A work in constant progress (and occasional regress).
Release Date:
October 21, 2005
Original Title:
Shopgirl
Alternate Titles:
Az eladólány
La chica del mostrador
Shop Girl
导购女郎
Genres:
Comedy | Drama | Romance
Production Companies:
Epsilon Motion Pictures
Hyde Park Entertainment
Shopgirl
Touchstone Pictures
Production Countries:
United States of America
Ratings / Certifications:
HU: 12 JP: G MX: B-15 US: R
Runtime: 104
Mirabelle is a disenchanted salesgirl and aspiring artist who sells gloves and accessories at a department store. She has two men in her life: wealthy divorcée Ray Porter and struggling musician Jeremy. Mirabelle falls in love with the glamorous Ray, and her life takes a magical turn, but eventually she realizes that she must empower herself and make a choice between them.
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Aerial Director of Photography:
David B. Nowell
Art Department Coordinator:
Canada Johanna Gordon
Art Direction:
Sue Chan
Assistant Costume Designer:
Christie Wittenborn
Assistant Editor:
Pablo Prietto
Anna Solorio-Catalano
Robert J. Lemos
Assistant Sound Editor:
Ben Sparks
Associate Producer:
Nick Hamson
Simon Conder
Meredith Zamsky
Boom Operator:
Randall L. Johnson
Camera Loader:
David Garden
Camera Operator:
Scott Andrew Ressler
Casting:
Deborah Aquila
Tricia Wood
Casting Assistant:
Jennifer Ricchiazzi
Casting Associate:
Jennifer L. Smith
Chef:
Joe Hanna
Chief Lighting Technician:
John Vecchio
Co-Producer:
Marcus Viscidi
Color Timer:
Lee Wimer
Conductor:
Barrington Pheloung
Construction Coordinator:
Sebastian Milito
Costume Design:
Nancy Steiner
Costume Supervisor:
Heidi Higginbotham
Craft Service:
Chance Tassone
Director:
Anand Tucker
Director of Photography:
Peter Suschitzky
Dolly Grip:
David Pearlberg
Editor:
David Gamble
Electrician:
Greg Jensen
Jimmy Ellis
Terrence E. McNally
Katie Nilson
Anthony Bandyk
Executive Producer:
Andrew Sugerman
First Assistant Camera:
Clyde E. Bryan
First Assistant Director:
Timothy Bird
First Assistant Editor:
Sheila MacDowell
Neil Williams
Greensman:
Cynthia Martinez
Grip:
Kenny Carcellar
Greg Fausak
John Joseph Minardi
Alec Shepherd
Hair Designer:
Toni-Ann Walker
Key Costumer:
Anita Louise Brown
Key Grip:
Richard Mall
Location Manager:
Colleen Gibbons
Makeup Department Head:
Lydia Milars
Mixing Engineer:
Michael A. Morongell
Music Editor:
John Finklea
Novel:
Steve Martin
Original Music Composer:
Barrington Pheloung
Painter:
Thomas Gibson
Jill Haber
Post Production Supervisor:
Jan Kikumoto
Producer:
Ashok Amritraj
Steve Martin
Jon Jashni
Production Accountant:
Barbara-Ann Stein
Production Coordinator:
Charissa McLain
Production Design:
William Arnold
Production Office Assistant:
Jonathan Deiner
Christian Laffey
Matt Melis
Production Supervisor:
Shari LaFranchi Blakney
Property Master:
Douglas Fox
Propmaker:
Joseph Gilmore
James Henry
Sasha Madzar
Rigging Gaffer:
Joe Coleangelo
Rigging Grip:
Tim Alatorre
Justin Babin
Screenplay:
Steve Martin
Script Supervisor:
Valeria Migliassi Collins
Second Assistant Director:
Heather Grierson
Leslie Garvin
Second Unit Director of Photography:
Rob Sweeney
Set Decoration:
David Smith
Set Designer:
Michael Bernard Anderson
Set Production Assistant:
Ted Campbell
Cate Nelson
Jordan Otis
Jeff Castelluccio
Elion S. Olsen
Kenny Vazquez
Sound Effects Editor:
David Esparza
Sound Re-Recording Mixer:
Leslie Shatz
Matthew Iadarola
Special Effects Coordinator:
Ron Trost
Standby Painter:
Andrew P. Flores
Steadicam Operator:
Kirk R. Gardner
Bob Gorelick
Still Photographer:
Sam Emerson
Supervising Sound Editor:
Leslie Shatz
Transportation Captain:
Jeff Couch
Transportation Co-Captain:
Alan Kaminsky
Transportation Coordinator:
A. Welch Lambeth
Unit Publicist:
Stuart Fink
VFX Editor:
Desi Ortiz
Visual Effects Coordinator:
Phillip Moses
Visual Effects Producer:
Vicki Galloway Weimer
Visual Effects Supervisor:
Erik Henry
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.