A work in constant progress (and occasional regress).
Release Date:
July 13, 2017
Original Title:
Tulip Fever
Alternate Titles:
Amor e Tulipas
Amor y tulipanes
La fiebre de los tulipanes
La ragazza dei tulipani
Tulpanfeber
Tulpenfieber
튤립 피버
Genres:
Drama | Romance
Production Companies:
Paramount Pictures
Ruby Films
The Weinstein Company
Worldview Entertainment
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AT: 6 AU: MA15+ DE: 6 DK: 15 FR: 12 HU: 16 IE: 15 IL: הותר לבני 16 ומעלה JP: R18+ KR: 18 LT: N-13 NL: 12 PL: 16 PT: M/14 RU: 18+ SE: 11 US: R
Runtime: 107
An artist falls for a married young woman while he's commissioned to paint her portrait. The two invest in the risky tulip market in hopes to build a future together.
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ADR Coordinator:
Ishbel Beeson
ADR Mixer:
Dusty Albertz
Mark DeSimone
Peter Gleaves
Michael Miller
Harry Platford
Andy Welker
Simon Diggins
Tim West
Scott Cannizzaro
ADR Recordist:
Nick Jimenez
Tyler Newhouse
Art Direction:
Nick Dent
Will Coubrough
Roxana Alexandru
Assistant Art Director:
Lauren Briggs-Miller
Assistant Costume Designer:
Anna Kot
Assistant Editor:
James Stubbs
Boom Operator:
Lloyd Dudley
Casting:
Shaheen Baig
Casting Associate:
Aisha Bywaters
Co-Producer:
Faye Ward
Richard Hewitt
Construction Manager:
Dan Crandon
Costume Design:
Michael O'Connor
Costume Supervisor:
Gordon Harmer
Dialect Coach:
Penny Dyer
Jill McCullough
Nadia Venesse
Digital Intermediate Editor:
Ben McIlveen
Director:
Justin Chadwick
Director of Photography:
Eigil Bryld
Draughtsman:
Teri Fairhurst
Editor:
Rick Russell
Electrician:
Jack Farrow
Mike Parsons
Wailoon Chung
Matt Jackman Smith
Epk Camera Operator:
Al Hindley
Executive Producer:
Bob Weinstein
Justin Chadwick
Sarah E. Johnson
David Glasser
Maria Cestone
Walter F. Parkes
Molly Conners
Laurie MacDonald
Patrick Thompson
Paul Trijbits
Christopher Woodrow
Extras Casting:
Solomon Artistes
Ruth Earley
First Assistant "A" Camera:
Jennie Paddon
First Assistant Camera:
David Penfold
First Assistant Director:
Deborah Saban
First Assistant Editor:
Debs Richardson
Floor Runner:
Laura Jackson
Sparky Tehnsuko
Foley Artist:
Rowena Wilkinson
Andrea King
Foley Editor:
Hugo Adams
Kevin Penney
Foley Mixer:
Adam Mendez
Gaffer:
Mark Clayton
Greensman:
Will Loughlin
Hair Designer:
Daniel Phillips
Key Grip:
Jim Philpott
Key Hair Stylist:
Lucy Sibbick
Key Makeup Artist:
Lucy Sibbick
Location Manager:
David Campbell-Bell
Makeup & Hair:
Paul Gooch
Tapio Salmi
Makeup Designer:
Daniel Phillips
Music Editor:
Stuart Morton
Sally Boldt
Michael Pärt
Novel:
Deborah Moggach
Orchestrator:
Edward Trybek
Steve Bartek
Original Music Composer:
Danny Elfman
Producer:
Harvey Weinstein
Alison Owen
Production Accountant:
Craig Barwick
Production Assistant:
Halle Sparrow
Production Coordinator:
Carrie-Ann Banner
Production Design:
Simon Elliott
Production Secretary:
Georgia Hume
Property Master:
Noel Cowell
Rigging Gaffer:
James Summers
Scenic Artist:
Russell Oxley
Screenplay:
Tom Stoppard
Deborah Moggach
Script Supervisor:
Jayne Spooner
Seamstress:
Heather Bagley
Debbie Watson
Rosy Coppola
Second Assistant "B" Camera:
Woody Gregson
Second Assistant Camera:
Ashlea Tamara Downes
Second Assistant Director:
Carlos Fidel
Set Decoration:
Rebecca Alleway
Set Dresser:
Greg Keith
Sound Mixer:
Ray Beckett
Sound Re-Recording Mixer:
Martin Czembor
Dave Paterson
Robert Fernandez
Special Effects Supervisor:
Neal Champion
Steadicam Operator:
Paul Donachie
Still Photographer:
Alex Bailey
Storyboard Artist:
Jonathan Maris
Stunt Coordinator:
Andy Bennett
Gareth Milne
Stunts:
Nellie Burroughes
Supervising Art Director:
Bill Crutcher
Third Assistant Director:
Ben Quirk
Unit Production Manager:
Alison Banks
Unit Publicist:
Claudia Kalindjian
Wigmaker:
Ray Marston
Alex Rouse
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.