A work in constant progress (and occasional regress).
Alias:
Max Sender
Birthplace:
Ronse, East Flanders, Belgium
Born:
February 4, 1971
Maxime Alexandre was born in Renaix, Belgium, 1971. At five years old, he moved to Rome, Italy, with his mother, sisters, and brother. His stepfather, Inigo Lezzi (during that period A.D. for Marco Bellocchio, Gianni Amelio, and Nanni Moretti), let Maxime discover the Italian cinema sets one by one. Maxime soon worked as a young actor in several movies, including "Une Page d'Amour" directed by Elie Chouraqui, with Anouk Aimée and Bruno Cremer and Nanni Moretti's "Bianca" in 1984. A few years later, Maxime discovered his Photography passion on a set of a short-movie directed by his stepfather. In the late 1980s, Maxime moved with his family to Paris, where he began his career in the camera department working in commercials, learning from great Cinematographers like Darius Kondji, J.Y. Escoffier, P. Lhomme, Vilko Filak, and Italian cinematographers including Tonino Delli Colli and Franco Di Giacomo. His earliest work as a Director of Photography was shooting the second unit of a commercial for Michel Gondry. In 2001, Maxime met Alexandre Aja and Gregory Levasseur, working in the second unit for Aja's father, Alexandre Arkadi, on the movie "Break of Dawn" written by Aja and Levasseur. The three collaborated on Aja's directorial debut, "High Tension," two years later. The movie was internationally recognized as the beginning of the French New Wave of horror in the 2000s and was picked up for distribution by Lions Gate Films. Maxime, Alexandre, and Gregory collaborated again on the remake of "The Hills Have Eyes" and "Mirrors." During the making of Hills Have Eyes, Maxime met Wes Craved, with whom he worked on "Paris, Je T'aime," an anthology film that grouped works from Alexander Payne, The Coen Brothers, Vincenzo Natali, and others, and the film was selected to screen at Un Certain Regard at the Cannes Film Festival, the second time for Maxime after "Marock," a movie directed by Laila Marrakchi in 2005. In 2006, Maxime was recognized by Variety as one of its Ten Cinematographers to Watch. Several other films have followed, including P2, directed by Franck Khalfoun; The Crazies, by Breck Eisner; The Voices, directed by Marjane Satrapi; The Crawl, by Alexandre Aja; Shazam, by David F. Sandberg and soon-to-be-release Never let go by Alexandre Aja and Paris Paradis by Marjane Satrapi.
Cinematography:
2011 The End
2011 The Rif Lover
Director:
2009 Holy Money
2010 Christopher Roth
2011 The End
2011 The Rif Lover
Director of Photography:
2003 High Tension
2004 Mixed Marriage
2004 The Defender
2005 Marock
2006 Paris Je T'aime
2006 The Hills Have Eyes
2006 The Last Drop
2007 Catacombs
2007 P2
2008 Mirrors
2009 Holy Money
2010 Christopher Roth
2010 The Crazies
2011 The End
2011 The Rif Lover
2012 Maniac
2012 Silent Hill: Revelation 3D
2012 The Devil's Dosh
2014 Earth to Echo
2014 The Voices
2015 Lady of Csejte
2016 Grotto
2016 The 9th Life of Louis Drax
2016 The Other Side of the Door
2016 The Warriors Gate
2017 Annabelle: Creation
2018 The Nun
2019 Countdown
2019 Crawl
2019 Shazam!
2020 Come Play
2021 Oxygen
2021 Resident Evil: Welcome to Raccoon City
2023 Role Play
2023 The Cello
2024 Dear Paris
2024 Never Let Go
2025 Until Dawn
???? Crawl 2
???? Frontier Crucible
Writer:
2003 High Tension
2004 Mixed Marriage
2004 The Defender
2005 Marock
2006 Paris Je T'aime
2006 The Hills Have Eyes
2006 The Last Drop
2007 Catacombs
2007 P2
2008 Mirrors
2009 Holy Money
2010 Christopher Roth
2010 The Crazies
2011 The End
2011 The Rif Lover
2012 Maniac
2012 Silent Hill: Revelation 3D
2012 The Devil's Dosh
2014 Earth to Echo
2014 The Voices
2015 Lady of Csejte
2016 Grotto
2016 The 9th Life of Louis Drax
2016 The Other Side of the Door
2016 The Warriors Gate
2017 Annabelle: Creation
2018 The Nun
2019 Countdown
2019 Crawl
2019 Shazam!
2020 Come Play
2021 Oxygen
2021 Resident Evil: Welcome to Raccoon City
2023 Role Play
2023 The Cello
2024 Dear Paris
2024 Never Let Go
2025 Until Dawn
???? Crawl 2
???? Frontier Crucible
Director of Photography:
2014 Alistair MacLean's Air Force One Is Down
2020 The Haunting of Bly Manor
???? The Pendragon Cycle
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.