A work in constant progress (and occasional regress).
Release Date:
October 1, 2018
Original Title:
Reaching Distance
Genres:
Drama | Mystery | Thriller
Production Companies:
Deli Agency
ScreenInkMedia
Production Countries:
Australia
Ratings / Certifications:
N/A
Runtime: 93
Logan, a cynic with a photographic memory, follows his sister's killer onto a night-rider bus. As the line between past and present begins to blur on the journey, Logan uncovers he has a complex past with much more than one passenger.
ADR Editor:
Tom Herdman
Art Department Assistant:
Sarah Doreen
Emily Cox
Art Direction:
Aisha Kirkby
Assistant Makeup Artist:
Madeleine Jurd
Chiara Marcellino
Assistant Sound Editor:
Thalia Colettis
Associate Producer:
Matt Levett
Matt Carter
Costume Design:
Brodie Simpson
Dialogue Editor:
Sam Lowe
Director:
David Fairhurst
Director of Photography:
Goldie Soetianto
Editor:
Adrian Powers
David Fairhurst
First Assistant Director:
Ryan Osmond
Foley:
Andrew Simmons
Foley Recordist:
Miki Takahashi
Location Manager:
Byron Hajduczok
Makeup Artist:
Elvis Schmoulianoff
Emma Young
Makeup Designer:
Victoria Walton
Original Music Composer:
Jordan Gagne
Producer:
David Fairhurst
Rebecca Saunders
Kayne Taylor
Production Assistant:
Virginia Wilson
Production Coordinator:
Nicholas Pratt
Production Design:
Laura Murray
Production Manager:
Paul Zagoridis
Script Supervisor:
Michael Wray
Second Assistant Director:
Daniel Becker
Sound Designer:
Lachlan Harris
Sound Editor:
Jennifer Leonforte
Sound Re-Recording Mixer:
Sam Gain-Emery
Phil Heywood
Sound Recordist:
Luke Stacey
Stunts:
Shaun Dover
Tom Harwood
Salv Perie
Supervising Sound Editor:
Thom Kellar
Writer:
David Fairhurst
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.