A work in constant progress (and occasional regress).
Release Date:
November 24, 2021
Original Title:
Resident Evil: Welcome to Raccoon City
Alternate Titles:
A kaptár - Raccoon City visszavár
Resident Evil - Welcome to Raccoon City
Resident Evil: Bienvenidos a Raccoon City
Resident Evil: Welcome to Raccoon City
Resident Evil: Καλώς ήλθατε στην Raccoon City
Vùng Đất Quỷ Dữ: Quỷ Dữ Trỗi Dậy
Обитель зла: Раккун Сити
ผีชีวะ: ปฐมบทแห่งเมืองผีดิบ
新生化危机
新生化危機
生化危机:欢迎来到浣熊市
Genres:
Action | Horror | Science Fiction
Production Companies:
Constantin Film
Davis Films
Screen Gems
Production Countries:
France | Germany | United States of America
Ratings / Certifications:
AU: MA15+ BR: 16 CA: 18A CH: 16 CZ: 15+ DE: 16 ES: 18 FR: 12|16 GB: 15 HU: 18 IE: 15 IN: A KR: 18 LT: N-16 MX: B-15 NL: 16 PL: 18 PT: M/16 RO: N - 15 RU: 18+ SG: NC16 TR: 16+ TW: 輔導15歲級 UA: 16+ US: R
Runtime: 107
Once the booming home of pharmaceutical giant Umbrella Corporation, Raccoon City is now a dying Midwestern town. The company’s exodus left the city a wasteland…with great evil brewing below the surface. When that evil is unleashed, the townspeople are forever…changed…and a small group of survivors must work together to uncover the truth behind Umbrella and make it through the night.
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ADR Engineer:
Jordan Bell
ADR Mixer:
Benjamin Darier
ADR Recordist:
Jesse Fellows
ADR Supervisor:
Brian Power
Actor's Assistant:
Cora Gillespie
Additional Colorist:
Dave Muscat
Additional Photography:
Hugh Goodden
Jeff Skochko
Matt Irwin
Animal Wrangler:
Bj Prince
Art Department Trainee:
Frankie Ovis
Art Direction:
Bruno Rocca
Anthony Ianni
Assistant Accountant:
Tanner Brazier
Assistant Art Director:
Randi Lee Butcher
Assistant Camera:
Ryan Prouse
Michael Fisher
Assistant Director:
Chris Feltis
Abel Erazo-Ibarra
Alessia Spalvieri
Assistant Director of Photography:
Matt Irwin
Assistant Editor:
Paul T. Brooks
Assistant Hairstylist:
Dann Campbell
Assistant Makeup Artist:
Joseph Hinds
Assistant Production Coordinator:
Tessa Sawchuk
Assistant Sound Editor:
Jack Madigan
Associate Producer:
Hiroyuki Kobayashi
Best Boy Grip:
Shawn Kazda
Boom Operator:
Craig Baker
Camera Operator:
Matt Irwin
Camera Trainee:
Darian Loohuizen
Cast Driver:
Nick Haskin
Luke Auger
Casting:
Colin Jones
Sara Kay
Casting Associate:
Kalene Osborne
Clearances Consultant:
Cassandra Barbour
Co-Executive Producer:
Alex Zhang
Colorist:
Bill Ferwerda
Concept Artist:
Christian Urdapilleta
Contact Lens Painter:
Kevin Carter
Coordinating Producer:
Ruby Gibson
Costume Assistant:
Faith Campbell
Sara Sahr
Costume Coordinator:
Mara Zigler
Costume Design:
Jennifer Lantz
Costume Set Supervisor:
Cayley Jensen
Costume Supervisor:
Alisha Robinson
Minda Johnson
Creature Design:
Daniel Carrasco
Cyber Scanning Supervisor:
Troy Robinson
Data Wrangler:
Brittany Hurrell
Dialogue Editor:
Ève Corrêa-Guedes
Digital Compositor:
Gerry Kingsley
Director:
Johannes Roberts
Director of Photography:
Maxime Alexandre
Dolly Grip:
Axel Green
Dresser:
Luke Ellis
Editor:
Dev Singh
Executive In Charge Of Production:
Scott Strauss
Executive Producer:
Paul W. S. Anderson
Jeremy Bolt
Victor Hadida
Martin Moszkowicz
Finance:
Norbert Hermannstädter
Antje Bankmann
Foley Recordist:
Daniel Moctezuma
Gaffer:
John Gallagher
Graphic Designer:
Paul Grimard
Bruno Rocca
Key Grip:
Tyler Emms
Key Hair Stylist:
Ashley Nay
Key Makeup Artist:
Steph Pringle
Key Scenic Artist:
Lori Paradis
Lighting Supervisor:
Adam Stewart
Local Casting:
Jenny Lewis
Makeup Artist:
Hailey Roseland-Barnes
Daniella Pluchino
Vanessa Smith
Makeup Department Head:
Erin Sweeney
Mix Technician:
Renan Deodato
Modeling:
Jubinville Steve
Music Supervisor:
Phil Canning
On Set Dresser:
Daniel Lacroix
Online Editor:
Adrian Saywell
Patrick Perron
Original Music Composer:
Mark Korven
Painter:
Jesse Lagace
Post Producer:
Andre Coutu
Post Production Coordinator:
Danielle Dmytraszko
Post Production Supervisor:
Jerrett Zaroski
Producer:
Hartley Gorenstein
Robert Kulzer
James Harris
Production Assistant:
Melissa Covey
Alexander Hamilton Westmore
Richard Barlow
Lidia Castellano
Christina Cameron
Lawrence Van Beek
Production Coordinator:
Donald Colafranceschi
Alina Ducharme Dockery
Production Design:
Jennifer Spence
Production Manager:
Christine Sola
Props:
Paul Grimard
Prosthetic Designer:
Steve Newburn
Prosthetic Makeup Artist:
Emma-Lee Hilton
Prosthetics:
Shaun Hunter
Anthony Veilleux
Script Supervisor:
Samantha McMeekin
Sculptor:
Anthony Veilleux
Second Assistant "A" Camera:
Kierstin Zoratto
Second Assistant Director:
Adam Bocknek
Set Designer:
Mira Apci
Mark Kowalsky
Shelley Silverman
Set Dresser:
Margaret Shain
Set Production Assistant:
Adam Singer
Sound Designer:
Dashen Naidoo
Sound Mixer:
Bret Killoran
Thomas Hayek
Andrew Tay
Sound Re-Recording Mixer:
Andrew Tay
Bret Killoran
Special Effects Assistant:
Bruce Stanfield
Special Effects Makeup Artist:
Paul Jones
Kayla Dobilas
Allan Cooke
Neil Morrill
Mark Wotton
Special Effects Supervisor:
Jeff Skochko
Stand In:
Olivia Gudaniec
Stephanie Aubertin
Stunt Coordinator:
Dan Skene
Stunt Double:
Ana Shepherd
Aj Risi
E. Nova Zatzman
Alex Armbruster
Geoff Meech
Don Stockford
Bas Reitsma
Amy Szoke
Stunt Driver:
Bas Reitsma
Mike Chute
Stunts:
Vincent Rother
Geoff Scovell
Nick Stead
Randy Butcher
Neven Pajkic
Stephannie Hawkins
Sharon Canovas
Dan MacDonald
Sean Skene
Andrew Butcher
Sebastian Buitrago
Avaah Blackwell
Supervising Sound Editor:
Nelson Ferreira
Transportation Coordinator:
Dalton Haskin
Travel Coordinator:
Brandon Mayer
Unit Production Manager:
Hartley Gorenstein
Unit Publicist:
Laura Pettitt
Utility Sound:
Ryan Cox
David Ottier
Utility Stunts:
Jason Lee Bell
Visual Effects Compositor:
Matthew Beightol
Visual Effects Supervisor:
Jo Hughes
Writer:
Johannes Roberts
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.