A work in constant progress (and occasional regress).
Release Date:
October 6, 2023
Original Title:
In the Land of Saints and Sinners
Alternate Titles:
In the Land of Saints and Sinners
בארץ הקדושים והחוטאים
در سرزمین گناهکاران و قدیسان
Genres:
Action | Thriller
Production Companies:
Bleiberg Entertainment
Davis Films
Facing East Entertainment
Jumpy Cow Pictures
Merlin Films
Prodigal Films
Saga Film
Production Countries:
Belgium | France | Ireland | Switzerland | United States of America
Ratings / Certifications:
AU: MA 15+ BE: 16 BR: 16 DE: 16 DK: 15 ES: 16 FI: K-16 FR: 16 GR: K18 IL: 14 KR: 15 NL: 16 NO: 15 NZ: R16 PR: R RU: 18+ SE: 15 US: R VI: R
Runtime: 106
In a remote Irish village, a damaged Finbar is forced to fight for redemption after a lifetime of sins, but what price is he willing to pay? In the land of saints and sinners, some sins can't be buried.
"A" Camera Operator:
Matt Fisher
"B" Camera Operator:
Eric Greenberg
ADR Editor:
Héléna Réveillère
ADR Mixer:
James Trusson
ADR Supervisor:
Héléna Réveillère
Armorer:
Aran Condren
Art Direction:
Kieran McNulty
Assistant Director:
Karen-Ann Clancy
Assistant Director Trainee:
Patrick Gillespie
Oisin McDermott
Assistant Editor:
Benjamin Durfort
Bryan Hoday
Lewis F. Morphew
Assistant Location Manager:
Niall Milton
Camera Trainee:
Rebecca Algeo
Oisín Gallagher
Casting:
Louise Kiely
Karen Scully
Casting Assistant:
Adam Doyle
Beibhinn Jones
Fionnuala O'Shea
Co-Producer:
Ariel Bleiberg
Colorist:
Peter Bernaers
Costume Assistant:
Vera Moles
Costume Design:
Leonie Prendergast
Costume Supervisor:
Derbhla McClelland
Data Wrangler:
Aurélien Jacques
Dialogue Editor:
Héléna Réveillère
Digital Compositor:
Ben Dekeyser
Tania Jaime Gonzalez
Antoine Jaspar
Quentin Van Rossom
Digital Imaging Technician:
Olaya Chesneau
Director:
Robert Lorenz
Director of Photography:
Tom Stern
Drone Operator:
David Qualter
Editor:
Jeremiah O'Driscoll
Executive Producer:
Nicholas C. Bennett
Ehud Bleiberg
Kieran Corrigan
Danny Dimbort
Daniel Fluri
Marcel Gloor
Adrian Grabe
Victor Hadida
Marc Jacobson
Robert Lorenz
Extras Casting:
Grace Barry
First Assistant "A" Camera:
Simon Culliton
First Assistant Director:
Paula Case
Foley Artist:
Olivier Thys
Gaffer:
Simon Magee
Graphic Designer:
Victoria Alexandra Carney
Greensman:
Murtha Davis
Grip:
Mikey Nardone
Hairstylist:
Belinda Roche
Key Costumer:
Aisling Nolan
Key Grip:
Richie Egan
Key Hair Stylist:
Aoife Maher
Line Producer:
Patrick O'Donoghue
Location Assistant:
Dean Gilchrist
Location Manager:
Gordon Wycherley
Makeup Designer:
Clare Lambe
Music:
Diego Baldenweg
Post Production Supervisor:
Nicolas Bassetto
Flavia Biurrun
Producer:
Markus Barmettler
Geraldine Hughes
Philip Lee
Terry Loane
Bonnie Timmermann
Flavia Biurrun
Kieran Corrigan
Hubert Toint
Production Design:
Derek Wallace
Production Manager:
Kathy Tynan
Mark Vanherck
Production Sound Mixer:
Daniel Birch
Property Master:
Lyndon Johnston
Script Supervisor:
Eva Kelly
Second Assistant "A" Camera:
Howard Jones
Second Assistant Director:
Sarah Harte
Set Decoration:
Jil Turner
Sound Designer:
Fred Demolder
Sound Effects Editor:
Renaud Guillaumin
Sound Re-Recording Mixer:
Emmanuel de Boissieu
Special Effects Supervisor:
Aidan Byrne
Special Effects Technician:
Brian 'Joker' Mulvey
Niall O'Doherty
Owen Windsor
Standby Art Director:
Sarah McLoughlin
Standby Property Master:
Barry Davenport
Steadicam Operator:
Matt Fisher
Still Photographer:
Enda Bowe
Stunt Coordinator:
Joe Condren
Mark Vanselow
Stunt Double:
Jack Brennan
Niamh Hogan
Stunts:
Gary Condren
Aran Condren
Ken Doherty
Third Assistant Director:
Eamonn Cawley
Transportation Coordinator:
Peter Thornton
Visual Effects:
Laurent Ravicini
Visual Effects Coordinator:
Miklos Keleti
Kevin Szmir
Visual Effects Producer:
Michel Denis
Visual Effects Supervisor:
Ronald Grauer
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.