A work in constant progress (and occasional regress).
Release Date:
June 12, 1997
Original Title:
Clockwatchers
Alternate Titles:
Clock Watchers
Esperando la hora
Quatro Garotas... Uma Grande Confusão
Genres:
Drama
Production Companies:
Goldcrest
John Flock Productions
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
CA: 14A US: PG-13
Runtime: 96
The relationship between four female temps all working for the same credit company is threatened with the arrival of a new hire, who lands a permanent position one of the women was vying for.
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ADR Supervisor:
Kris Campbell
Assistant Costume Designer:
Ángela Núñez
Assistant Editor:
Keith H. Sauter
Robert J. Grano
Assistant Location Manager:
Paul Schreiber
Chanel Salzer
Jun C. Lin
Matthew Cassel
Assistant Production Coordinator:
Jen Wall
Best Boy Electric:
Larry Sushinski
Best Boy Grip:
James A. Neal
Boom Operator:
Marydixie Kirkpatrick
Camera Loader:
Jennifer Koestler
Carpenter:
Laura Von Bergman
Danny L. Turk
Timothy Joseph Turk
Bryan Turk
Todd Cherniawsky
Casting:
Jeanne McCarthy
Casting Assistant:
Daysun Perkins
Co-Executive Producer:
Guy Collins
John Quested
Co-Producer:
Karen Sprecher
Construction Coordinator:
Daniel Turk
Construction Foreman:
Lawrence Chew
George Charles Kiapos
Costume Design:
Edi Giguere
Costume Supervisor:
Lovelynn Vanderhorst
Craft Service:
Andrea Pilat
Dialect Coach:
Francie Brown
Joy Ellison
Dialogue Editor:
Jed M. Dodge
Director:
Jill Sprecher
Director of Photography:
Jim Denault
Dolby Consultant:
Thom 'Coach' Ehle
Dolly Grip:
Steve Ruffing
Dennis K. Wilson
Editor:
Stephen Mirrione
Electrician:
James Coffin
Laura Stewart
Joshua E. Smith
Derrick Hopkins
Justin Stroh
Tana Dubbe
Paul Reyes
Russ L. Conklin
Scott Norris
Mary Kasparian
Executive Producer:
John Flock
First Assistant Camera:
Miranda Mar
First Assistant Director:
Eric Mofford
First Assistant Editor:
Douglas Crise
Foley:
Ossama Khuluki
Catherine Harper
James Moriana
Christopher Moriana
Foley Supervisor:
Kris Campbell
Gaffer:
Sean McKelvey
Grip:
Mike Horan
Joe Clarke
Dean 'Gator' Dowling
Eric Hall
Tahra Hanley
James J. Vacca
Bertoldo Gomez
Vito Mirabella
R. Dana Harlow
Hairstylist:
Julie L. Pearce
Sergio Lopez-Rivera
Jennifer Salvon
Key Grip:
Dennis 'Dink' Adams
Key Hair Stylist:
Jason Rail
Key Makeup Artist:
Jason Rail
Leadman:
Bryce Holtshousen
Line Producer:
W. Mark McNair
Location Manager:
Darrin Lipscomb
Makeup Artist:
Jennifer Salvon
Sergio Lopez-Rivera
Julie L. Pearce
Music Arranger:
Mark Kilian
Mader
Music Consultant:
Robin Urdang
Music Editor:
Paul Hepker
Mark Kilian
Music Supervisor:
Jonathan Hafter
Carol Sue Baker
Negative Cutter:
Paul Tanzillo Jr.
On Set Dresser:
Terrell L. Moore
Original Music Composer:
Mader
Painter:
Lynne Pope
Linda Laufer
Clementine petit dit Dariel
Sergio Arevalos
Sandra A. Turk
Terri Leidholdt
Ayn Altman
Post Production Assistant:
Robert J. Grano
Post Production Supervisor:
Kristi Lake
Producer:
Gina Resnick
Production Accountant:
Todd Grove
Production Coordinator:
Elizabeth Bauer
Production Design:
Pamela Marcotte
Production Manager:
Sue Jennings
Production Sound Mixer:
Christopher M. Taylor
Property Master:
Adam Silverman
Mark Anderson
Score Engineer:
Christine Sirois
Script Supervisor:
Wendy Dallas
Second Assistant Camera:
Robert Schierer
Second Assistant Director:
Keith Shaw
Lauren Cloud
Second Second Assistant Director:
Heather Weinstock
Joe Coleman
Set Decoration:
Greta Grigorian
Set Dresser:
JoAnne M. Ando
Set Production Assistant:
Robert J. Grano
Peter Atherton
Sound Editor:
Donald Murray
Robert W. Vandling
Sound Engineer:
Eric Neufeld
Sound Re-Recording Mixer:
Phillip Seretti
Sound Supervisor:
Phillip Seretti
Stand In:
Ellie Olstad
Still Photographer:
John Johnson
Stunt Coordinator:
Chuck Borden
Swing:
Ira Proctor
Brian Walsh
Third Assistant Camera:
Hiro Kakuhari
Transportation Captain:
Paul Bortoli
David Oppenheim
Transportation Coordinator:
Antonio Molina
Visual Effects:
Ozzie Zornizer
Visual Effects Camera:
Mindy Minkow
Wardrobe Assistant:
Nomi Shichor
Brooke C. Thatawat
Writer:
Karen Sprecher
Jill Sprecher
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.