A work in constant progress (and occasional regress).
Release Date:
March 10, 2006
Original Title:
The Hills Have Eyes
Alternate Titles:
Brda imaju oči
Despertar del diablo
El despertar del diablo 1
La Colline a des yeux
Las colinas tienen ojos
Las colinas tienen ojos 1
Le Visage de la peur
Mägedel on silmad
Opazujemo te
โชคดีที่ตายก่อน
深山大屠杀
Genres:
Horror | Thriller
Production Companies:
Craven-Maddalena Films
Dune Entertainment
Fox Searchlight Pictures
Major Studio Partners
Production Countries:
France | United States of America
Ratings / Certifications:
AR: 18 AU: R 18+ BE: 18 BR: 18 CA: 18A DE: 18 DK: 15 ES: 18 FI: K-18 FR: 16 GB: 18 HK: III HU: 18 IE: 18 IN: A IS: 16 IT: VM14 JP: R18+ LT: N-16 MX: D MY: 18SG NL: 18|16 NO: 18 PL: 18 PT: M/18 RU: 18+ SE: 15 SG: R21 TR: 18+ UA: 18 US: R
Runtime: 107
Based on Wes Craven's 1977 suspenseful cult classic, The Hills Have Eyes is the story of a family road trip that goes terrifyingly awry when the travelers become stranded in a government atomic zone. Miles from nowhere, the Carter family soon realizes the seemingly uninhabited wasteland is actually the breeding ground of a blood-thirsty mutant family...and they are the prey.
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"B" Camera Operator:
Sacha Melaranci
3D Artist:
Shih-hao Jason Huang
ADR Editor:
Frank Smathers
ADR Mixer:
Eric Thompson
ADR Recordist:
Chris Navarro
ADR Voice Casting:
Barbara Harris
Ager/Dyer:
Phyllis Thurber-Moffit
Animal Wrangler:
Lmahjoub Boulmi
Art Department Assistant:
Jérôme Billa
Art Direction:
Grégory Levasseur
Assistant Accountant:
Hanane El Amrani
Assistant Art Director:
Harry Pain
Assistant Chief Lighting Technician:
Lyamani Bouhmdi
Assistant Editor:
Manuel De Sousa
Assistant Location Manager:
Imad El Ghazi
Assistant Production Coordinator:
Kawtar Bellafquih
Assistant Sound Editor:
Christopher Alba
Nancy Barker
Associate Producer:
Cody Zwieg
Boom Operator:
Dick Philip
Cableman:
Jamal Kandil
Camera Trainee:
Anas Batma
Carpenter:
Fabio Carussi
Casting:
Mark Bennett
Catering:
Youssef El Idrissi
Characters:
Wes Craven
Chief Lighting Technician:
Alessandro Cardelli
Color Timer:
Michael Hatzer
Conductor:
Dwight Mikkelsen
Construction Manager:
Luigi Sergianni
Costume Assistant:
Lahcen Abbana
Costume Design:
Danny Glicker
Costume Supervisor:
Julie Glick
Anna Lombardi
Nancy Capper Au
Dialogue Editor:
Kimberly R. McCord-Wilson
Digital Colorist:
Kathy Thomson
Director:
Alexandre Aja
Director of Photography:
Maxime Alexandre
Dresser:
Lahcen Ait Elhaj
Editor:
Baxter
Electrician:
Eyoub Jallal
Executive In Charge Of Production:
Alix Taylor
Executive Producer:
Frank Hildebrand
First Assistant "A" Camera:
Valerio Villalba
First Assistant "B" Camera:
Ionut Lupulescu
First Assistant Accountant:
Wannapa 'Gai' Sinthunawa
First Assistant Director:
Franklin A. Vallette
Foley Artist:
Ginger Geary
Sean Rowe
Foley Editor:
Solange S. Schwalbe
Foley Mixer:
Ryan Maguire
Grip:
Hassan Chrij
Hair Department Head:
Massimiliano Duranti
Hairstylist:
Salima Oulad Dahhou
Key Grip:
Nazzareno Savini
Key Makeup Artist:
Matteo Silvi
Legal Services:
Michael Barnes
Line Producer:
Inigo Lezzi
Location Manager:
Noureddine Aberdine
Makeup Artist:
Clare Mulroy
Matteo Silvi
Karl Derrick
Kevin Wasner
Mariam Lee Abounouom
Makeup Department Head:
Mario Michisanti
Makeup Effects Designer:
Howard Berger
Matte Painter:
Laurent Ben-Mimoun
Music Editor:
Sheri Ozeki
Music Supervisor:
David Franco
Musician:
Paulinho da Costa
Negative Cutter:
Gary Burritt
On Set Dresser:
Jaouad Rehaoui
Orchestrator:
Dwight Mikkelsen
Original Film Writer:
Wes Craven
Original Music Composer:
tomandandy
Andy Milburn
Tom Hajdu
Painter:
Cristina Cecili
Post Production Supervisor:
Tina Anderson
Producer:
Wes Craven
Marianne Maddalena
Samy Layani
Peter Locke
Production Accountant:
Ibtissam Semmar
Production Assistant:
Mustapha Amiri
Production Coordinator:
Katryna Samut-Tagliaferro
Production Design:
Joseph C. Nemec III
Production Manager:
Frank Hildebrand
Production Secretary:
Latifa Chouih
Production Sound Mixer:
Albert Bailey
Property Master:
Mark Fruin
Scoring Mixer:
John Kurlander
Screenplay:
Alexandre Aja
Grégory Levasseur
Script Supervisor:
Cheryl Leigh
Second Assistant Director:
Dexter Locke
Michael Gregory
Jon-Luke Lourens
Shamiel Soni
Bertrand Gagey
Olivier Agostini
Second Unit Director:
Grégory Levasseur
Set Decoration:
Alessandra Querzola
Set Dressing Buyer:
Jaouad Rehaoui
Elizabeth Ragagli
Set Medic:
Hakima Hammoudi
Set Production Assistant:
Mohamed Atbir
Sound Assistant:
Jamal Quandil
Sound Designer:
Dane A. Davis
Richard Adrian
Sound Effects Editor:
Bryan O. Watkins
Carla Murray
Bill R. Dean
Sound Re-Recording Mixer:
Ezra Dweck
Special Effects Assistant:
Mohamed Ali Aqermim
Special Effects Coordinator:
Danilo Bollettini
Special Effects Makeup Artist:
Greg Nicotero
Special Effects Supervisor:
Franco Ragusa
Still Photographer:
Lacey Terrell
Storyboard Artist:
Adrian Cancer
Stunt Coordinator:
Cedric Proust
Stunt Double:
Florian Robin
Stunts:
Aissa Ouyous
Florian Robin
Othman Ilyassa
François Poirier
Philippe Losson
Mustapha Touki
Guiomar Alonso
Supervising Art Director:
Tamara Marini
Supervising Sound Editor:
Mark Larry
Third Assistant Director:
Rachid Doha
Transportation Captain:
Omar Driouche
Unit Production Manager:
Frank Hildebrand
Unit Publicist:
Dan Maddalena
Visual Effects Producer:
Laura LeFaivre
Visual Effects Supervisor:
Jamison Scott Goei
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.