A work in constant progress (and occasional regress).
Release Date:
April 26, 2002
Original Title:
About a Boy
Alternate Titles:
About a Boy - Un ragazzo
About a boy
Bir Oğlan Haqqında
Comme un garçon
Der Tag der toten Ente
Egy fiúról
Gutter er gutter
Jak na věc
Om en pojke
Pour un garcon
Um Grande Garoto
Un Gran Chico
单亲插班生
非关男孩
어바웃 어 보이
Genres:
Comedy | Drama | Romance
Production Companies:
Kalima Productions
StudioCanal
Tribeca Productions
Universal Pictures
Working Title Films
Production Countries:
France | Germany | United Kingdom | United States of America
Ratings / Certifications:
AT: 12 AU: M CA: PG CH: 12 CZ: 12+ DE: 6 ES: APTA FR: U GB: 12 HU: 12 IE: 12 IT: T JP: G KR: 12 NL: AL PL: 12 SE: 7 US: PG-13
Runtime: 101
Will Freeman is a good-looking, smooth-talking bachelor whose primary goal in life is avoiding any kind of responsibility. But when he invents an imaginary son in order to meet attractive single moms, Will gets a hilarious lesson about life from a bright, but hopelessly geeky 12-year-old named Marcus. Now, as Will struggles to teach Marcus the art of being cool, Marcus teaches Will that you're never too old to grow up.
"A" Camera Operator:
Peter Robertson
ADR Editor:
Norval D. Crutcher III
ADR Mixer:
Ted Swanscott
ADR Recordist:
Colin Cooper
ADR Supervisor:
Bob McNabb
ADR Voice Casting:
Brendan Donnison
Vanessa Baker
Actor's Assistant:
Sara Woodhatch
Apprentice Sound Editor:
Lee Gilmore
Art Direction:
Gary Freeman
Assistant Art Director:
Rosie Hardwick
Assistant Costume Designer:
Guy Speranza
Assistant Sound Editor:
Samuel Webb
Boom Operator:
Jaya Bishop
Camera Loader:
René Adefarasin
Carpenter:
Nick Goodall
Peter Duffy
Joseph Alley
Darryl Carter
Casting:
Priscilla John
Casting Assistant:
Laura Dickens
Co-Producer:
Nicky Kentish Barnes
Debra Hayward
Liza Chasin
Hardy Justice
Color Timer:
Jim Passon
Costume Assistant:
Martin Chitty
Louise Egan
Costume Design:
Joanna Johnston
Costume Supervisor:
Claire Finlay-Thompson
Dialogue Coach:
Jill McCullough
Dialogue Editor:
Walter Spencer
Director:
Chris Weitz
Paul Weitz
Director of Photography:
Remi Adefarasin
Dolby Consultant:
Bryan Pennington
Editor:
Nick Moore
Electrician:
Jamie Mills
Dave Moss
Executive Producer:
Nick Hornby
Lynn Harris
First Assistant Director:
Christopher Newman
First Assistant Editor:
Simon Cozens
Foley Editor:
Marilyn Graf
Hair Designer:
Graham Johnston
Key Grip:
John Arnold
Key Set Costumer:
Helen Mattocks
Location Manager:
Steve Hart
Makeup Artist:
Lorna McGowan
Carmel Jackson
Makeup Designer:
Graham Johnston
Music Supervisor:
Nick Angel
Negative Cutter:
Theresa Repola Mohammed
Novel:
Nick Hornby
Original Music Composer:
Badly Drawn Boy
Painter:
Jeff Sullivan
Post Production Accountant:
Tarn Harper
Post Production Supervisor:
Graham Stumpf
Producer:
Tim Bevan
Robert De Niro
Brad Epstein
Eric Fellner
Jane Rosenthal
Producer's Assistant:
Meghan Lyvers
Production Accountant:
Neil Chaplin
Production Coordinator:
Ann Lynch
Production Design:
Jim Clay
Production Manager:
Bernard Bellew
Property Master:
Barry Gibbs
Props:
Bill Hargreaves
Scoring Mixer:
Stephen McLaughlin
Screenplay:
Peter Hedges
Chris Weitz
Paul Weitz
Nick Hornby
Script Supervisor:
Nikki Clapp
Second Assistant Director:
Ben Howarth
Set Decoration:
John Bush
Sound Editor:
Gary S. Gerlich
William Hooper
Patrick O'Sullivan
Sound Mixer:
Tony Dawe
Sound Re-Recording Mixer:
Andy Koyama
Chris Carpenter
Sound Recordist:
Bill Meadows
Standby Carpenter:
Paul Duff
David Williamson
Steadicam Operator:
Peter Robertson
Still Photographer:
Laurie Sparham
Stunt Coordinator:
Grahame Crowther
Supervising Art Director:
Rod McLean
Supervising Music Editor:
Charles Martin Inouye
Supervising Sound Editor:
Richard LeGrand Jr.
Third Assistant Director:
Alex Oakley
Unit Manager:
Lucy Williams
Unit Publicist:
Stacy Mann
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.