A work in constant progress (and occasional regress).
Assistant Sound Editor:
2017 2:22
Original Music Composer:
2017 2:22
2024 Flathead
Sound:
2017 2:22
2020 The Bus to Birra Birra
2022 Because We Have Each Other
2024 Flathead
Sound Designer:
2013 Borrowed Light
2017 2:22
2017 Max Gimblett: Original Mind
2017 Tomorrow, and Tomorrow, and Tomorrow
2018 Eye Contact
2018 In Like Flynn
2018 Nursery Rhymes
2018 Reaching Distance
2018 Sleepwalking
2018 Sweet Country
2018 The Rizzle
2018 [CENSORED]
2020 Container
2020 The Bus to Birra Birra
2020 White Void
2021 Paper City
2022 Because We Have Each Other
2022 Loveland
2022 Not Dark Yet
2022 The Dreamlife of Georgie Stone
2024 Flathead
2024 Left Write Hook
???? Asian Male, 60s, Lead
Sound Editor:
2013 Borrowed Light
2017 2:22
2017 Max Gimblett: Original Mind
2017 Tomorrow, and Tomorrow, and Tomorrow
2018 Eye Contact
2018 In Like Flynn
2018 Nursery Rhymes
2018 Reaching Distance
2018 Sleepwalking
2018 Sweet Country
2018 The Rizzle
2018 [CENSORED]
2020 Container
2020 The Bus to Birra Birra
2020 White Void
2021 Paper City
2022 Because We Have Each Other
2022 Loveland
2022 Not Dark Yet
2022 The Dreamlife of Georgie Stone
2022 You Won't Be Alone
2024 Flathead
2024 Left Write Hook
???? Asian Male, 60s, Lead
Sound Effects Editor:
2013 Borrowed Light
2017 2:22
2017 Max Gimblett: Original Mind
2017 Tomorrow, and Tomorrow, and Tomorrow
2018 Eye Contact
2018 In Like Flynn
2018 Nursery Rhymes
2018 Reaching Distance
2018 Sleepwalking
2018 Sweet Country
2018 The Rizzle
2018 [CENSORED]
2020 Container
2020 The Bus to Birra Birra
2020 White Void
2021 Paper City
2022 Because We Have Each Other
2022 Loveland
2022 Not Dark Yet
2022 The Dreamlife of Georgie Stone
2022 You Won't Be Alone
2023 Talk to Me
2024 Flathead
2024 Left Write Hook
2024 Monkey Man
2025 Bring Her Back
???? Asian Male, 60s, Lead
Sound Mixer:
2013 Borrowed Light
2017 2:22
2017 Max Gimblett: Original Mind
2017 Tomorrow, and Tomorrow, and Tomorrow
2018 Eye Contact
2018 In Like Flynn
2018 Nursery Rhymes
2018 Reaching Distance
2018 Sleepwalking
2018 Sweet Country
2018 The Rizzle
2018 [CENSORED]
2020 Container
2020 The Bus to Birra Birra
2020 White Void
2021 Paper City
2021 You Will See Me
2022 Because We Have Each Other
2022 Loveland
2022 Not Dark Yet
2022 The Dreamlife of Georgie Stone
2022 You Won't Be Alone
2023 Talk to Me
2024 Flathead
2024 Left Write Hook
2024 Monkey Man
2025 Bring Her Back
???? Asian Male, 60s, Lead
Sound Re-Recording Mixer:
2013 Borrowed Light
2017 2:22
2017 Max Gimblett: Original Mind
2017 Tomorrow, and Tomorrow, and Tomorrow
2018 Eye Contact
2018 In Like Flynn
2018 Nursery Rhymes
2018 Reaching Distance
2018 Sleepwalking
2018 Sweet Country
2018 The Rizzle
2018 [CENSORED]
2019 Martha: A Picture Story
2020 Container
2020 The Bus to Birra Birra
2020 White Void
2021 Paper City
2021 You Will See Me
2022 Because We Have Each Other
2022 Loveland
2022 Not Dark Yet
2022 The Dreamlife of Georgie Stone
2022 You Won't Be Alone
2023 Talk to Me
2024 Flathead
2024 Left Write Hook
2024 Monkey Man
2025 Bring Her Back
???? Asian Male, 60s, Lead
Sound Designer:
2018 Homecoming Queens
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.