A work in constant progress (and occasional regress).
Birthplace:
Rochester, NY, USA
Born:
February 17, 1965
Died:
December 19, 2017
Thérèse DePrez (February 17, 1965 – December 19, 2017) was an American production designer. DePrez was born and raised in Rochester, New York, the daughter of Gene and Patricia DePrez. She cited her influences as being filmmaker/artist Jean Cocteau, filmmaker Georges Melies and the films Dr. Strangelove and Blade Runner. While attending the Parsons School of Design in New York City, DePrez worked on several off-Broadway stage productions prior to being hired for her first film assignment in 1991's The Refrigerator. Her work included the films Arlington Road, High Fidelity, How to Lose a Guy in 10 Days, Dark Water, Mr. Magorium's Wonder Emporium, and Fighting. In 2010, DePrez did the production design of the Darren Aronofsky thriller Black Swan. Aronofsky stated he had been attempting to collaborate with DePrez on many of his previous projects, but was unsuccessful until Swan. Her work on the film resulted in an Art Directors Guild Award and a nomination for the BAFTA Award for Best Production Design at the 64th British Academy Film Awards. Her final film credits included Premium Rush, Stoker, Out of the Furnace and The Drop. As well as film, she also worked on the set design for David Bowie's A Reality Tour in 2003. DePrez was diagnosed with breast cancer in May 2015. A GoFundMe was set up by her friend Derrick Kardos. Initially cancer-free by March 2016, DePrez died of the disease on December 19, 2017, at the age of 52. She was included in the annual In Memoriam section of the 90th Academy Awards and received "Special Thanks To Thérèse DePrez (1965-2017)" in the closing credits of the 2019 film The Lodge. Description above is from the Wikipedia article Thérèse DePrez, licensed under CC-BY-SA. Full list of contributors on Wikipedia.
Art Direction:
1992 Simple Men
Production Design:
1991 The Refrigerator
1992 Simple Men
1992 Swoon
1993 Dottie Gets Spanked
1993 Geoffrey Beene 30
1993 The Outfit
1994 Postcards from America
1995 Living in Oblivion
1995 Stonewall
1995 The Doom Generation
1996 Box of Moonlight
1996 I Shot Andy Warhol
1997 Going All the Way
1997 Grind
1998 Happiness
1998 No Looking Back
1999 Arlington Road
1999 Summer of Sam
2000 High Fidelity
2001 Hedwig and the Angry Inch
2003 American Splendor
2003 How to Lose a Guy in 10 Days
2003 Marci X
2004 The Door in the Floor
2005 Dark Water
2006 The Return
2007 Mr. Magorium's Wonder Emporium
2008 Phoebe in Wonderland
2009 Fighting
2010 Black Swan
2010 Brooklyn's Finest
2010 Howl
2010 Jack Goes Boating
2012 Premium Rush
2013 Out of the Furnace
2013 Stoker
2014 The Drop
Production Designer:
1991 The Refrigerator
1992 Simple Men
1992 Swoon
1993 Dottie Gets Spanked
1993 Geoffrey Beene 30
1993 The Outfit
1994 Postcards from America
1995 Living in Oblivion
1995 Stonewall
1995 The Doom Generation
1995 The Little Patriot
1996 Box of Moonlight
1996 I Shot Andy Warhol
1997 Going All the Way
1997 Grind
1998 Happiness
1998 No Looking Back
1999 Arlington Road
1999 Summer of Sam
2000 High Fidelity
2001 Hedwig and the Angry Inch
2003 American Splendor
2003 How to Lose a Guy in 10 Days
2003 Marci X
2004 The Door in the Floor
2005 Dark Water
2006 The Return
2007 Mr. Magorium's Wonder Emporium
2008 Phoebe in Wonderland
2009 Fighting
2010 Black Swan
2010 Brooklyn's Finest
2010 Howl
2010 Jack Goes Boating
2012 Premium Rush
2013 Out of the Furnace
2013 Stoker
2014 The Drop
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.