A work in constant progress (and occasional regress).
Release Date:
December 22, 2022
Original Title:
The Pale Blue Eye
Alternate Titles:
Els crims de l'academia
Los crimenes de la academia
The Pale Blue Eye
چشم آبی روشن
چشم آبی کمرنگ
Genres:
Crime | Horror | Mystery | Thriller
Production Companies:
Cross Creek Pictures
Le Grisbi Productions
Production Countries:
United States of America
Ratings / Certifications:
AR: +16 AU: MA 15+ BR: 16 CA: 14A DE: 16 ES: 16 FR: 16 GB: 15 HU: 16 IE: 15 IL: 16 IN: A IT: VM14 JP: G KR: 15 NL: 16 PL: 16 PT: M/16 RO: 18 SG: M18 TR: 16+ US: R ZA: 16
Runtime: 128
West Point, New York, 1830. When a cadet at the burgeoning military academy is found hanged with his heart cut out, the top brass summons former New York City constable Augustus Landor to investigate. While attempting to solve this grisly mystery, the reluctant detective engages the help of one of the cadets: a strange but brilliant young fellow by the name of Edgar Allan Poe.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Mixer:
Alistair Bolt
Benjamin Darier
Mark DeSimone
James Trusson
ADR Recordist:
Jennie Shea
Additional Second Assistant Director:
Ana Drasinover
Art Department Coordinator:
John Finnell
Art Direction:
Michael E. Goldman
Assistant Art Director:
Allison Klein
Assistant Property Master:
Thomas J. Garrigan
Camera Loader:
Matt Beran
Camera Operator:
Dana Morris
Co-Executive Producer:
Vincent Grashaw
Construction Foreman:
Chip Eccles
Costume Design:
Kasia Walicka Maimone
Costume Supervisor:
Darcie Buterbaugh
Dailies Operator:
Alex Kaufman
Andrew Dearnley
Digital Imaging Technician:
Daniel Hernandez
Director:
Scott Cooper
Director of Photography:
Masanobu Takayanagi
Dolly Grip:
David Jaxx Nagro
Drone Pilot:
Drew Roberts
Editor:
Dylan Tichenor
Electrician:
Mark Yancey
Executive Producer:
Dylan Weathered
Ryan Donnell Smith
Tracey Landon
Buddy Patrick
Chris Sharp
First Assistant "A" Camera:
James W. Apted
First Assistant "B" Camera:
Richard S. Crumrine Jr.
First Assistant Director:
Christopher Surgent
Gaffer:
Jay Kemp
Graphic Designer:
Raquel Bouvy
Grip:
Chad Cunningham
John E. Tremba
Hair Department Head:
Lori Guidroz
Hairstylist:
Nancy Keslar
Bunny Giuliani
Krista Montgomery
Key Grip:
Sean Flaherty
John Janusek
Key Hair Stylist:
Jason Renner
Melissa Yonkey
Key Makeup Artist:
Rachel Kick
Lighting Technician:
Brian Abate
Makeup Artist:
Eve Negley
Christopher Patrick
Rachel Geary
Darylin Nagy
Makeup Department Head:
Autumn Butler
Ned Neidhardt
Novel:
Louis Bayard
On Set Dresser:
Jennifer Bechak
Original Music Composer:
Howard Shore
Producer:
Tyler Thompson
Christian Bale
John Lesher
Scott Cooper
Production Design:
Stefania Cella
Production Supervisor:
Corey Sklov
Evelyn Chafin
Property Master:
Kris Peck
Props:
Jason Baker
Mandy Simpson
Rigging Grip:
Dakota Hadix
Score Engineer:
Tom Russbueldt
Scoring Mixer:
Sam Okell
Script Supervisor:
Scott Peterson
Second Assistant Camera:
Dan Sotak
Second Assistant Director:
Takahide Kawakami
Second Second Assistant Director:
Jordan Weir
Set Costumer:
Melissa Yancey
Set Decoration:
Jane Madden
Set Designer:
Kate Dougherty
Kate Bechak
Set Dresser:
Mitchell Poljak
Sound Designer:
Chris Chae
Sound Effects Editor:
Wyatt Sprague
Sound Mixer:
Tom Williams
Sound Re-Recording Mixer:
Skip Lievsay
Chris Chae
Special Effects:
Kyle Roberts
Mike Garvey
Cheryl L. Sorice
Ted Williams
Special Effects Supervisor:
Jeremy Hays
Special Effects Technician:
Antonio Grassano
Steadycam:
Dana Morris
Still Photographer:
Scott Garfield
Storyboard Artist:
Patrick Campbell
Stunt Coordinator:
Adam Hart
Stunt Double:
Michelle Elise Shock
Adam Hart
Erin Haus
Dawson Towery
Stunts:
Daniel Stevens
Doug Coleman
Cole Eckert
Joseph Edward Myers
Supervising Art Director:
Troy Sizemore
Supervising Sound Editor:
Skip Lievsay
Techno Crane Operator:
Kevin Gilligan
Title Designer:
Randall Balsmeyer
Unit Production Manager:
Tracey Landon
VFX Supervisor:
Jeremy Hays
Video Assist Operator:
Doug Stanczak
Visual Effects:
Brandon England
Alexander Ha
Visual Effects Coordinator:
David C. Sales
Writer:
Scott Cooper
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.