A work in constant progress (and occasional regress).
Release Date:
August 3, 1994
Original Title:
Clear and Present Danger
Alternate Titles:
Açik Tehlike
Danger immédiat
Jack Ryan 03: Clear and Present Danger
Jack Ryan 3 - Perigo Real e Imediato
Neposredna nevarnost
Neposredna opasnost
Overhengende fare
燃眉追击
燃眉追擊
긴급 명령
긴급명령
해리슨 포드의 긴급명령
Genres:
Action | Drama | Thriller
Production Companies:
Mace Neufeld Productions
Paramount Pictures
Robert Rehme Productions
Production Countries:
Mexico | United States of America
Ratings / Certifications:
AU: M BR: 12 CZ: 12+ DE: 12 DK: 15 ES: 16 FI: K-16 FR: U GB: 12 HU: 16 IE: 15 JP: G KR: 15 NL: 12 PT: M/12 RO: 12 SE: 15 US: PG-13
Runtime: 141
Agent Jack Ryan becomes acting Deputy Director of Intelligence for the CIA when Admiral Greer is diagnosed with cancer. When an American businessman, and friend of the president, is murdered on his yacht, Ryan starts discovering links between the man and drug dealers. As former CIA agent John Clark is sent to Colombia to kill drug cartel kingpins in retaliation, Ryan must fight through multiple cover-ups to figure out what happened and who's responsible.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Editor:
Lee Lemont
Stephen Janisz
ADR Mixer:
Bob Baron
ADR Recordist:
Cory Coken
Aerial Coordinator:
Craig Hosking
Animation Supervisor:
Jeffrey Kleiser
Armorer:
Harry Lu
Art Direction:
Fernando Ramírez
William Cruse
Assistant Accountant:
Marcus Canty
Assistant Art Director:
Robert Woodruff
Assistant Camera:
Juan Ayala
Assistant Chief Lighting Technician:
Michael Murray
Assistant Editor:
Neil Greenberg
Assistant Location Manager:
Jeff Crandell
Yvette Gurza
Assistant Production Coordinator:
Leslie Silvey
Assistant Property Master:
Michael Saccio
Assistant Sound Editor:
Dawn Michelle King
Thomas Needell
Linda Yeaney
Thomas W. Small
Bill Ward
Marc Deschaine
Associate Editor:
Tim Tommasino
Andrew S. Eisen
Associate Producer:
Lis Kern
Best Boy Electric:
Brett Laumann
Boom Operator:
Douglas J. Schulman
Linda Coffey
Cableman:
James M. McCann
Camera Operator:
Douglas Ryan
Camera Technician:
Michael Charbonnet
Casting:
Mindy Marin
Claudia Becker
Casting Associate:
John Papsidera
Chief Lighting Technician:
Bobby Burton
Co-Producer:
Ralph S. Singleton
Color Timer:
Terry Hager
Conductor:
James Horner
Construction Coordinator:
Fred Livingston
Sebastian Milito
Costume Designer:
Bernie Pollack
Costume Supervisor:
Jaime Ortiz
Hugo Peña
Mark Peterson
Craft Service:
Chris Winn
Dialogue Editor:
Gloria D'Alessandro
Carin Rogers
Richard Corwin
Digital Compositors:
Harry Lam
Digital Effects Supervisor:
Diana Walczak
Director:
Phillip Noyce
Director of Photography:
Donald McAlpine
Dolly Grip:
Chuck Brown
Driver:
Ricardo Díaz Avilés
Editor:
Neil Travis
Executive In Charge Of Production:
Krystyna Demkowicz
Extras Casting:
Kimberly Skyrme
Extras Casting Coordinator:
Jesús Guerrero
First Assistant Camera:
Patrick McArdle
First Assistant Director:
Batan Silva
Alan B. Curtiss
First Assistant Director Trainee:
Carlos Piñero
First Assistant Editor:
John Haggar
First Assistant Sound Editor:
Lance Laurienzo
Foley Artist:
David Lee Fein
Ken Dufva
Foley Editor:
Christine Danelski
Jeffrey R. Payne
Pamela Bentkowski
Foley Mixer:
Eric Gotthelf
Grip:
Hugh McCallum
Hairstylist:
Carol Meikle
Anne Morgan
Esperanza Gómez
Beatrice De Alba
Key Grip:
Robin Alan Knight
Key Hair Stylist:
Sherri Bramlett
Key Production Assistant:
Caryn Krooth
Leadman:
Christopher Neely
Loader:
Kate O'Neill
Location Assistant:
Kathleen Beall
Location Manager:
Nicole Kolin
Peggy Pridemore
Peter J. Novak
Stuart Neumann
Location Scout:
Marisa Moolick
Makeup Artist:
John R. Bayless
Barbara Lacy
Deborah Humphries
Dennis Glas
Peter Robb-King
Raúl Sarmiento
Pat Gerhardt
Matte Painter:
Craig Barron
Michael Pangrazio
Modeling:
Stevan Del George
Music Editor:
Joe E. Rand
Music Supervisor:
Tim Sexton
Negative Cutter:
Theresa Repola Mohammed
Novel:
Tom Clancy
Orchestrator:
Don Davis
Original Music Composer:
James Horner
Other:
John Soukup
Payroll Accountant:
Irina Naydichev
Pilot:
Dana Kristen Vahle
Cliff Fleming
Producer:
Mace Neufeld
Robert Rehme
Production Accountant:
Susan Towner
Production Assistant:
Fernando Uriegas
Michelle Minyon
Production Coordinator:
Belinda Uriegas
Debbie Schwab
Monica Levinson
Production Design:
Terence Marsh
Production Illustrator:
David J. Negrón Jr.
Production Manager:
Anna Roth
Edwin 'Itsi' Atkins
Production Secretary:
Barbara Casner
Production Sound Mixer:
Art Rochester
Property Master:
Graham Sumner
Hope M. Parrish
Thomas Saccio
Dennis J. Parrish
Rigging Gaffer:
Steven Litecky
Scenic Artist:
Richard Kilroy
Scoring Mixer:
Shawn Murphy
Screenplay:
Steven Zaillian
John Milius
Donald E. Stewart
Script Supervisor:
Ingrid Urich-Sass
Faye Brenner
Second Assistant Camera:
David Blake
Second Assistant Director:
Robert Huberman
Carlos Hidalgo
Second Second Assistant Director:
Joaquin Silva
Sean McCarron
Scott Robertson
Second Unit Director:
David R. Ellis
Second Unit First Assistant Director:
Michael Green
Set Costumer:
Gregory B. Peña
Set Decoration:
Michael Seirton
Mickey S. Michaels
Jay Hart
Set Designer:
Dawn Snyder
Set Dresser:
Robert Camron
John Schacht
Jim Husbands
Set Dressing Artist:
Robert Camron
Set Production Assistant:
David M. Bernstein
Sound Designer:
Lance Brown
Sound Editor:
Scott G.G. Haller
Patrick J. Foley
Sound Effects Editor:
Frank Howard
Steve Mann
Jay Nierenberg
Jeffrey L. Sandler
David E. Stone
Donald L. Warner Jr.
Mike Szakmeister
Glenn Hoskinson
Sound Mixer:
Tom Nelson
Sound Re-Recording Mixer:
Michael Herbick
Donald O. Mitchell
Frank A. Montaño
Jeffrey Perkins
Special Effects:
Robert G. Willard
Phil H. Fravel
Special Effects Coordinator:
Paul J. Lombardi
Joe Lombardi
Laurencio Cordero
Special Effects Technician:
Parry Willard
Richard Wood
Rudy Perez
Kelly Kerby
Terry Erickson
Scott Garcia
Steadicam Operator:
Ian Jones
Still Photographer:
Bruce McBroom
Stunt Coordinator:
Dick Ziker
Stunt Double:
John Alden
Stunt Driver:
Dick Ziker
Stunts:
Scott Wilder
Kenny Endoso
Al Goto
Tom Elliott
Pat Romano
Richard M. Ellis
Chuck Picerni Jr.
Henry Kingi
Supervising ADR Editor:
Becky Sullivan
Supervising Dialogue Editor:
Joseph A. Ippolito
Supervising Music Editor:
Jim Henrikson
Supervising Sound Editor:
Bruce Stambler
John Leveque
Transportation Captain:
Anthony C. Steere
Transportation Co-Captain:
Manny Demello
Transportation Coordinator:
James Thornsberry
Unit Manager:
Gerardo Barrera
Unit Publicist:
Don Levy
VFX Artist:
Richard Kilroy
VFX Editor:
Gus Duron
Video Assist Operator:
Enrique del Rio
Visual Effects:
Richard E. Hollander
Rhonda C. Gunner
Gian Ganziano
Gregory L. McMurry
Visual Effects Art Director:
Tim Donahue
Visual Effects Coordinator:
Paul Taglianetti
Visual Effects Editor:
Gus Duron
Visual Effects Producer:
Michael Van Himbergen
Jeffrey Diamond
Visual Effects Supervisor:
John C. Wash
Robert Grasmere
Visual Effects Technical Director:
Carol Ashley
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.