A work in constant progress (and occasional regress).
Release Date:
November 12, 1998
Original Title:
Meet Joe Black
Genres:
Drama | Fantasy | Romance
Production Companies:
City Light Films
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 12 CZ: U DE: 6 ES: A FR: 12 GB: 12 HU: 16 IE: 12 IT: T KR: 15 NZ: M PT: M/12 RO: 12 SE: 7 US: PG-13
Runtime: 178
William Parrish, media tycoon and loving father, is about to celebrate his 65th birthday. One morning, he is contacted by the inevitable, by hallucination, as he thinks. Later, Death enters his home and his life, personified in human form as Joe Black. His intention was to take William with him, but accidentally, Joe and William's beautiful daughter Susan have already met. Joe begins to develop certain interest in life on Earth, as well as in Susan, who has no clue with whom she's flirting.
ADR Editor:
Allen Hartz
Barbara Issak
David Melhase
Lauren Palmer
Jeff Rosen
Matthew Sawelson
ADR Mixer:
Dean Drabin
ADR Voice Casting:
Barbara Harris
Aerial Director of Photography:
Phil Pastuhov
Art Direction:
Robert Guerra
Assistant Editor:
Amanda Pollack
Associate Producer:
Celia D. Costas
Boom Operator:
Andrew Schmetterling
Camera Operator:
Craig DiBona
Casting:
Ellen Lewis
Juliet Taylor
Casting Associate:
Patricia Kerrigan DiCerto
Co-Producer:
David J. Wally
Color Timer:
Phil Hetos
Construction Coordinator:
Chris Fousek
Joseph S. Alfieri
Costume Design:
Aude Bronson-Howard
David C. Robinson
Dialect Coach:
Brendan Gunn
Dialogue Editor:
Ralph Osborn
Benjamin Beardwood
Gary Lewis
Director:
Martin Brest
Director of Photography:
Emmanuel Lubezki
Dolly Grip:
Dave Lowry
Editor:
Joe Hutshing
Michael Tronick
Executive Producer:
Ronald L. Schwary
First Assistant Director:
Amy Sayres
First Assistant Editor:
Gabriel Wrye
Greg Parsons
Foley Artist:
Sarah Monat
Robin Harlan
Foley Editor:
John Benson
John Murray
Dan Yale
Foley Mixer:
Marilyn Graf
Foley Recordist:
Don Givens
Gaffer:
Jay Fortune
Hair Department Head:
Beth Miller
Hairstylist:
Stephen G. Bishop
Jerry DeCarlo
Key Grip:
Richard Guinness Jr.
Key Hair Stylist:
Lyndell Quiyou
Key Makeup Artist:
Richard Dean
Randy Houston Mercer
Leadman:
Ray Fisher
Makeup Artist:
Lynn Campbell
Tricia Heine
Joe Rossi
Music Editor:
Bill Bernstein
Angie Rubin
Negative Cutter:
Gary Burritt
Original Film Writer:
Maxwell Anderson
Gladys Lehman
Original Music Composer:
Thomas Newman
Producer:
Martin Brest
Production Design:
Dante Ferretti
Projection:
Edmund Nardone
Property Master:
Tommy Allen
Rigging Gaffer:
James Malone
Screenplay:
Ron Osborn
Jeff Reno
Kevin Wade
Bo Goldman
Script Supervisor:
Lisa Katcher
Seamstress:
Joni M. Huth
Dain I. Kalas
Second Assistant Director:
Christopher Surgent
Set Decoration:
Leslie Bloom
Sound Effects Editor:
Joe Earle
Kenneth L. Johnson
Linda Keim
James P. Lay
Eric A. Norris
Sound Re-Recording Mixer:
Ron Bartlett
Chris Jenkins
Mark Smith
Sound Recordist:
Mark Narramore
Samuel F. Kaufman
Special Effects:
Robert DeVine
Still Photographer:
Phillip V. Caruso
Stunt Coordinator:
Buddy Joe Hooker
Stunt Double:
Scott Wilder
Stunts:
Troy Brown
Steve M. Davison
John Cenatiempo
Chris Cenatiempo
Supervising ADR Editor:
Joe Dorn
Supervising Sound Editor:
Scott A. Hecker
Theatre Play:
Alberto Casella
Walter Ferris
Transportation Co-Captain:
Timothy Shannon
Francis Connolly Jr.
Transportation Coordinator:
James P. Whalen
Unit Production Manager:
Celia D. Costas
Unit Publicist:
Larry Kaplan
Video Assist Operator:
Peter A. Mian
Visual Effects Editor:
David Tanaka
Visual Effects Supervisor:
Michael Owens
Wardrobe Supervisor:
Timothy Alberts
Barbara Hause
Susan J. Wright
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
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