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Eigil Bryld (b. 1971)

Birthplace:
Odense, Denmark

Born:
February 27, 1971

Biography from TheMovieDB

Eigil Bryld (Danish pronunciation: [ˈɑjkil ˈpʁylˀ]) is a Danish cinematographer. He is famous for his work in such films and TV shows as House of Cards (2013), In Bruges (2008), You Don't Know Jack (2010), Becoming Jane (2007) and Kinky Boots (2005).

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Additional information:

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Film Production

Director of Photography:
1996  The Eighteenth
1997  Dazlak – Skinhead
1999  Wisconsin Death Trip
2002  Crime and Punishment
2003  To Kill a King
2005  Kinky Boots
2006  Pu-239
2006  The King
2007  Becoming Jane
2008  In Bruges
2009  Paper Man
2010  You Don't Know Jack
2012  Not Fade Away
2017  Great Performers: Horror Show
2017  The Wizard of Lies
2017  Tulip Fever
2018  Ocean's Eight
2019  The Report
2022  Deep Water
2023  No Hard Feelings
2023  The Holdovers
2023  The Machine

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TV Production

Director of Photography:
2002  Crime and Punishment
2013  House of Cards
2016  Crisis in Six Scenes
2023  Extrapolations

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.