A work in constant progress (and occasional regress).
Release Date:
July 3, 1991
Original Title:
Terminator 2: Judgment Day
Alternate Titles:
El exterminador 2
Ke Huy Diet 2: Ngay Phan Xet
O Exterminador do Futuro 2 - O Dia do Julgamento
T2
Terminaator 2: Kohtupäev
Terminator 2 Judgment Day
Terminator 2
Terminator 2 - Dommens dag
Terminator 2 - Il giorno del giudizio - Director's Cut
Terminator 2 - Judgement Day
Terminator 2 - Judgement Day (Directors Cut)
Terminator 2 - Judgement Day (Skynet Edition)
Terminator 2 - Judgment Day (Special Edition)
Terminator 2 - Le Jugement Dernier
Terminator 2 - Le Jugement Dernier (Skynet Edition)
Terminator 2 - Le Jugement Dernier 3D
Terminator 2 - Sodni dan
Terminator 2: El día del juicio final
Terminator 2: El juicio final
Terminator 2: Judgement Day
Terminator 2: Judgment Day 3D
Terminator 2։ Judgment Day
Terminator 2։ Judgment Day 3D
Terminator 2:Judgement Day
Terminatorius 2: paskutinio teismo diena
Tortímandinn: Dómsdagur
Терминатор 2 Судный день
Терминатор 2. Судный день
เทอร์มิเนเตอร์ 2 : วันพิพากษา
ターミネーター2:1991
ターミネーター2
未來戰士續集
终结者2
Genres:
Action | Science Fiction | Thriller
Production Companies:
Carolco Pictures
Le Studio Canal+
Lightstorm Entertainment
Pacific Western
Production Countries:
France | United States of America
Ratings / Certifications:
AU: M BE: 16 BR: 12 CA: R DE: 16 DK: 15 ES: 16 FI: K-16 FR: 12|TP GB: 15 GR: 16 HU: 16 IE: 15 IN: A IT: T KR: 15 LT: N-13 MX: B NL: 16 NO: 18 NZ: M PL: 16 PT: M/12 RU: 18+ SE: 15 SK: 15|12 US: R
Runtime: 137
Set ten years after the events of the original, James Cameron’s classic sci-fi action flick tells the story of a second attempt to get rid of rebellion leader John Connor, this time targeting the boy himself. However, the rebellion has sent a reprogrammed terminator to protect Connor.
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2001 #77 |
100 Years: 100 THRILLS
100 Most Thrilling American Films |
2003 #48 |
100 Years: 100 HEROES & VILLAINS
50 Greatest Heroes “Terminator” |
2005 #76 |
100 Years: 100 MOVIE QUOTES
100 Greatest Movie Quotes Of All Time “Hasta la vista, baby.” |
2008 #8 |
Top 10: SCI-FI
10 Greatest SCI-FI Films of All Time |
"A" Camera Operator:
Mike Benson
Michael St. Hilaire
3D Artist:
Miriam Alvarez
ADR Editor:
Gwendolyn Yates Whittle
Barbara McBane
Michele Perrone
C.J. Appel
Additional Camera:
Paul C. Babin
Additional Editing:
Dody Dorn
Additional Still Photographer:
Merie Weismiller Wallace
Additional Visual Effects:
Larry Arpin
Aerial Coordinator:
Charles A. Tamburro
Aerial Director of Photography:
David L. Butler
Ager/Dyer:
Stanley Moore
Animation:
Andrew Schmidt
Pete Kleinow
Amie Slate
Donna Tracy
Brett Hisey
Animation Director:
Sean Applegate
Animation Supervisor:
Steve Williams
Art Department Assistant:
Duncan Kennedy
Art Department Coordinator:
Carla S. Nemec
Art Direction:
Joseph P. Lucky
Assistant Art Director:
Gary Diamond
Charles William Breen
Assistant Camera:
Dennis J. Laine
Assistant Director Trainee:
Kelly Cantley-Kashima
Assistant Editor:
Clay Rawlins
Ron South
Kelly Tartan
Assistant Foley Artist:
Marnie Moore
Assistant Location Manager:
Robert Foulkes
Assistant Production Coordinator:
Dean Wright
Assistant Property Master:
Marc Meisels
Linda Waxman
Assistant Sound Designer:
Scott Chandler
Tom Myers
David Slusser
Assistant Sound Editor:
Jon Null
Background Casting Director:
Paul Cruz
Best Boy Electric:
Steven C. McGee
Steve Hastings
Best Boy Grip:
Rick Rader
Boom Operator:
Nicholas R. Allen
CG Animator:
Jonathan French
Christian Hogue
Elizabeth Maxwell Keith
John Nelson
Joe Pasquale
Stephen Rosenbaum
Alex Seiden
Annabella Serra
John Andrew Berton Jr.
Richard L. Cohen
Geoff Campbell
CG Artist:
Rhonda C. Gunner
Richard E. Hollander
Gregory L. McMurry
John C. Wash
CG Engineer:
Diana Ace
Ken Beyer
CG Supervisor:
Lincoln Hu
George H. Joblove
Douglas S. Kay
Jay Riddle
Doug Smythe
Scott E. Anderson
CGI Director:
Ginger Theisen
Judith Weaver
Cableman:
Knox White
Camera Car:
Jack Carpenter
Camera Loader:
Stephen Sfetku
Camera Operator:
Mark Gutterud
Lee Redmond
Randall Robinson
Don E. FauntLeRoy
Camera Technician:
Scott Dale
Christopher Duddy
Casting:
Mali Finn
Casting Associate:
Emily Schweber
Characters:
Gale Anne Hurd
James Cameron
Chief Lighting Technician:
Gary Tandrow
Sal Orefice
Co-Producer:
Stephanie Austin
B.J. Rack
Color Timer:
Dan Muscarella
Art Tostado
Compositing Lead:
Yael Majors
James Clowater
Concept Artist:
Iain McCaig
Steve Burg
Conceptual Illustrator:
David Russell
Construction Coordinator:
Steve Callas
Costume Design:
Marlene Stewart
Costume Supervisor:
Bruce R. Hogard
Costumer:
Colin Booth
Patricia Moon
Sue Miller
Craft Service:
John Moy
Dialogue Editor:
Marilyn McCoppen
Dianna Stirpe
Sara Bolder
Paige Sartorius
Ewa Sztompke
Gwendolyn Yates Whittle
Stacey A. Foiles
Digital Intermediate Colorist:
Skip Kimball
Digital Supervisor:
Stuart Robertson
Director:
James Cameron
Director of Photography:
Adam Greenberg
Dolly Grip:
Donald L. Hartley
Driver:
Tom Teeple
George Grenier
Editor:
Mark Goldblatt
Richard A. Harris
Conrad Buff IV
Effects Supervisor:
Emmet Kane
Robert Costa
Electrician:
David Dunbar
Brad Emmons
Jason Gunn
David E. Hengstellar
Frank Krejsa
Darrin Pulford
Joe Rowan
John Smock
Donald T. Stanford
Eric Blum
Mark Shankel
James M. Cox
Executive Assistant:
Lisa Dennis
Executive In Charge Of Post Production:
Ed Jones
Executive In Charge Of Production:
Krystyna Demkowicz
Jim Morris
Executive Producer:
Gale Anne Hurd
Mario Kassar
Executive in Charge of Finance:
Marty Shindler
Extras Casting:
Abra Edelman
First Assistant Camera:
Ted H. Hauser
Bruce Manning
Horace Jordan
Michael A. FauntLeRoy Sr.
First Assistant Director:
Terry Miller
J. Michael Haynie
First Assistant Editor:
Clarinda Wong
Jane Kass
Caroline Ross
Foley Artist:
John Roesch
Dennie Thorpe
Foley Editor:
Clare C. Freeman
Sandina Bailo-Lape
Diana Pellegrini
Marian Wilde
Foley Recordist:
Christopher Boyes
Gaffer:
George S. Neil
Graphic Designer:
Paul Olsen
Grip:
Tyrone Jackson
Hilary Klym
Brian Liberman
John Nash
Ryan Russill
Bruce Byall
Bill-Brady Majors
Richard Crompton
Hairstylist:
Robert L. Stevenson
Key Grip:
Robert Gray
Scott M. Robinson
Key Hair Stylist:
Peter Tothpal
Key Makeup Artist:
Jeff Dawn
Key Production Assistant:
Trey Batchelor
Leadman:
Barton M. Susman
Lighting Artist:
Moose Enright
Lighting Technician:
Adam Glick
Steven C. Hodge
Ron Kunecke
Location Assistant:
Andre Gaudry
Marc Cohen
Location Manager:
Richard Klotz
Jim Morris
Stephen C. Dawson
Location Scout:
James Marlowe
Makeup Artist:
Ed French
Steve LaPorte
Makeup Effects Designer:
Stan Winston
Matte Painter:
Rick Rische
Richard Kilroy
Mechanical Designer:
Jon Curtis Price
Modeling:
Jim Davidson
Pete Gerard
David Zen Mansley
Brian McFadden
Doug Moore
Steve Petruzates
Gary Rhodaback
Dennis Schultz
Dwight Shook
Monty Shook
Anthony R. Stabley
William Stromberg
Joseph Thompson
Lou Zutavern
Dorn Merrill Kennison
Bret Alexander
Dan Carter
Anthony Chaney
Tim Conrad
Modelling Supervisor:
Michael Joyce
Music Editor:
Dan Garde
Music Producer:
Brad Fiedel
Musician:
George Thorogood
Axl Rose
Duff McKagan
Slash
Matt Sorum
Izzy Stradlin
Negative Cutter:
Mary Nelson
Roberto McGrath
On Set Dresser:
R. Patrick McGee
Online Editor:
Arden Rynew
Original Music Composer:
Brad Fiedel
Paint Coordinator:
Chris Woodworth
Painter:
Anthony Gaudio
Payroll Accountant:
Denyse Rossi
Picture Car Coordinator:
Steve Bonner
Post Production Assistant:
Joseph Berger-Davis
Lyvonne Klingler
Post Production Coordinator:
Crystal Dowd
Post Production Supervisor:
Pamela Easley
Post-Production Manager:
Derek N. Prusak
Producer:
James Cameron
Van Ling
Production Accountant:
Chris Silver Finigan
Pam Kaye
Production Coordinator:
Jane Prosnit
Production Design:
Joseph C. Nemec III
Production Illustrator:
George Jenson
Production Manager:
Lawrence Kasanoff
Property Master:
Charles Stewart
Propmaker:
Robert Van Dyke
Peter Flynn
Props:
Vince Catlin
Mike Cameron
Publicist:
Steve Newman
Pyrotechnic Supervisor:
Tony Alderson
Joe Viskocil
Pyrotechnician:
Robert Hutchins
Rigging Gaffer:
Moose Enright
Eldon Hansen
Lee Johnson
Christopher J. Lama
Kevin J. Lang
Rigging Grip:
Rodney Veto
Roto Supervisor:
Matthew E. Gill
Bret Mixon
Tom Bertino
Rotoscoping Artist:
Joanne Hafner
Sandy Houston
Terry Molatore
Jack Mongovan
Tim Scannell
Scoring Mixer:
Tim Boyle
Script Supervisor:
Joyce King
Trudy Ramirez
Sculptor:
Dan Frye
Bart Mixon
Dan Platt
Greg Aronowitz
Second Assistant Camera:
Alan Cohen
Bruce DeAragon
Todd M. Gavin
Daniel E. Teaze
Gavin Alcott
Second Assistant Director:
Frank Davis
James Lansbury
Chip Scott Laughlin
Tony Perez
Dustin Bernard
Second Second Assistant Director:
David Fudge
Grant Gilmore
Xochi Blymyer
Second Unit Director:
Glenn R. Wilder
Gary Davis
Second Unit Director of Photography:
Mike Benson
Second Unit First Assistant Director:
Randall Badger
George Parra
Barry K. Thomas
Set Costumer:
Greg Hall
Dawn Y. Line
Set Decoration:
John M. Dwyer
Set Designer:
Walter P. Martishius
Carole Lee Cole
Set Dresser:
Craig Baron
William K. Dolan
Joe Pizzorusso
Paul Duchemin
Set Dressing Artist:
Craig Baron
Sound:
Kevin Rose-Williams
Sound Assistant:
Clare C. Freeman
J.R. Grubbs
Samuel H. Hinckley
Vanessa James
Hael Kobayashi
Philip Olbrantz
Susan Popovic
Larry Rennick
Kevin Rose-Williams
Claire Sanfilippo
Susan Sanford
Jim Seymour
Dianna Stirpe
Patti Tauscher
Pam Uzzell
Phil Benson
Sound Designer:
Tom Johnson
Gary Rydstrom
Sound Effects:
Gary Rydstrom
Gloria S. Borders
Sound Effects Editor:
Robert Shoup
E. Larry Oatfield
Nicholas James
Teresa Eckton
Ken Fischer
Tim Holland
Richard Hymns
Ethan Van der Ryn
Sound Engineer:
John Rotondi
Sound Mix Technician:
Kent Sparling
Sound Mixer:
Lee Orloff
Sound Re-Recording Assistant:
Sean Landeros
Sound Re-Recording Mixer:
Gary Rydstrom
Gary Summers
Tom Johnson
Sound Supervisor:
Gloria S. Borders
Special Effects:
Brent Baker
Bill Basso
David Beneke
Evan Brainard
Len Burge
Rob Burman
Craig Caton
Chris Cowan
Richard Davison
Glen Eisner
Greg Figiel
Bruce Spaulding Fuller
Mark Goldberg
Armando González
David Grasso
Beth Hathaway
Adam Jones
Mark Jurinko
Eileen Kastner-Delago
Joseph Kelly
Brad Krisko
Richard J. Landon
Frank Charles Lutkus III
Shane Mahan
Greg Manion
Karen Mason
Curt Massof
J.C. Matalon
Mark 'Crash' McCreery
Paul Mejias
Hal Miles
Jeff Periera
Jon Curtis Price
Joe Reader
Dan Rebert
Sean Rodgers
John Rosengrant
Andy Schoneberg
Paul Sciacca
J. Alan Scott
Shannon Shea
Michael Spatola
Ian Stevenson
David Stinnett
Christopher Swift
Michiko Tagawa
Joseph Patrick Todd
Mike Trcic
Robert E. Watson
N. Brock Winkless IV
Stan Winston
David Chameides
Gary L. King
Special Effects Assistant:
Roger Hansen
Bob King
Jay King
Terry W. King
Mark Lohff
Tara Meaney-Crocitto
Bruce Minkus
Mark Noel
Scott R. Fisher
Special Effects Coordinator:
Thomas L. Fisher
Special Effects Manager:
Andrew Miller
Special Effects Supervisor:
Joe Viskocil
Special Effects Technician:
Phillip Hartmann
Steve Sanders
Thomas Zell
George Zamora
Bob Ahmanson
Special Guest Director:
Vic Armstrong
Special Props:
Michael Possert Jr.
Stand In:
Maryellen Aviano
Standby Painter:
Bill 'Kauhane' Hoyt
Steadicam Operator:
László Regos
J. Michael Muro
Stereoscopic Coordinator:
Daniel Burridge
Stereoscopic Editor:
Reginald Harber Jr.
Stereoscopic Supervisor:
Alex Heffner
Daniel Schrepf
Jeremy P. Carroll
Stereoscopic Technical Director:
Rustin Devendorf
Still Photographer:
Zade Rosenthal
Storyboard Artist:
Iain McCaig
Phillip Norwood
Storyboard Assistant:
Chris R. Green
Stunt Coordinator:
Gary Davis
Joel Kramer
Stunt Double:
Pat Romano
Norman Howell
Peter Kent
Larry Linkogle
Billy D. Lucas
Matt McColm
Debbie Evans
Stunts:
Lane Leavitt
Gilbert B. Combs
Cotton Mather
Doc D. Charbonneau
Jeff 'JJ' Dashnaw
Tommy J. Huff
Bobby Porter
Dick Ziker
Glenn R. Wilder
Robin Bonaccorsi
Janet Brady
Bob Brown
Debbie Evans
Billy Hank Hooker
Norman Howell
Larry Johnson
Peter Kent
Billy D. Lucas
David Webster
Maryellen Aviano
Perry Barndt
Gregory J. Barnett
Jack Carpenter
Gene Hartline
Terry Jackson
Monty Jordan
Kevin Larson
Johnny Martin
Mike Martinez
Gary Robert
Mike Ryan
David Zellitti
Supervising Music Editor:
Allan K. Rosen
Supervising Sound Editor:
Ethan Van der Ryn
Thierry J. Couturier
Gloria S. Borders
Technical Advisor:
Michael Albanese
Transportation Captain:
Jerry F. Johnson
Pete Johnson
Transportation Coordinator:
Gene R. Johnson
Unit Production Manager:
Dirk Petersmann
Utility Stunts:
Rocky Capella
Mike Justus
Bobby Aldridge
VFX Artist:
James Hagedorn
Wade Howie
Harry Walton
Gordon Baker
Barbara Brennan
Andrew Kennedy
VFX Director of Photography:
George D. Dodge
Dennis Skotak
James Belkin
VFX Editor:
Miller Drake
Michael Gleason
W. Peter Miller
VFX Lighting Artist:
Richard Mula
George S. Neil
Mark A. Shelton
VFX Production Coordinator:
Siddhartha Maganti
Beth Block
Video Assist Operator:
Pete Martinez
Scott Warner
Rick Dungan
Visual Effects Art Director:
Doug Chiang
Visual Effects Assistant Editor:
Mark A.Z. Dippé
Julie J. Webb
Jim May
Visual Effects Camera:
Christopher Warren
Paul Gentry
Robert Hill
Michael Karp
Tim Scannell
Terry Chostner
Visual Effects Compositor:
Sandra Duque
Megan Graham
Glenn Guenette
Dana Passarella
Troy Summersett
Dipak Tarpara
Miguel Basulto
Brian N. Bentley
Visual Effects Coordinator:
Van Ling
Jennifer Bell
Susan Adele Colletta
Gail Currey
Visual Effects Design Consultant:
Jeryd Pojawa
Visual Effects Designer:
Michael Novotny
John Bruno
Visual Effects Editor:
Michael Gleason
Miller Drake
Visual Effects Producer:
Stan Winston
Paul Ashdown
Leslie Huntley
Janet Healy
Alison Savitch
Visual Effects Production Assistant:
Kirby Jones
Tony Moffett
Paula Pirok
Leslie Schor
Nelson Broskey
Zeke Morales
Scott Beverly
Geoff Burdick
Steve Cohen
James Cook
Visual Effects Production Manager:
Alison Savitch
Visual Effects Supervisor:
Robert Skotak
Craig Barron
Betzy Bromberg
Gene Warren Jr.
Dennis Muren
Visual Effects Technical Director:
Brian N. Bentley
Weapons Master:
Tony Didio Jr.
Harry Lu
Writer:
William Wisher
James Cameron
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.