A work in constant progress (and occasional regress).
Foley:
1996 Star Trek: First Contact
Foley Editor:
1984 Beverly Hills Cop
1985 Witness
1986 Top Gun
1988 Big Top Pee-wee
1989 Let It Ride
1991 The Addams Family
1992 Under Siege
1993 Fire in the Sky
1994 Clear and Present Danger
1994 Naked Gun 33⅓: The Final Insult
1994 Star Trek: Generations
1996 Star Trek: First Contact
Foley Supervisor:
1984 Beverly Hills Cop
1985 Witness
1986 The Golden Child
1986 Top Gun
1987 Beverly Hills Cop II
1987 Some Kind of Wonderful
1988 Big Top Pee-wee
1989 Let It Ride
1990 The Hunt for Red October
1991 The Addams Family
1992 Under Siege
1992 Wayne's World
1993 Fire in the Sky
1994 Clear and Present Danger
1994 Naked Gun 33⅓: The Final Insult
1994 Star Trek: Generations
1995 Congo
1996 Star Trek: First Contact
Sound Effects Editor:
1984 Beverly Hills Cop
1985 Witness
1986 The Golden Child
1986 Top Gun
1987 Beverly Hills Cop II
1987 Some Kind of Wonderful
1988 Big Top Pee-wee
1989 Let It Ride
1990 Days of Thunder
1990 The Hunt for Red October
1991 Father of the Bride
1991 The Addams Family
1992 Under Siege
1992 Wayne's World
1993 Fire in the Sky
1994 Blue Sky
1994 Clear and Present Danger
1994 Naked Gun 33⅓: The Final Insult
1994 Star Trek: Generations
1995 Congo
1996 Star Trek: First Contact
Sound Mixer:
1984 Beverly Hills Cop
1985 Witness
1986 The Golden Child
1986 Top Gun
1987 Beverly Hills Cop II
1987 Some Kind of Wonderful
1988 Big Top Pee-wee
1989 Let It Ride
1990 Days of Thunder
1990 The Hunt for Red October
1991 Father of the Bride
1991 The Addams Family
1991 The Butcher's Wife
1992 Under Siege
1992 Wayne's World
1993 Fire in the Sky
1994 Blue Sky
1994 Clear and Present Danger
1994 Naked Gun 33⅓: The Final Insult
1994 Star Trek: Generations
1995 Congo
1996 Star Trek: First Contact
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.