A work in constant progress (and occasional regress).
Release Date:
September 12, 2020
Original Title:
Bruised
Alternate Titles:
Herida
В синяках
伤痕累累
逆转擂台
Genres:
Drama
Production Companies:
87Eleven
Aloe Entertainment
Bohemia Media
Entertainment 360
Head Gear Films
Linda Gottlieb Films
Ludascripts
Metrol Technology
Rhea Films
Romulus Entertainment
Thunder Road
game1
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
BR: 16 DE: 16 FR: 16 GR: 16+ HU: 16 IE: 15 JP: R18+ KR: 18 PL: 16 RO: 18 SG: R21 US: R
Runtime: 129
Jackie Justice is a mixed martial arts fighter who leaves the sport in disgrace. Down on her luck and simmering with rage and regret years after the fight, she's coaxed into a brutal underground fight by her manager and boyfriend Desi and grabs the attention of a fight league promoter who promises Jackie a life back in the Octagon. But the road to redemption becomes unexpectedly personal when Manny - the son she gave up as an infant - shows up at her doorstep. A triumphant story of a fighter who reclaims her power, in and out of the ring, when everyone has counted her out
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Mixer:
Jerrell Suelto
Carlos Sotolongo
Mark DeSimone
Art Direction:
Tommy Love
Associate Producer:
Tom Harberd
Boom Operator:
Gabriel Sanders
Camera Operator:
Ramulas Burgess
Casting:
Avy Kaufman
Stefanie Ryan-Manhim
Weist-Barron Ryan
Co-Producer:
Gerard DiNardi
Compositor:
Alex Dreiblatt
Tyler Old
Sean Loughran
Chris M. Cooper
Costume Coordinator:
Missy Mickens
Costume Design:
Mirren Gordon-Crozier
Dialogue Editor:
Michael McMenomy
Digital Compositor:
Natpasin Nguanprasert
Brad Lucas
Ndosi Anyabwile
Director:
Halle Berry
Director of Photography:
Joshua Reis
Frankie DeMarco
Editor:
Terilyn A. Shropshire
Jacob Craycroft
Executive Producer:
Mary Aloe
Phil Hunt
Ali Jazayeri
Anik Decoste
David Gendron
Christina Weiss Lurie
Compton Ross
Jonathan Fuhrman
Brian Pitt
First Assistant Director:
Gerard DiNardi
Foley Artist:
Jay Peck
Foley Editor:
Matthew Haasch
Gaffer:
James Usmanov
Graphic Designer:
Matthew Vidalis
Grip:
Eric Boswell
Hair Department Head:
Patricia Grande
Key Grip:
Chris Cazavilan
Key Hair Stylist:
Shawn Finch
Key Makeup Artist:
Kristy Strate
Leadman:
Mat Kowalski
Makeup Department Head:
Chelsea Paige
On Set Dresser:
Claire Hart Joslyn
Original Music Composer:
Terence Blanchard
Aska Matsumiya
Post Production Supervisor:
Jeffrey Penman
Producer:
Paris Kassidokostas-Latsis
Linda Gottlieb
Gillian Hormel
Terry Dougas
Brad Feinstein
Erica Lee
Guymon Casady
Basil Iwanyk
Halle Berry
Production Design:
Elizabeth Jones
Production Sound Mixer:
Benjamin Berger
Production Supervisor:
Eric Knapp
Property Master:
Kyle Marchiafava
Screenplay:
Michelle Rosenfarb
Second Assistant Director:
Ram Paul Silbey
Set Decoration:
Kait Murphy
Set Dresser:
Justin Bazil
Gary van de Griek
Sound Effects Editor:
Chris Foster
Filipe Messeder
Ruy García
Samuel Miille
Sound Re-Recording Mixer:
Gene Park
Ruy García
Special Effects Technician:
Eric Concha
Still Photographer:
John Baer
Stunt Coordinator:
William Cote
Stunt Double:
Noah Schultz
Supervising Sound Editor:
Gene Park
Unit Production Manager:
Jason Pinardo
VFX Artist:
Alyssa Koncelik-Diemer
Ben Sumner
Bryan Haines
Visual Effects:
Michael A. Martinez
Visual Effects Coordinator:
Nancy Cristina
Visual Effects Producer:
Thurman Martin III
Visual Effects Supervisor:
Kolby Kember
Wardrobe Supervisor:
Gaddiel Lopez
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.