A work in constant progress (and occasional regress).
Release Date:
May 28, 2025
Original Title:
Bring Her Back
Alternate Titles:
Faça Ela Voltar
Haz Que Regrese
Haz que regrese
Hozd vissza őt
Mượn Hồn Đoạt Xác
Oddaj ją
Onu Geri Getir
Reviens-moi
Too ta tagasi
Volta Para Mim
Vrati mi je
Φέρ' την Πίσω
Верни её из мёртвых
להחזיר אותו
滿血復活
還魂
Genres:
Horror
Production Companies:
A24
Blue Bear
Causeway Films
Salmira Productions
South Australian Film Corporation
Production Countries:
Australia | United States of America
Ratings / Certifications:
AR: +16 AU: MA 15+ BE: 16 BG: D BR: 18 CA: 18A CH: 16 CL: 18 DE: 18 ES: 18 FI: K-18 FR: 16|18 GB: 18 GR: K18 HK: III HU: 18 ID: 21+ IE: 18 IL: 16 IN: A IT: 14+ KR: 19 LT: N-16 LV: 18+ MO: D MX: C NL: 16 NO: 18 NZ: R18 PH: R-16 PR: R PT: M/16 RU: 18+ SE: 15 SG: R21 SK: 18 TH: 18 TR: 18+ TW: 18+ UA: 18+ US: R VI: R ZA: 18
Runtime: 104
Following the death of their father, a brother and sister are introduced to their new sibling by their foster mother, only to learn that she has a terrifying secret.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Editor:
Justine Angus
Animal Wrangler:
Karen Macey-Mort
Art Department Coordinator:
Laura Ockenden
Art Direction:
Michael Bell
Max Nadilo
Assistant Set Decoration:
Daniel Wilson
Associate Producer:
Jess Parker
Boom Operator:
Aidyn Davis
Jace Hooper
Oliver McLoughlin
Casting:
Nikki Barrett
Casting Associate:
Kelly Graham
Compositor:
Emily Benham
Concept Artist:
Eddy Taylor
Costume Assistant:
Kate O'Boyle
Costume Designer:
Anna Cahill
Costume Supervisor:
Olivia Iacobelli
Data Wrangler:
Scott Heysen
Dialogue Editor:
Justine Angus
Digital Imaging Technician:
Ben Hunt
Director:
Michael Philippou
Danny Philippou
Director of Photography:
Aaron McLisky
Editor:
Geoff Lamb
Executive Producer:
Danny Philippou
Michael Philippou
First Assistant "A" Camera:
Charlie Whitaker
First Assistant Director:
Dan Gill
Foley Artist:
Sam Rogers
Foley Editor:
Lara Schneider
Foley Recordist:
Ryan Squires
Foley Supervisor:
Matt Lapthorne
Gaffer:
Peter Giuliani
Key Costumer:
Philippa O'Brien
Lighting Technician:
James Haskard
Brad Sax
Line Producer:
Carly Maple
Location Coordinator:
Scott McCarten
Location Manager:
Maria Humphreys
Music Supervisor:
Andrew Kotatko
Original Music Composer:
Cornel Wilczek
Post Production Supervisor:
Rachael Havercroft
Producer:
Samantha Jennings
Kristina Ceyton
Production Design:
Vanessa Cerne
Production Manager:
Emma Marshall
Property Master:
Troy Dignon
Props:
Nicole Frazier
Prosthetic Designer:
Larry Van Duynhoven
Prosthetic Makeup Artist:
Mariel McClorey
Lenny Irwin
Paul Katte
Nick Nicolaou
Winbi Trang Nguyen
Prosthetics:
Jac Charlton
Robert Charlton
Script Supervisor:
Rebecca King
Sarah Vaughan
Second Assistant "B" Camera:
Bec Taylor
Second Assistant Director:
James Dubay
Set Decoration:
Maddy Worthington
Sound Designer:
Cameron Grant
Sound Editor:
Jennifer Leonforte
Sound Effects Editor:
Lachlan Harris
Lee Yee
Sound Re-Recording Mixer:
Pete Smith
Emma Bortignon
Christian Scallan
Sound Recordist:
Nick Steele
Special Effects:
Tim Riach
Standby Property Master:
Tori Wendt
Steadicam Operator:
Jason Rodrigues
Stunt Coordinator:
Judd Wild
Stunt Double:
Olga Miller
Craig Morgan
Alex Yakimov
Zhou Yeye
Stunts:
Richard Boué
Ruth Natalie Fallon
Supervising Art Director:
Erica Ockenden
Supervising Sound Editor:
Emma Bortignon
Swing:
Matteo Medos
Title Designer:
Finnegan Spencer
Unit Swing:
Ella McCarten
Video Assist Operator:
Zeb Simpson
Visual Effects:
Nate Charles Karagiannis-Troisi
Visual Effects Producer:
Jack James Troisi
Visual Effects Supervisor:
Francesco Cadoni
Writer:
Danny Philippou
Bill Hinzman
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.