A work in constant progress (and occasional regress).
Alias:
Chivo
Birthplace:
Mexico City, Mexico
Born:
November 30, 1964
Emmanuel Lubezki Morgenstern (born 30 November, 1964) is a Mexican cinematographer. Lubezki has worked with many acclaimed directors, including Mike Nichols, Tim Burton, Michael Mann, Joel and Ethan Coen, and frequent collaborators Terrence Malick, Alfonso Cuarón, and Alejandro González Iñárritu. Lubezki is known for groundbreaking uses of natural lighting and continuous uninterrupted shots in cinematography, often utilizing a Steadicam, a 3-axis Gimbal, or Hand-held camera to orchestrate fluid, uninterrupted camera movements during particularly significant scenes. His work has been praised by audiences and critics alike, which earned him multiple awards, including eight Academy Award nominations for Best Cinematography. He won in this category three times, becoming the first person to do so in three consecutive years, for Gravity (2013), Birdman (2014), and The Revenant (2015).
Associate Producer:
2004 The Assassination of Richard Nixon
Director:
2004 The Assassination of Richard Nixon
2024 The Knowing
???? Concierto Caifanes Auditorio Nacional 1989
Director of Photography:
1989 Appointment with Death
1990 La muchacha
1991 Bandidos
1991 Sólo con tu pareja
1992 Like Water for Chocolate
1993 Miroslava
1993 The Harvest
1993 Twenty Bucks
1994 Amber
1994 Reality Bites
1995 A Little Princess
1995 A Walk in the Clouds
1996 The Birdcage
1998 Great Expectations
1998 Meet Joe Black
1999 Sleepy Hollow
2000 Things You Can Tell Just by Looking at Her
2001 Ali
2001 Y Tu Mamá También
2002 From Mesmer, with Love or Tea for Two
2003 The Cat in the Hat
2004 Lemony Snicket's A Series of Unfortunate Events
2004 The Assassination of Richard Nixon
2005 The New World
2006 Children of Men
2007 To Each His Own Cinema
2008 Burn After Reading
2008 Shine a Light
2009 Dick Tracy Special
2011 The Tree of Life
2013 Gravity
2013 To the Wonder
2014 Birdman or (The Unexpected Virtue of Ignorance)
2015 Knight of Cups
2015 The Revenant
2016 Last Days in the Desert
2017 Song to Song
2022 Amsterdam
2024 The Knowing
???? Concierto Caifanes Auditorio Nacional 1989
???? Judy
Thanks:
1989 Appointment with Death
1990 La muchacha
1991 Bandidos
1991 Sólo con tu pareja
1992 Like Water for Chocolate
1993 Miroslava
1993 The Harvest
1993 Twenty Bucks
1994 Amber
1994 Reality Bites
1995 A Little Princess
1995 A Walk in the Clouds
1996 The Birdcage
1998 Great Expectations
1998 Meet Joe Black
1999 Sleepy Hollow
2000 Things You Can Tell Just by Looking at Her
2001 Ali
2001 Y Tu Mamá También
2002 From Mesmer, with Love or Tea for Two
2003 The Cat in the Hat
2004 Lemony Snicket's A Series of Unfortunate Events
2004 The Assassination of Richard Nixon
2005 The New World
2006 Children of Men
2007 To Each His Own Cinema
2007 Year of the Nail
2008 Burn After Reading
2008 Shine a Light
2009 Dick Tracy Special
2011 The Tree of Life
2013 Gravity
2013 To the Wonder
2014 Birdman or (The Unexpected Virtue of Ignorance)
2015 Knight of Cups
2015 The Revenant
2016 Last Days in the Desert
2017 Song to Song
2022 Amsterdam
2024 The Knowing
???? Concierto Caifanes Auditorio Nacional 1989
???? Judy
Director of Photography:
1993 Fallen Angels
2024 Disclaimer
???? The Marked Hour
Executive Producer:
1993 Fallen Angels
2024 Disclaimer
???? The Marked Hour
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.