Titles:
Amor y muerte
Bomba zilei
Füles
Jymyjuttu
Kõmulugu
Scoop - Goracy temat
Scoop de Woody Allen
Scoop, la primicia
Scoop: Amor y muerte
Scoop: O Grande Furo
Senzacionalna vijest
Udarna vest
独家新闻
遇上塔羅牌殺手
스쿠프
Genres:
Comedy | Mystery
Production Companies:
BBC Film
Ingenious Media
Jelly Roll Productions
Phoenix Wiley Productions
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
BR: 12 DE: 6 FR: U GR: 13 JP: R15+ KR: 12 PT: M/12 US: PG-13
Runtime: 96
An American journalism student in London scoops a big story, and begins an affair with an aristocrat as the incident unfurls.
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Art Department Assistant:
Louise Begbie
Art Direction:
Nick Palmer
Assistant Accountant:
Kerry Smith
Assistant Costume Designer:
Charlotte Sewell
Assistant Editor:
James Nichols Jr.
Assistant Location Manager:
Aurelia Thomas
Assistant Production Coordinator:
Carrie-Ann Banner
Assistant Sound Editor:
Eytan Mirsky
Best Boy Electric:
Mark Funnell
Boom Operator:
Shaun Mills
Camera Operator:
Remi Adefarasin
Camera Trainee:
Ben Adefarasin
Casting:
Patricia Kerrigan DiCerto
Gail Stevens
Juliet Taylor
Casting Assistant:
David Wheal
Julie Schubert
Casting Associate:
Will Davies
Clapper Loader:
John Adefarasin
Clearances Coordinator:
Cassandra Sigsgaard
Co-Executive Producer:
Charles H. Joffe
Jack Rollins
Co-Producer:
Nicky Kentish Barnes
Helen Robin
Construction Manager:
Dave Creed
Costume Designer:
Jill Taylor
Costume Supervisor:
Charlotte Finlay
Dialogue Editor:
Sylvia Menno
Director:
Woody Allen
Director of Photography:
Remi Adefarasin
Dolby Consultant:
Thomas Kodros
Dressing Prop:
Andrew 'Monty' Wilson
Stephen Thomson
Driver:
Enyo Mortty
Roy Clarke
Lee Isgar
Peter Trotman
Waseem Barlas
Editor:
Alisa Lepselter
Electrician:
Ben Wilson
Tony Burns
Executive Producer:
Stephen Tenenbaum
David M. Thompson
Duncan Reid
Peter Touche
First Assistant Director:
Michael Elliott
First Assistant Editor:
Morgan Neville
Floor Runner:
Joey Coughlin
Focus Puller:
David Cozens
Foley Artist:
Jay Peck
Foley Editor:
Coll Anderson
Foley Recording Engineer:
Ryan Collison
Gaffer:
Jimmy Wilson
Graphic Designer:
Hannah Capron
Grip:
John Arnold
Hair Designer:
Sallie Jaye
Hairstylist:
Tracey L. Miller-Smith
Lisa Tomblin
Location Coordinator:
Lucy Foulds
Location Manager:
Michael Harm
Sue Quinn
Makeup Artist:
Polly Earnshaw
Makeup Designer:
Sallie Jaye
Makeup Trainee:
Charlotte Hayward
Post Production Accountant:
Pietro Lorino, Jr.
Post Production Coordinator:
Scott Kordish
Producer:
Gareth Wiley
Letty Aronson
Production Accountant:
Louise O'Malley
Production Coordinator:
Francesca Dowd
Production Design:
Maria Djurkovic
Production Sound Mixer:
Peter Glossop
Property Buyer:
Gill Farr
Property Master:
Chris Cull
Rigging Gaffer:
Ian Franklin
Script Supervisor:
Kim Armitage
Second Assistant Director:
Tamana Bleasdale
Set Decoration:
Philippa Hart
Sound Assistant:
Stephane Malenfant
Sound Editor:
David Wahnon
Sound Effects Editor:
Glenfield Payne
Sound Re-Recording Mixer:
Lee Dichter
Special Effects Makeup Artist:
Nathaniel De'Lineadeus
Chris Lyons
Standby Art Director:
Sarah Bicknell
Standby Carpenter:
David Williamson
Standby Painter:
Bradley Woodbridge
Standby Rigger:
Colin Smith
Still Photographer:
Clive Coote
Supervising Carpenter:
William Rigby
Supervising Sound Editor:
Robert Hein
Third Assistant Director:
Samar Pollitt
Unit Production Manager:
Helen Robin
Tori Parry
Visual Effects Coordinator:
Gemma James
Visual Effects Producer:
Michelle Corney
Visual Effects Supervisor:
Richard Stammers
Wardrobe Assistant:
Karen Beale
David Wootton
Writer:
Woody Allen
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.