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Stephen Mirrione (b. 1969)

Birthplace:
Santa Clara County, California, USA

Born:
February 17, 1969

Biography from TheMovieDB

Stephen Mirrione (born February 17, 1969) is an American film editor. He is best known for winning an Academy Award for his editing of the film Traffic (2000).

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Additional information:

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Film Performances

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Film Production

Editor:
1994  Getting In
1995  Monster Mash: The Movie
1996  Swingers
1997  Clockwatchers
1999  Go
2000  Traffic
2001  Ocean's Eleven
2001  Thirteen Conversations About One Thing
2002  Confessions of a Dangerous Mind
2003  21 Grams
2004  Criminal
2004  Ocean's Twelve
2005  Good Night, and Good Luck.
2006  Babel
2007  Ocean's Thirteen
2007  To Each His Own Cinema
2008  Leatherheads
2009  The Informant!
2010  Biutiful
2011  Contagion
2011  The Ides of March
2012  The Hunger Games
2013  August: Osage County
2014  Birdman or (The Unexpected Virtue of Ignorance)
2014  The Monuments Men
2015  The Revenant
2017  Suburbicon
2020  The Midnight Sky
2022  Spiderhead

Thanks:
1994  Getting In
1995  Monster Mash: The Movie
1996  Swingers
1997  Clockwatchers
1999  Go
2000  Traffic
2001  Ocean's Eleven
2001  Thirteen Conversations About One Thing
2002  Confessions of a Dangerous Mind
2003  21 Grams
2004  Criminal
2004  Ocean's Twelve
2005  Good Night, and Good Luck.
2006  Babel
2007  Ocean's Thirteen
2007  To Each His Own Cinema
2008  Leatherheads
2009  The Informant!
2010  Biutiful
2011  Contagion
2011  The Ides of March
2012  The Hunger Games
2013  August: Osage County
2014  Birdman or (The Unexpected Virtue of Ignorance)
2014  The Monuments Men
2015  The Revenant
2017  Suburbicon
2020  The Midnight Sky
2022  Spiderhead
2022  Top Gun: Maverick

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.