A work in constant progress (and occasional regress).
Release Date:
August 24, 2012
Original Title:
Premium Rush
Alternate Titles:
Bez hamulców
Course contre la mort : Premium Rush
Entrega inmediata
La entrega inmediata
Perigo por Encomenda
Premium Rush - Fahr wie der Teufel
Срочная доставка
致命急件
超急快遞
Genres:
Action | Crime | Thriller
Production Companies:
Columbia Pictures
Pariah
Production Countries:
United States of America
Ratings / Certifications:
BE: 14 BG: C BR: 12 CZ: 15+ DE: 12 DK: 11 ES: 7 FR: 12 GB: 12A GR: PG HK: IIB HU: 16 IE: 12 JP: PG12 KR: 15 NO: 12 RO: 15 RU: 16+ SE: 15 SK: 12 US: PG-13
Runtime: 91
In Manhattan, a bike messenger picks up an envelope that attracts the interest of a dirty cop, who pursues the cyclist throughout the city.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"A" Camera Operator:
David J. Thompson
"B" Camera Operator:
Thomas Lappin
ADR Mixer:
Bobby Johanson
Mark DeSimone
ADR Recordist:
Bobby Aycock
ADR Voice Casting:
Sondra James
Additional Second Assistant Camera:
Matthew Selkirk
Art Department Coordinator:
Lauren Buckley
Art Direction:
Charley Beal
Assistant Costume Designer:
Meghan Kasperlik
Assistant Editor:
Carrie Puchkoff
Assistant Location Manager:
Steven Carbajal
Heather Gauntt
Christopher LeStrange
Joanna Klein
Assistant Property Master:
Julie Dubrow
Jerry DeRogatis
Ana Lombardo
Assistant Sound Editor:
Angela Organ
Chris Fielder
Best Boy Electric:
Grady Baxersdorfer
Best Boy Grip:
Kevin Gilligan
Boom Operator:
Tommy Louie
CG Animator:
Dustin Adair
Camera Car:
David Conelli
Casting:
John Papsidera
Patricia McCorkle
Casting Assistant:
Dylan Jury
Casting Associate:
Jennifer Cram
Carter Niles
Joe Lopick
Chief Lighting Technician:
David Franzoni
Michael F. Burke
Andy Ryan
Construction Coordinator:
Richard Hebrank
Costume Design:
Luca Mosca
Costume Supervisor:
Gail A. Fitzgibbons
Costumer:
Vern Malone
Dialogue Editor:
Branka Mrkic
Digital Colorist:
Joe Gawler
Director:
David Koepp
Director of Photography:
Mitchell Amundsen
Dolly Grip:
Chris Gamiello
Louis Sabat
Driver:
Michael W. LeMaster
Editor:
Derek Ambrosi
Jill Savitt
Executive Producer:
Mari-Jo Winkler
Extras Casting:
Grant Wilfley
First Assistant Director:
Joseph P. Reidy
First Assistant Editor:
Tom Foligno
Foley Artist:
Marko Costanzo
Foley Editor:
Kam Chan
Frank Kern
Jamie Baker
Foley Mixer:
George A. Lara
Generator Operator:
Andy Niceberg
Graphic Designer:
Derrick Kardos
Hair Department Head:
Angel De Angelis
Key Carpenter:
Peter Bundrick
Key Construction Grip:
Michael Miller
Key Costumer:
Martha Smith
Key Grip:
George Patsos
Key Hair Stylist:
Pamela May
Key Makeup Artist:
Dina Sliwiak
Key Rigging Grip:
Sonny Rea
Leadman:
Gerald DeTitta
Libra Head Technician:
Lance Mayer
Loader:
Carissa Ridgeway
Location Assistant:
T.G. Wilkinson
Mara Alcaly
Location Manager:
Kip Myers
Location Scout:
Susan Pazos
Makeup Artist:
Stephen M. Kelley
Jeremy Selenfriend
Michael Harvey
Makeup Department Head:
Don Kozma
Music Editor:
Jim Schultz
Nic Ratner
Music Programmer:
Cameron Bart
Ryan Castle
Musician:
Joy Khan
On Set Dresser:
Adam Goodnoff Cernese
James McBratney
Orchestrator:
Mark Robertson
Tim Williams
Original Music Composer:
David Sardy
Picture Car Coordinator:
Joseph Sargo
Paul Weathered
Post Production Coordinator:
Ann Gray
Post Production Supervisor:
Paul A. Levin
Producer:
Gavin Polone
Production Design:
Thérèse DePrez
Production Sound Mixer:
Tom Nelson
Property Master:
Diana Burton
Jose Pavon
Scenic Artist:
Glen Aldous
Jay Hendrickx
Alex Gorodetsky
Score Engineer:
Ryan Castle
Scoring Mixer:
Gustavo Borner
Script Supervisor:
Jessica Lichtner
Melissa Kalbfus
Second Assistant "A" Camera:
Scott Tinsley
Second Assistant "B" Camera:
Jason Brignola
Second Assistant Director:
Amy Lauritsen
Second Second Assistant Director:
Travis Rehwaldt
Second Unit Director:
G.A. Aguilar
Second Unit Director of Photography:
Lukasz Jogalla
Second Unit Location Manager:
Corri Hopkins
Suk Yi Mar
Set Decoration:
George DeTitta Jr.
Set Designer:
Larry M. Gruber
Emily Beck
Set Dresser:
Matthew DeTitta
Sound Re-Recording Mixer:
Lee Dichter
Michael Barry
Special Effects:
Jamel Daniels
Special Effects Manager:
Doug Coleman
Special Effects Supervisor:
Fred Buchholz
Steadicam Operator:
David J. Thompson
Still Photographer:
Sarah Shatz
Storyboard Artist:
Karl Shefelman
Brick Mason
Stunt Coordinator:
Jill Brown
Stephen A. Pope
Stunts:
Norman Douglass
Curtis Nichouls
Thomas Place
Jodi Michelle Pynn
Cort Hessler
Danny MacAskill
Dave Pope
Bobby Beckles
Scott Burik
Tim Gallin
Bill Anagnos
Mark Fichera
Chad Hessler
Austin Horse
Jeffrey Lee Gibson
Steven Cachie Brown
Nicole Callender
Aja Frary
Stephen Izzi
Victor Paguia
Shawnna Thibodeau
Nitasha Bhambree
Declan Mulvey
Mick O'Rourke
Blaise Corrigan
Malcolm C. Murray
Adam Wood
Christopher 'Critter' Antonucci
Ann Carton
George B. Colucci Jr.
Thomas La Marche
Aaron Vexler
Samantha MacIvor
Jennifer Lamb
Tina Mckissick
Caroline Vexler
Joanne Lamstein
Kimberly Shannon Murphy
Supervising ADR Editor:
Deborah Wallach
Supervising Sound Editor:
Philip Stockton
Paul Hsu
Transportation Captain:
Tom Leavey
Thomas Reilly
Transportation Co-Captain:
Patrick Hogan
Unit Production Manager:
Erica Kay
Video Assist Operator:
Nils Johnson
Visual Effects Coordinator:
Eva Abramycheva
J.R. Tuason
Andrew G. Cox
Shalena Oxley-Butler
Visual Effects Editor:
Renannah Weinstein
Visual Effects Producer:
Lisa Maher
Albert Mason
Brett Dowler
Scott Siegal
Raoul Bolognini
Matt Marquis
Visual Effects Supervisor:
Rocco Passionino
Paul Linden
Mark Stetson
Writer:
John Kamps
David Koepp
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.