A work in constant progress (and occasional regress).
Release Date:
August 25, 2022
Original Title:
A Guide to Dating at the End of the World
Genres:
Comedy | Romance | Science Fiction
Ratings / Certifications:
AU: M GB: 12
Runtime: 80
After their first date, Alex declares she would not go out with John even if he were the last man on Earth. The next day she wakes to find he is exactly that. With everyone gone they have time to get to know each other and all is going swell until they meet Wendy, the smarter and prettier 'other woman' - and she has a plan to bring everyone back. Will Wendy come between Alex and John as she tries to save the world? Not if Alex and her trusty Epilady have anything to do with it. Sometimes all it takes is an apocalyptic catastrophe to help you find your true love.
Art Direction:
Karen Leigh Smith
Assistant Makeup Artist:
Manda Marriott
Associate Producer:
Tom Harberd
Boom Operator:
Chris Gillette
Co-Producer:
Raquelle David
Samuel Gay
Costume Design:
Davina Faye
Director:
Samuel Gay
Director of Photography:
Simon Chapman
Jason Hargreaves
Editor:
Adrian Powers
Tamara Seeck
Executive Producer:
Phil Hunt
Compton Ross
First Assistant Director:
Byron J. Brochmann
Foley Artist:
Les Fiddess
Michael Mader
Makeup & Hair:
Davina Faye
Makeup Artist:
Davina Faye
Producer:
Tait Brady
David Jerome Cassidy
Susan Cassidy
Production Design:
Karen Leigh Smith
Production Manager:
Angelique Christophorou
Second Assistant Director:
Angelique Christophorou
Sound:
Thalia Colettis
Sound Editor:
Chris Gillette
Sound Effects Editor:
Liam Moses
David Williams
Sound Mixer:
Craig Beckett
Chris Gillette
Sound Recordist:
Chris Gillette
Supervising Sound Editor:
Tfer Newsome
Writer:
Samuel Gay
Stewart Klein
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.