A work in constant progress (and occasional regress).
Release Date:
May 22, 2018
Original Title:
Eye Contact
Genres:
Romance | Science Fiction
Production Companies:
How Far Films
Production Countries:
Australia
Ratings / Certifications:
N/A
Runtime: 9
In the future you’ll still be able to meet someone in a bar, but will you be able to connect? A tale about our barriers to connection and technology addiction.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Colorist:
Ian Letcher
Costume Assistant:
Mark Meharg
Costume Designer:
Stephanie Amantea
Data Wrangler:
Raymond J. Evans
Dialogue:
Antonia Pont
Director:
Stuart Mannion
Director of Photography:
Ryan Alexander Lloyd
Editor:
Cindy Clarkson
Executive Producer:
Stuart Mannion
Carla Silbert
First Assistant Camera:
Matthew Jenkins
First Assistant Director:
Alex Reid
Gaffer:
Christiaan Abernethy
Lighting Production Assistant:
Kevin Schubert
Makeup & Hair:
Brooke Pearson
Music:
Kelly Ryall
Producer:
Naomi Mulholland
Production Coordinator:
Daniella Said
Production Designer:
Joel West
Script Supervisor:
Karlyn Fitzgerald
Second Assistant Camera:
Thomas Hayes
Carl Diquinzio
Sound Designer:
Lachlan Harris
Sound Recordist:
Andrew Bray
Brett Woolgar
Still Photographer:
Alan Nguyen
Visual Effects Supervisor:
Andy Talbot
Writer:
Stuart Mannion
Carla Silbert
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.