Sue Chan

Sue Chan was born in New York City and raised in central New Jersey, where her parents co-owned the only Chinese restaurant in town. After studying design with a minor in East Asian Studies in college, she and her husband moved to San Francisco, where she found work first in architecture, then in theatre, before entering film and television. Her work takes her all over the US, Canada, Europe, Eastern Europe, and Australia. Chan splits her residence between Los Angeles and Connecticut.

Additional information:

The Search Form


Art Direction:
2000  Love & Basketball
2002  Punch-Drunk Love
2003  Gigli
2004  In Good Company
2004  Shall We Dance?
2005  Shopgirl
2006  American Dreamz
2008  Made of Honor
2009  Imagine That
2011  Crazy, Stupid, Love.
2014  The Lego Movie

Assistant Art Director:
2000  Hollow Man
2000  Love & Basketball
2002  Punch-Drunk Love
2003  Confidence
2003  Gigli
2004  In Good Company
2004  Shall We Dance?
2005  Shopgirl
2006  American Dreamz
2008  Made of Honor
2009  Imagine That
2011  Crazy, Stupid, Love.
2014  The Lego Movie

Production Design:
2000  Hollow Man
2000  Love & Basketball
2002  Punch-Drunk Love
2003  Confidence
2003  Gigli
2004  In Good Company
2004  Shall We Dance?
2005  Shopgirl
2006  American Dreamz
2008  Made of Honor
2008  Shades of Ray
2009  Imagine That
2011  Crazy, Stupid, Love.
2014  The Lego Movie
2017  Colossal
2017  The Book of Love
2018  The Etruscan Smile
2020  Shirley
2020  The Half of It
2021  Shang-Chi and the Legend of the Ten Rings
2022  Where the Crawdads Sing
2023  Landscape with Invisible Hand

Supervising Art Director:
2000  Hollow Man
2000  Love & Basketball
2002  Punch-Drunk Love
2003  Confidence
2003  Gigli
2004  In Good Company
2004  Shall We Dance?
2005  Shopgirl
2006  American Dreamz
2008  Made of Honor
2008  Shades of Ray
2009  Imagine That
2010  Little Fockers
2011  Crazy, Stupid, Love.
2014  300: Rise of an Empire
2014  Gone Girl
2014  The Lego Movie
2017  Colossal
2017  The Book of Love
2018  The Etruscan Smile
2020  Shirley
2020  The Half of It
2021  Shang-Chi and the Legend of the Ten Rings
2022  Where the Crawdads Sing
2023  Landscape with Invisible Hand

Art Direction:
2002  CSI: Miami

Production Design:
2002  CSI: Miami
2015  Patriot
2017  The Climb
????  Murderbot

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.