Home

Where the Crawdads Sing (2022) [PG-13]

Release Date:
July 14, 2022

Original Title:
Where the Crawdads Sing

Alternate Titles:
Bataklık Kızı
Gdzie Śpiewają Raki
La ragazza della palude
Suon villi laulu
Um Lugar Bem Longe Daqui
Xa Ngoài Kia Nơi Loài Tôm Hát
蝲蛄吟唱的地方
가재가 노래하는 곳

Genres:
Drama | Mystery | Romance

Production Companies:
3000 Pictures
HarperCollins Publishers
Hello Sunshine

Production Countries:
United States of America

Ratings / Certifications:
AU: M  BR: 14  CA: 14A  CH: 12  DE: 12  DK: 15|11  ES: 12  FR: TP|12  GB: 15  GR: K12  HK: IIB  HU: 16  IE: 15A  IL: 12  JP: R18+  KR: 15  NL: 12  PL: 16  PR: PG-13  PT: M/12  RO: 18  SE: 11  SG: NC16  TH: 13  UA: 12+  US: PG-13 

Runtime: 126

Secrets are buried just beneath the surface.

Overview from TheMovieDB

Abandoned by her family, Kya raises herself all alone in the marshes outside of her small town. When her former boyfriend is found dead, Kya is instantly branded by the local townspeople and law enforcement as the prime suspect for his murder.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Clip

Featurette

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

ADR Mixer:
Aidan Dykes
Jamison Rabbe
Jon Vogl
Chris Whiteside
Mark DeSimone
Howard London

ADR Recordist:
Jennie Shea

Additional Editing:
Paul Alderman

Additional Hairstylist:
Crystal Wells

Animation Supervisor:
Tom Nagy

Art Direction:
Kirby Feagan

Assistant Sound Editor:
Galen Goodpaster

Associate Producer:
Shannon Vayo
Veronica Moonhill

Boom Operator:
Zach Lancaster

CG Supervisor:
Javier González Alonso
Andrew Byrne

Casting:
David Rubin

Costume Design:
Mirren Gordon-Crozier

Dialogue Editor:
Helen Luttrell

Director:
Olivia Newman

Director of Photography:
Polly Morgan

Editor:
Alan Edward Bell

Executive Producer:
Rhonda Tollefson
Betsy Danbury
Jon Wu

First Assistant Director:
Stephen E. Hagen

Foley Artist:
Sandra Fox

Foley Editor:
Matthew Harrison
Jenna Dalla Riva

Foley Mixer:
Chelsea Body
Jack Heeren

Hair Department Head:
Mary Ann Hennings

Hairstylist:
Sherri Hamilton
Ally Vickers

Key Hair Stylist:
Jennifer Jane

Key Makeup Artist:
Courtney Lether

Makeup Artist:
Courtney Marie Callais
Mia Goff
Stacey Perry

Makeup Department Head:
Stacy Kelly

Makeup Effects Designer:
Robert Hall

Music Editor:
Erich Stratmann

Novel:
Delia Owens

Original Music Composer:
Mychael Danna

Producer:
Aislinn Dunster
Lauren Neustadter
Reese Witherspoon

Production Design:
Sue Chan

Production Sound Mixer:
Paul Ledford

Screenplay:
Lucy Alibar

Second Assistant Director:
Andrew Shepherd

Set Decoration:
Alice Baker

Songs:
Taylor Swift

Sound Effects:
Fenilconic

Sound Effects Editor:
Eric A. Norris
Tobias Poppe
Christopher Bonis

Sound Re-Recording Mixer:
Tony Lamberti
Kevin O'Connell
Kyle Arzt

Special Effects Coordinator:
Justin B. Johnson

Special Effects Supervisor:
Matt Kutcher

Stunt Coordinator:
Chelsea Bruland

Stunt Double:
Dawson Towery
Kayla Carraway

Stunts:
Brian Philpot
John Rottger
Jeff Brockton
Deven MacNair

Supervising Sound Editor:
Susan Dawes
Ai-Ling Lee

Unit Production Manager:
Betsy Danbury

Utility Stunts:
Ryan Browning
Adam Rivette

VFX Artist:
Aaron Chiesa

VFX Editor:
Arvid Cristina
Kade Stauduhar
Heather Taylor

Visual Effects Coordinator:
Angela Zhang
Madeline Kornman

Visual Effects Producer:
Emma Gorbey
Sarah McCulley

Visual Effects Production Manager:
Mohamad Rafiq
Andrew Caruthers

Visual Effects Supervisor:
Kolby Kember
Chris Ritvo

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.