A work in constant progress (and occasional regress).
Release Date:
October 27, 2023
Original Title:
The Holdovers
Alternate Titles:
Barton Academy
Mahajäänud
Os Excluídos
Os Rejeitados
Winter Break
Zadržki
Залишені
جاماندگان
ฤดูหนาวนี้ไม่ไร้ไออุ่น
მიტოვებულები
留校联盟
Genres:
Comedy | Drama
Production Companies:
Gran Via Productions
Miramax
Production Countries:
United States of America
Ratings / Certifications:
AR: +13 AU: M BE: 14 BR: 16 CA: R|14A CZ: U DE: 12 ES: 12 FI: K-16 GB: 15 HK: IIB HU: 12 ID: 13+ IE: 15A IL: All KR: 15 MX: B|B-15 NL: 12 NZ: M PR: R PT: M/14 SE: 7 SG: NC16 SK: 12 TH: G TW: 6+ US: R
Runtime: 133
A curmudgeonly instructor at a New England prep school is forced to remain on campus during Christmas break to babysit the handful of students with nowhere to go. Eventually, he forms an unlikely bond with one of them — a damaged, brainy troublemaker — and with the school’s head cook, who has just lost a son in Vietnam.
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"B" Camera Operator:
Terrence Hayes
Ager/Dyer:
Dianna Reardon
Art Direction:
Jeremy Woolsey
Assistant Costume Designer:
Chandra Dyani Chavez
Associate Editor:
Mindy Elliott
Boom Operator:
James B. Appleton
Casting:
Lisa Lobel
Susan Shopmaker
Casting Associate:
Randi Glass
Colorist:
Joe Gawler
Costume Design:
Wendy Chuck
Costume Supervisor:
Lori DeLapp
Director:
Alexander Payne
Director of Photography:
Eigil Bryld
Dolly Grip:
Todd England Nicodemus
Editor:
Kevin Tent
Executive Music Producer:
Richard Ford
Executive Producer:
Andrew Golov
Thom Zadra
Tom Williams
Extras Casting:
Owen Guinessey
Caroline Blanco
Gracie Kennedy
First Assistant Director:
Rod Smith
Focus Puller:
Glenn Kaplan
Foley Artist:
Biko Gogaladze
Gaffer:
Frans Wetterings III
Graphic Designer:
Nathan Carlson
Grip:
Justin Sulham
Michael Spurling
Tomek Doroz
Hair Department Head:
Michael White
Hair Designer:
Jennifer Douglas
Michael White
Hairstylist:
Lori Gomes
Key Hair Stylist:
Jennifer Douglas
Key Makeup Artist:
Scott Hersh
Line Producer:
Chris Stinson
Makeup Artist:
Scott Hersh
Donyale McRae
Sarah Rubano
Makeup Department Head:
Sarah Rubano
Music Editor:
Richard Ford
Music Supervision Assistant:
John Hancock
Music Supervisor:
Matt Aberle
Original Music Composer:
Mark Orton
Post Production Coordinator:
Christopher Guzman
Post Production Producer:
Pamela Winn-Barnett
Producer:
Mark Johnson
David Hemingson
Bill Block
Production Coordinator:
Josh Cronin
Kelly Kreiser
Production Design:
Ryan Warren Smith
Production Supervisor:
Joshua Gonzales
Property Master:
Pete Dancy
Script Supervisor:
Rebecca Robertson
Second Assistant Director:
John Nasraway
Set Costumer:
Anastasia Tsikhanava
Set Decoration:
Markus Wittman
Set Decoration Buyer:
Alix Metros
Ashley L. Sykes
Set Designer:
Anthony Raymond
Set Dresser:
Setha Phongsavan
Catriona Crosby
Sean Doyle
Brandon Warner
Sound Assistant:
Diego Gaeta
Cody Skully
Sound Designer:
Frank Gaeta
Sound Mixer:
David J. Schwartz
Sound Re-Recording Mixer:
Patrick Cyccone Jr.
Special Effects Supervisor:
Adam Bellao
Special Effects Technician:
Harrison Wayne
Preston Treadwell
Tommy Carroll
Still Photographer:
Seacia Pavao
Stunt Coordinator:
Amy Greene
Stunts:
Alan Francis Sullivan
Ben Rezendes
John Vincent Mason
A.J. Paratore
Justice Hedenberg
Corey Hibbert
Title Designer:
Nathan Carlson
Unit Production Manager:
Chris Stinson
Utility Sound:
Dia Donnelly
Aaron Bouchard
VFX Artist:
Elias Saliba
VFX Editor:
Brian Bautista
VFX Supervisor:
Andy Chih-Jen Chang
Visual Effects Producer:
Matt Akey
Eun-Duk Cho
Writer:
David Hemingson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.