A work in constant progress (and occasional regress).
Release Date:
September 18, 2009
Original Title:
The Informant!
Alternate Titles:
Alithofani psemata
Информатор
爆料大师
Genres:
Comedy | Crime | Drama
Production Companies:
Groundswell Productions
Jaffe/Braunstein Enterprise
Participant
Section Eight
Warner Bros. Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M CZ: 18+ DE: 12 ES: A GB: 15 GR: 13 HU: 18 IE: 15 IT: T JP: G NL: AL PL: 18 PT: M/12 TW: 保護級 US: R
Runtime: 108
A rising star at agri-industry giant Archer Daniels Midland (ADM), Mark Whitacre suddenly turns whistleblower. Even as he exposes his company’s multi-national price-fixing conspiracy to the FBI, Whitacre envisions himself being hailed as a hero of the common man and handed a promotion.
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ADR Recordist:
Barry Donnelly
Mark Shehab
Art Department Assistant:
Andrew Alward
Tim Alward
Jason Perrine
Art Department Coordinator:
Leia Pratapas
Art Designer:
Joanna Bush
Art Direction:
William O. Hunter
David E. Scott
Assistant Chief Lighting Technician:
Nicholas Kaat
Assistant Director Trainee:
Lauren Pasternack
Assistant Editor:
Corey Bayes
Assistant Location Manager:
Ron Durham
Liz Goldsmith
Mike Barry
Guy Morrison
Assistant Property Master:
Stephen Gibson
Assistant Set Decoration:
Julie Smith
Assistant Sound Editor:
Billy Theriot
Audio Post Coordinator:
Brian Seagrave
Best Boy Grip:
Greg Fausak
Book:
Kurt Eichenwald
Boom Operator:
David Puntener
Javier M. Hernández
CG Supervisor:
Liz Radley
Chris Ryan
Camera Operator:
Patrick B. O'Brien
Camera Technician:
Jeroen Hendriks
Carpenter:
Francis J. Roix
Casting:
Carmen Cuba
Casting Associate:
Shelby Cherniet
Helen Geier
Claire Simon
Teresa Thoma
Becca McCracken
Chief Lighting Technician:
Peter Walts
Co-Producer:
Michael Polaire
Color Timer:
Lee Wimer
Colorist:
Matt Blackshear
Compositor:
Kama Moiha
Construction Coordinator:
Robert J. Carlyle
Construction Foreman:
Quentin Matthys
Costume Assistant:
Rebecca M. Graves
Costume Design:
Shoshana Rubin
Costume Supervisor:
Sandy Kenyon
Costumer:
Barnaby Smith
Danielle Baker
Valerie T. O'Brien
Digital Colorist:
Tim Stipan
Digital Intermediate Data Wrangler:
Michael P. Whipple
Digital Intermediate Editor:
Nat Jencks
Benjamin Sutor
Digital Intermediate Producer:
Barbara Jean Kearney
Jimmy Fusil
Director:
Steven Soderbergh
Director of Photography:
Steven Soderbergh
Dolly Grip:
John-Anthony Gargiulo
Editor:
Stephen Mirrione
Electrician:
Gregory Doi
Henry Cantor
Michael J. Schwartz
Executive In Charge Of Production:
Mark Scoon
Executive Producer:
Michael London
Jeff Skoll
George Clooney
Extras Casting:
Jonathan Kinnas
Mike Ketcher
Rich King
Extras Casting Assistant:
Erin Stewart Tiedje
First Assistant Camera:
Steven Meizler
First Assistant Director:
Gregory Jacobs
Gil Kenny
First Assistant Editor:
Matt Absher
Foley Artist:
Dawn Fintor
Alicia Stevenson
Graphic Designer:
Nelly Nahon
Michael Okuda
Greensman:
Adolfo Castanon
Christopher Morente
Alex Sessing
Hair Department Head:
Gloria Pasqua Casny
Hairstylist:
Kay Georgiou
Connie Kallos
Jules Holdren
Key Costumer:
Brad Holtzman
Key Grip:
John Joseph Minardi
Cyril Kuhnholtz
Key Hair Stylist:
Barbara Cantu
Key Makeup Artist:
Marsha Shearrill
Lead Animator:
Gary Abrahamian
Leadman:
Shane Reed
Scott Troha
Location Assistant:
Al Huynh
Bernadette Wilson
Location Manager:
Arnaud Kaiser
Ken Lavet
Location Scout:
Stefan Nikolov
Arnaud Mathey-Dreyfus
Makeup Artist:
LaTrice L. Edwards
Vicki Vacca
Christine Beveridge
Rebecca Wachtel
Makeup Department Head:
Elisa Marsh
Music Editor:
Missy Cohen
Tim Starnes
Musician:
Peter Erskine
Laura Sherman
John Moses
On Set Dresser:
Matthew J. Norskog
Orchestrator:
Larry Hochman
Original Music Composer:
Marvin Hamlisch
Paint Coordinator:
Roderick Nunnally
Painter:
Richard Ewan
Andrew Calma Jr
Playback Coordinator:
Steve Irwin
Post Production Supervisor:
David Kirchner
Producer:
Gregory Jacobs
Jennifer Fox
Howard Braunstein
Michael Jaffe
Kurt Eichenwald
Production Design:
Doug J. Meerdink
Production Manager:
Robin Le Chanu
Gilles Castera
Production Sound Mixer:
Dennis Towns
Production Supervisor:
Renee Confair
Property Master:
Alvin S. Cabrinha Jr.
Jeffrey Paul Johnson
Propmaker:
Colin Alexander
Gary Stel
Scott Ellsworth
Jimmy Flores
Norman Alatorre
James R. Lord
Timothy Mullennix
Jamie Litwak
Rigging Gaffer:
Glenn E. Moran
Screenplay:
Scott Z. Burns
Script Supervisor:
Adrienne Hamalian-Mangine
Second Assistant Camera:
April Kelley
Paul Toomey
Second Assistant Director:
Jody Spilkoman
Second Second Assistant Director:
Lynne Martin
Set Costumer:
Jessica Albertson
Melissa Stinson
Set Decorating Coordinator:
Genelle Ciccarelli
Set Decoration:
Daniel B. Clancy
Set Designer:
Dawn Brown
Jane Wuu
Set Dresser:
Jim Tudor
Gregory Byrne
Chris Larsen
Scott Schutzki
Clark Woodman
Thomas J. Glynn
Paul Knubley
Martin Grimes
Walsh Carvalho
Craig K. Lewis
Sound:
François Musy
Sound Editor:
Matt Coby
Sound Re-Recording Mixer:
Larry Blake
Sound Recordist:
Sean Byrne
Special Effects Coordinator:
Ron Bolanowski
Special Effects Makeup Artist:
Chris Lyons
Special Effects Technician:
Jared Baker
Bob Everett
Daniel Yates
Gunter Anderson
Darrell Burgess
Bob Shelley
Robert Bolanowski
Still Photographer:
Claudette Barius
Stunt Coordinator:
John Robotham
Rick LeFevour
Stunt Double:
Tom Lowell
Stunt Driver:
Daniel Maldonado
Scott Philyaw
Stunts:
Stephen W. Schriver
Sean Graham
Rick LeFevour
Tabby Hanson
Supervising Sound Editor:
Larry Blake
Utility Sound:
Steve La Fayette
Marcus Ricaud
Visual Effects Director:
Chris B. Schnitzer
Visual Effects Producer:
Lisa Maher
Visual Effects Production Manager:
Heather Elisa Hill
Visual Effects Supervisor:
Thomas J. Smith
Wardrobe Assistant:
Cat Dawson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.