A work in constant progress (and occasional regress).
Release Date:
December 20, 2004
Original Title:
The Defender
Alternate Titles:
Apolytos prostatis
La sentinelle
Genres:
Action | Thriller
Production Companies:
Bauer Martinez Studios
Defender Production
Frame Werk Produktion GmbH & Co. KG
Lucky 7 Productions LLC
Lucky UKFS
Production Countries:
Germany | United Kingdom
Ratings / Certifications:
GB: 18 US: R
Runtime: 90
The global war on terror rages on. When a government official goes missing, Lance, a man with an impressive record of service to his country, finds himself protecting the man who embodies everything he has dedicated his life to fight against.
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ADR Recordist:
Markus Münz
Armorer:
James Weston
Art Department Coordinator:
Luminita Costinela Stanciu
Art Direction:
Radu Corciova
Assistant Costume Designer:
Charlotte Child
Assistant Editor:
Ross McFall
Assistant Hairstylist:
Domnica Bodogan
Assistant Makeup Artist:
Andrea Dardea Tesdall
Assistant Music Supervisor:
Arnold Hattingh
Assistant Production Design:
Luca Dinulescu
Victoria Dragnea
Associate Producer:
Alistair Wilson-Gough
Mohamed Ahmed
Best Boy Grip:
Razvan Paslaru
Remus Tanase
Boom Operator:
Markus Urchs
Casting:
Jeremy Zimmermann
Casting Coordinator:
Tekin Cetinkaya
Clapper Loader:
Violeta Rizea
Co-Producer:
Stefan Jonas
Alan Latham
Colorist:
Dan Mitre
Costume Design:
Till Fuhrmann
Costume Supervisor:
Eli Calin
Director:
Dolph Lundgren
Director of Photography:
Maxime Alexandre
Editor:
Julian Rodd
Dedan Ouziel
Electrician:
Daniel Balteanu
Lupsa Armand
Catalin Nicolae
Octavian Andreescu
Executive Producer:
Al Khalifa
Alastair Burlingham
Karinne Behr
Sheikh Mohamed Bin Salman
Extras Casting Assistant:
Ramona Munteanu
Extras Casting Coordinator:
Domnica Circiumaru
First Assistant Director:
Gerry Toomey
First Assistant Editor:
Yan Miles
Focus Puller:
Titi Gavrila
Mihai Burtan
Ilie Georgica
Foley Artist:
Wilmont Schulze
Foley Editor:
Nils Karlson
Foley Recordist:
Markus Münz
Gaffer:
Florin Niculae
Generator Operator:
Cristi Lupu
Marian Iancu
Grigore Ciobanu
Daniel Ciobanu
Hairstylist:
Ioana Liță
Key Grip:
Marian Ene
Makeup Department Head:
Gabi Cretan
Music Producer:
Adam Nordén
Music Supervisor:
Simon White
Online Editor:
Des Murray
Original Music Composer:
Adam Nordén
Producer:
Claudine Strasser
Douglas W. Miller
Philippe Martinez
Production Accountant:
Steven Edwicker
Production Assistant:
Craita Nanu
Doru Stan
Production Coordinator:
Anamaria Telega
Matthias Sternberg
Production Design:
Matthew Button
Production Executive:
Mark Andrews
Production Manager:
Iulian Pana
Production Secretary:
Ioana Cernescu
Property Master:
Adrian Popa
Script Supervisor:
Andra Barbuica
Second Assistant Camera:
Petre Bat
Marius Florian
Ionut Lupulescu
Second Assistant Director:
Virgil Nicolaescu
Anatol Reghintovschi
Set Decoration:
Tudor Ion
Set Dresser:
Raluca Ioanovici
Sound Designer:
Guido Zettier
Sound Editor:
Kuen-Il Song
Sound Effects Editor:
Kai Schoormann
Alexander Buck
Frank Kruse
Hanse Warns
Sound Mixer:
Florian Flossmann
Sound Re-Recording Mixer:
Stefan Korte
Sound Recordist:
William Edouard Franck
Special Effects Supervisor:
Adrian Popescu
Scott McIntyre
Special Effects Technician:
Mark Starkey
Standby Art Director:
Francesca Mauri
Steadicam Operator:
Bogdan Stanciu
Still Photographer:
Cos Aelenei
Storyboard Artist:
Serban Rotariu
Supervising Dialogue Editor:
Matt Grimes
Supervising Sound Editor:
Guido Zettier
Third Assistant Director:
Irina Bryson
Visual Effects:
Ute Engel
Joerg Bruemmer
Florian Decker
Wardrobe Assistant:
Carmen Stefan
Daniela Nicolae
Laurentiu Costea
Ruxandra Nitulescu
Writer:
Douglas W. Miller
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.