A work in constant progress (and occasional regress).
Tom Harberd is a film producer who joined British film finance company Head Gear Films in 2013 as finance and chief operating manager. In addition to a distinction-level Film Business MBA, Tom holds an MA in Film Production and a 1st-class BA (hons) in English & Creative Writing from the University of East Anglia, Norwich, England, UK.
Associate Producer:
2015 Freeheld
2017 Cargo
2017 England Is Mine
2017 Ferrari: Race to Immortality
2017 Interlude In Prague
2017 The Stolen
2018 10x10
2018 Boar
2018 Here and Now
2018 Here to be Heard: The Story of The Slits
2018 Hurricane
2018 Outlaws
2018 Patrick
2018 Rabbit
2018 The Delinquent Season
2018 The School
2018 Two for Joy
2018 Viking Destiny
2019 Animals
2019 Escape and Evasion
2019 I See You
2019 Ordinary Love
2019 Peel
2019 Standing Up for Sunny
2019 The Boy Who Harnessed the Wind
2019 The Furies
2019 The Hole in the Ground
2020 A Lion Returns
2020 Audrey
2020 Bruised
2020 Ellie and Abbie (and Ellie's Dead Aunt)
2020 Knuckledust
2020 Minamata
2020 Paper Champions
2020 Romance on the Menu
2020 The Flood
2020 The Roads Not Taken
2021 Apex
2021 Every Last One of Them
2021 Sweet River
2021 Take Back
2021 The Last Bus
2021 The Power
2021 This Little Love of Mine
2022 A Guide to Dating at the End of the World
2022 Burial
2022 Save the Cinema
2022 The Almond and the Seahorse
2022 The Ledge
2023 LOLA
Co-Producer:
2015 Ashby
2015 Freeheld
2017 Cargo
2017 England Is Mine
2017 Ferrari: Race to Immortality
2017 Interlude In Prague
2017 The Stolen
2018 10x10
2018 Boar
2018 Here and Now
2018 Here to be Heard: The Story of The Slits
2018 Hurricane
2018 Outlaws
2018 Patrick
2018 Rabbit
2018 The Delinquent Season
2018 The School
2018 Two for Joy
2018 Viking Destiny
2019 Animals
2019 Escape and Evasion
2019 I See You
2019 Ordinary Love
2019 Peel
2019 Standing Up for Sunny
2019 The Boy Who Harnessed the Wind
2019 The Furies
2019 The Hole in the Ground
2020 A Lion Returns
2020 Audrey
2020 Bruised
2020 Ellie and Abbie (and Ellie's Dead Aunt)
2020 Knuckledust
2020 Minamata
2020 Paper Champions
2020 Romance on the Menu
2020 The Flood
2020 The Roads Not Taken
2021 Apex
2021 Every Last One of Them
2021 Sweet River
2021 Take Back
2021 The Last Bus
2021 The Power
2021 This Little Love of Mine
2022 A Guide to Dating at the End of the World
2022 Burial
2022 Save the Cinema
2022 The Almond and the Seahorse
2022 The Ledge
2023 LOLA
Executive Producer:
2015 Ashby
2015 Freeheld
2016 Mandela's Gun
2017 Cargo
2017 England Is Mine
2017 Ferrari: Race to Immortality
2017 Interlude In Prague
2017 MAMIL
2017 The Stolen
2018 10x10
2018 Boar
2018 Here and Now
2018 Here to be Heard: The Story of The Slits
2018 Hurricane
2018 Outlaws
2018 Patrick
2018 Rabbit
2018 The Delinquent Season
2018 The School
2018 Two for Joy
2018 Viking Destiny
2019 A Girl From Mogadishu
2019 Animals
2019 Escape and Evasion
2019 I See You
2019 Ordinary Love
2019 Peel
2019 Standing Up for Sunny
2019 The Boy Who Harnessed the Wind
2019 The Furies
2019 The Hole in the Ground
2020 A Lion Returns
2020 Audrey
2020 Bruised
2020 Ellie and Abbie (and Ellie's Dead Aunt)
2020 Knuckledust
2020 Minamata
2020 Paper Champions
2020 Romance on the Menu
2020 The Flood
2020 The Roads Not Taken
2021 Apex
2021 Every Last One of Them
2021 Sweet River
2021 Take Back
2021 The Last Bus
2021 The Power
2021 This Little Love of Mine
2022 A Guide to Dating at the End of the World
2022 Burial
2022 Save the Cinema
2022 The Almond and the Seahorse
2022 The Ledge
2023 LOLA
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.