A work in constant progress (and occasional regress).
Release Date:
May 27, 2000
Original Title:
Things You Can Tell Just by Looking at Her
Alternate Titles:
A nő ötször
Ce que je sais d'elle... d'un simple regard
Con sólo mirarte
Con tan solo mirarla
Cosas que diría con sólo mirarla
Gefühle, die man sieht
Julmia totuuksia
Le cose che so di lei
Regards de femmes
Tout ce qu'on peut apprendre d'une femme au premier regard
oisas que Você Pode Dizer só de Olhar para Ela
Женские тайны
寂寞城市
그녀를 보기만 해도 알 수 있는 것
Genres:
Drama | Romance
Production Companies:
Avnet/Kerner Productions
Franchise Pictures
LTZ II Inc.
Metro-Goldwyn-Mayer
United Artists
Production Countries:
United States of America
Ratings / Certifications:
AT: 12 FR: U|12 KR: 18 US: PG-13
Runtime: 109
In California, a group of women struggle with personal problems as their paths intertwine in unexpected ways. Dr. Elaine Keener, the sole caretaker for her aging mother, turns to tarot card reader Christine for spiritual aid. Christine grapples with her own angst due to her lover's debilitating illness. Meanwhile, a bank manager deals with an unwanted pregnancy, two sisters pursue romantic interests and a housewife gets back into the dating game.
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Casting:
Marnie Waxman
Costume Design:
George L. Little
Director:
Rodrigo García
Director of Photography:
Emmanuel Lubezki
Editor:
Amy E. Duddleston
Executive Producer:
Elie Samaha
Andrew Stevens
Hairstylist:
Medusah
Martial Corneville
Makeup Artist:
David Abbott
Gucci Westman
Original Music Composer:
Edward Shearmur
Producer:
Lisa Lindstrom
Marsha Oglesby
Jon Avnet
Production Design:
Jerry Fleming
Screenplay:
Rodrigo García
Set Decoration:
Betty Berberian
Sound Editor:
Sarah Smith
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.