A work in constant progress (and occasional regress).
Premiere:
March 23, 2000
# of Seasons: 1
# of Episodes: 6
Finale:
April 27, 2000
Creators:
Chris Morris
Original Title:
Jam
Alternate Titles:
Apes & Music
Jaaaaam
Джем
Genres:
Comedy
Production Companies:
Channel 4 Television
Talkback
Countries:
GB
Adapted from Blue Jam, a late night radio show, Jam consists of six shows featuring dark humour and unsettling sketches unfolding over an ambient soundtrack. From the mind of Chris Morris.
Art Direction:
Dick Lunn
Carpenter:
Laurie Griffiths
Kevin Hedges
Colorist:
James Feltham
Director of Photography:
Andy Hollis
Dresser:
Giles Gale
Kevin Jones
Dressing Prop:
Tim Youngman
Editor:
Mathew Wood
Marvyn Young
Electrician:
Michael Plumley
Clive Sait
Executive Producer:
Peter Fincham
First Assistant Director:
Tristram Shapeero
Focus Puller:
Stuart Clayton
Gaffer:
Paul Barlow
Grip:
James Grimes
Hair Designer:
Christine Cant
Head of Production:
Sally Debonnaire
Line Producer:
Philippa Catt
Location Assistant:
Jodi Moore
Location Manager:
Ed Suter
Makeup Artist:
Juliette Tomes
Makeup Designer:
Christine Cant
Music:
Chris Morris
Adrian Sutton
Online Editor:
Clayton Lonie Jr.
Producer:
Chris Morris
Production Coordinator:
Alex McLeod
Production Design:
Dennis De Groot
Production Runner:
Georgina Warrington
Property Buyer:
Jess Kitley
Property Master:
Paul de Csernatony
Props:
Michala Jermy
Nigel Pinhay
Researcher:
Rebecca Neale
Script Supervisor:
Christine Moses
Second Assistant Director:
Sean Clayton
Sound Designer:
Chris Morris
Adrian Sutton
Sound Engineer:
John Crossland
Sound Re-Recording Mixer:
Julian Slater
Nigel Heath
Sound Recordist:
John A. Parry
Third Assistant Director:
Edward Sharpe
Unit Medic:
Morag Webster
Utility Sound:
John Whitehall
Wardrobe Supervisor:
Melanie Levack
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.