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Love & Basketball (2000) [PG-13]

Release Date:
April 21, 2000

Original Title:
Love & Basketball

Alternate Titles:
Love and Basketball

Genres:
Comedy | Drama | Romance

Production Companies:
40 Acres and a Mule Filmworks

Production Countries:
United States of America

Ratings / Certifications:
AU: M  DE: 6  US: PG-13 

Runtime: 124

All's fair in love and basketball.

Overview from TheMovieDB

Monica Wright and Quincy McCall grew up in the same neighborhood and have known each other since childhood. As they grow into adulthood, they fall in love, but they also share another all-consuming passion: basketball. As Quincy and Monica struggle to make their relationship work, they follow separate career paths though high school and college basketball and, they hope, into stardom in big-league professional ball.

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Performers

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Production

Art Direction:
Sue Chan

Camera Operator:
Joseph D. Urbanczyk

Casting:
Aisha Coley

Casting Associate:
Alex Ruttenberg

Costume Design:
Ruth E. Carter

Costume Supervisor:
Helen Monaghan

Director:
Gina Prince-Bythewood

Director of Photography:
Reynaldo Villalobos

Editor:
Terilyn A. Shropshire

Executive Producer:
Andrew Z. Davis
Cynthia Guidry
Jay Stern

First Assistant Camera:
Maricella Ramirez

Gaffer:
Dwight Campbell

Key Hair Stylist:
JoAnn Stafford-Chaney
Sterfon Demings
Brian A. Tunstall

Makeup Artist:
Laini Thompson
Carme Tenuta
Laverne Caracuzzi

Makeup Department Head:
Isabel Harkins

Music Editor:
Tony Dimito
Michael Dittrick

Music Supervisor:
Melodee Sutton

Original Music Composer:
Terence Blanchard

Producer:
Spike Lee
Sam Kitt

Production Design:
Jeffrey Howard

Script Supervisor:
Martin Kitrosser

Set Decoration:
Dena Roth

Sound Effects Editor:
Mark Choi
Michael Kamper
Michael Mullane

Steadicam Operator:
Joe Chess

Still Photographer:
Sidney Ray Baldwin

Stunt Coordinator:
Manny Perry

Stunts:
Manny Perry

Unit Production Manager:
JoAnn Perritano

Writer:
Gina Prince-Bythewood

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.