A work in constant progress (and occasional regress).
Release Date:
September 12, 2019
Original Title:
The Report
Alternate Titles:
Докладът
Отчёт о пытках
Genres:
Drama
Production Companies:
Margin of Error
Topic Studios
Unbranded Pictures
Vice Studios
Production Countries:
United States of America
Ratings / Certifications:
AU: M CH: 16 DE: 12 GB: 15 IE: 15A NL: 16 PL: 16 TR: 16+ US: R
Runtime: 119
The story of Daniel Jones, lead investigator for the US Senate’s sweeping study into the CIA's Detention and Interrogation Program, which was found to be brutal, immoral and ineffective. With the truth at stake, Jones battled tirelessly to make public what many in power sought to keep hidden.
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"B" Camera Operator:
Johan Heurlin Aidt
ADR Supervisor:
Deborah Wallach
Art Department Coordinator:
Victoria Robinson
Art Direction:
Max Wixom
Assistant Art Director:
Stephen Cowles
Assistant Costume Designer:
Amy Ritchings
Assistant Production Coordinator:
Léa Noelle Barnave
Assistant Set Decoration:
Von Chorbajian
Associate Producer:
Ashley Peter
Hannah Mescon
Sara Miller
Background Casting Director:
Melissa Braun
Grant Wilfley
Best Boy Grip:
Bob Calandro
Boom Operator:
Alfredo Viteri
Casting:
Avy Kaufman
Casting Associate:
Leeba Zakharov
Co-Producer:
Jennifer Semler
Construction Coordinator:
Ron Petagna
Costume Coordinator:
Stevie Ondra
Costume Design:
Susan Lyall
Dialogue Editor:
Luciano Vignola
Director:
Scott Z. Burns
Director of Photography:
Eigil Bryld
Dolly Grip:
Tony Arnaud
Daniel Beaman
Editor:
Greg O'Bryant
Electrician:
Blaine Chou
Andrea Cronin-Souza
Executive Producer:
Lila Yacoub
Vincent Landay
Tj Rinomato
Michael DiVerdi
Nancy Dubuc
Shane Smith
Natalie Farrey
First Assistant "A" Camera:
Alex Worster
First Assistant "B" Camera:
Hamilton Longyear
First Assistant Accountant:
Daniel Fellows
First Assistant Director:
J. Alex Finch
First Assistant Editor:
Kyle Falcon
Foley Supervisor:
Roland Vajs
Gaffer:
Michael Marzovilla
Grip:
Mike Betzeg
Igor Ibradzic
Vanessa Alexis
Hair Department Head:
Suzy Mazzarese-Allison
Head Carpenter:
Frank Didio
Key Costumer:
July Rose White
Key Grip:
Lamont Crawford
Key Hair Stylist:
Erin Kennedy Lunsford
Key Makeup Artist:
Kirsten Sylvester
Leadman:
Justin Pineo
Location Manager:
Paul Eskenazi
Makeup Artist:
Mia Bauman
Joel Mendenhall
Makeup Department Head:
Martha Melendez
Music Editor:
Jamieson Shaw
John Carbonara
Music Supervisor:
Adam Schneider
Ricki Askin
Original Music Composer:
David Wingo
Payroll Accountant:
Donald Matturro
Producer:
Danny Gabai
Jennifer Fox
Steven Soderbergh
Eddy Moretti
Michael Sugar
Scott Z. Burns
Kerry Orent
Production Accountant:
Linda H. Miller
Production Coordinator:
Philip A. Ramos
Production Design:
Ethan Tobman
Production Secretary:
Nick Pizzino
Production Supervisor:
Joshua Huffman
Property Master:
Cathy Scorsese
Script Supervisor:
Thomas Johnston
Second Assistant "A" Camera:
Samantha Silver
Second Assistant "B" Camera:
Kevin Howard Jr.
Second Assistant Director:
Noreen R. Cheleden
Set Costumer:
Jeremiah Fisher
Lisa Harlow-Powell
Set Decoration:
Rich Devine
Set Dresser:
Christopher Archer
Christopher Ferraro
Sound Effects Editor:
Isaac Derfel
Sound Mixer:
Dane Lonsdale
Sound Re-Recording Mixer:
Ruy García
Martin Czembor
Special Effects Supervisor:
Conrad V. Brink Jr.
Steadicam Operator:
Afton Grant
Still Photographer:
Atsushi Nishijima
Stunt Coordinator:
John Cenatiempo
Stunt Driver:
Christopher Mormando
Alex Anagnostidis
Stunts:
Nick LaRocca
Freddy Esposito
Tony Repinski
Doug Montgomery
Mike Guida
Supervising Sound Editor:
Ruy García
Tailor:
Sue Hamilton
Transportation Captain:
Charles Spillane
Transportation Co-Captain:
Joseph Scarpone
Unit Production Manager:
Jamie Crowell
Utility Sound:
Dimitri Kouri
Wardrobe Supervisor:
Sebastian Jaramillo
Writer:
Scott Z. Burns
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.