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The Furies (2019) [R]

Release Date:
April 12, 2019

Original Title:
The Furies

Alternate Titles:
Killer Instinct
Убийствен инстинкт

Genres:
Action | Horror | Thriller

Production Companies:
Head Gear Films
Kreo Films
Metrol Technology
Odin's Eye Entertainment
The Film Distillery

Production Countries:
Australia

Ratings / Certifications:
AU: R18+  BE: 14  DE: 18  ES: 18  JP: R15+  US: R 

Runtime: 82

Stay alive or die trying.

Overview from TheMovieDB

A young woman faces her darkest fears with seven other unwilling participants in a deadly game — a game that can only have one winner.

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Additional information:

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Video

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Trailer

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

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Production

"B" Camera Operator:
Max McLachlan

Action Director:
Dean Gould

Art Department Assistant:
Joel Cabban

Art Direction:
Harriet Macarthur

Assistant Editor:
Edwina Wright

Associate Producer:
Tom Harberd

Best Boy Electric:
Andrew Ward

Boom Operator:
Joshua Sellick

Camera Operator:
Garry Richards

Casting:
Marianne Jade
Louise Mitchell

Colorist:
Jamie Hediger

Concept Artist:
Seth Justus

Costume Assistant:
Ashlee Robertson

Costume Supervisor:
Polly Crowden

Data Wrangler:
Laura Cotterill

Dialogue Editor:
Tim Duck

Digital Imaging Technician:
Michael Easter

Director:
Tony D'Aquino

Director of Photography:
Garry Richards

Editor:
Adrian Rostirolla

Electrician:
Grace Park

Executive Producer:
Michael Favelle
Phil Hunt
Compton Ross

First Assistant "B" Camera:
Jeffrey Truong

First Assistant Camera:
Angelo Sartore

First Assistant Director:
Rick Beecroft

Foley Artist:
Gabe Trew
Jasmine Parker
Grace Prow
Duncan Lowe

Foley Editor:
Duncan Lowe
Myles Wrigley

Gaffer:
Russell Fewtrell

Grip:
John Waterhouse

Key Grip:
Richard Allardice

Line Producer:
Christian Doran

Makeup & Hair:
Helen Magelaki
Rebecca Needs

Makeup Designer:
Helen Magelaki

Music Editor:
Rohan Taylor

Original Music Composer:
Kirsten Axelholm
Kenneth Lampl

Payroll Accountant:
Jenny Brooks

Post Production Supervisor:
Andy Marriott

Producer:
Andrew Marriott
Lisa Shaunessy

Production Accountant:
Jill Hewitt
Max Chen
Fei Mao

Production Coordinator:
Melanie Calvert

Production Design:
Gareth Davies

Production Manager:
Christian Doran

Production Runner:
Abbey McNaughton

Props:
Zoe Cassidy
Gemma-Lark Johnson
Buck Rumstache

Prosthetic Designer:
Larry Van Duynhoven

Script Consultant:
Karel Segers

Script Supervisor:
Mila Gisbert

Second Assistant "B" Camera:
Matthew Ong

Second Assistant Camera:
Zhenshi Van De Klooster

Second Assistant Director:
Hannah de Feyter

Sound Assistant:
Toby Purtle

Sound Effects Editor:
Duncan Lowe
Myles Wrigley

Sound Re-Recording Mixer:
Rohan Taylor
Tim Duck
James Henshaw

Sound Recordist:
Tim Duck
David Springan O'Rourke

Special Effects Assistant:
Rachel Scane

Special Effects Makeup Artist:
Sheldon Wade

Steadicam Operator:
Max McLachlan

Still Photographer:
Martin Ollman

Stunt Double:
Marlee Barber
Jayde Rutene

Stunts:
Steve Morris
Leon Stripp
Ben Toyer

Supervising Sound Editor:
Rohan Taylor

Unit Manager:
Ralph Fox

Visual Effects Supervisor:
Ryan Ware

Writer:
Tony D'Aquino

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.