A work in constant progress (and occasional regress).
Release Date:
December 31, 2002
Original Title:
Confessions of a Dangerous Mind
Alternate Titles:
Confesiones de una mente peligrosa
Confessioni di una mente pericolosa
Confessions d'un homme dangereux
Confissões de Uma Mente Perigosa
Exomologiseis enos epikindinou myalou
Exomologiseis enos epikindynou myalou
危险思想的自白
Genres:
Comedy | Crime | Drama
Production Companies:
JVS GmbH & Co. OHG
Mad Chance
Miramax
Renaissance Films
Section Eight
Production Countries:
Germany | United Kingdom | United States of America
Ratings / Certifications:
AR: +13 AU: MA 15+ BR: 16 CA: 14A CH: 16 CZ: 12+ DE: 12 DK: 15 ES: 18 FI: K-16 FR: 12 GB: 15 HK: IIB HU: 16 IE: 18 JP: PG12 KR: 18 NL: 12 NO: 15 NZ: R16 PH: R-18 PL: 16 PT: M/16 RU: 16+ SE: 11 US: R
Runtime: 113
Television made him famous, but his biggest hits happened off screen. Television producer by day, CIA assassin by night, Chuck Barris was recruited by the CIA at the height of his TV career and trained to become a covert operative. Or so Barris said.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"B" Camera Operator:
Tim Merkel
Art Direction:
Nicolas Lepage
Associate Producer:
Amy Minda Cohen
Gym Hinderer
Camera Loader:
Benoit Descary
Casting:
Ellen Chenoweth
Co-Executive Producer:
Far Shariat
Co-Producer:
Jeffrey Sudzin
Costume Design:
Renée April
Costume Supervisor:
Robert Q. Mathews
Dialogue Editor:
Kira Roessler
Director:
George Clooney
Director of Photography:
Newton Thomas Sigel
Editor:
Stephen Mirrione
Editorial Coordinator:
Donald Dowd
Executive In Charge Of Production:
Bob Osher
Executive Producer:
Steven Soderbergh
Rand Ravich
Harvey Weinstein
Stephen Evans
Bob Weinstein
Jonathan Gordon
First Assistant "A" Camera:
Jimmy E. Jensen
First Assistant "B" Camera:
Michel Bernier
First Assistant Director:
David Webb
Key Costumer:
Kenn Smiley
Key Dresser:
Sophie Beasse
Key Hair Stylist:
Réjean Forget
Key Makeup Artist:
Micheline Trépanier
Music Editor:
Stephen Lotwis
Music Supervisor:
Joe Rangel
Novel:
Chuck Barris
Original Music Composer:
Alex Wurman
Post Production Supervisor:
Peter Mavromates
Producer:
Andrew Lazar
Production Design:
James D. Bissell
Production Sound Mixer:
Edward Tise
Production Supervisor:
Pearl A. Lucero
Screenplay:
Charlie Kaufman
Script Supervisor:
Marie La Haye
Second Assistant "A" Camera:
Roch Boucher
Second Assistant "B" Camera:
Eric Aubin
Second Assistant Director:
Anne Alloucherie
Melissa V. Barnes
Second Second Assistant Director:
Agnieszka Kroskowska
Sound Editor:
John Joseph Thomas
Sound Effects Editor:
Julie Feiner
George Simpson
Marvin Walowitz
Curt Schulkey
Mike Chock
Sound Re-Recording Mixer:
Michael Minkler
Myron Nettinga
Sound Recordist:
Matt Colleran
Special Effects Coordinator:
Pierre 'Bill' Rivard
Special Effects Supervisor:
Louis Craig
Steadicam Operator:
Tim Merkel
Stunt Coordinator:
Brad Martin
Michael Scherer
Supervising Art Director:
Isabelle Guay
Supervising Music Editor:
Andrew Silver
Supervising Sound Editor:
Aaron Glascock
Unit Manager:
Gilles Perreault
Unit Production Manager:
Josette Perrotta
Jeffrey Sudzin
Visual Effects Coordinator:
Jaime Norman
Visual Effects Producer:
Melanie La Rue
Visual Effects Supervisor:
Louis Morin
Wigmaker:
Christine Larocque
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.