A work in constant progress (and occasional regress).
Sheila Paige was co-founder of Women Make Movies, Inc. with Ariel Dougherty, and co-director from 1972-1975. In addition to Women’s Happy Time Commune, she has produced and directed films and videos and also interactive online theater productions for the Upstage Festivals 2008 and 2009. As a script supervisor, she has worked in the film industry on many major motion pictures, including the notable features King of Comedy and Good Fellas, and on TV movies and series such as Orange is the New Black and Gossip Girl. Currently, she is pursuing a new video project and writing and illustrating children’s books.
Camera Operator:
1975 A Street Harassment Film
Director:
1969 testing, testing, how do you do?
1972 The Women's Happy Time Commune
1975 A Street Harassment Film
1983 All in Favor
2016 Time and the Mermaid
Editor:
1969 testing, testing, how do you do?
1972 The Women's Happy Time Commune
1975 A Street Harassment Film
1983 All in Favor
2016 Time and the Mermaid
Executive Producer:
1969 testing, testing, how do you do?
1972 The Women's Happy Time Commune
1973 Sweet Bananas
1975 A Street Harassment Film
1983 All in Favor
2016 Time and the Mermaid
Producer:
1969 testing, testing, how do you do?
1972 The Women's Happy Time Commune
1973 Sweet Bananas
1975 A Street Harassment Film
1983 All in Favor
2016 Time and the Mermaid
Script Supervisor:
1969 testing, testing, how do you do?
1972 The Women's Happy Time Commune
1973 Sweet Bananas
1975 A Street Harassment Film
1982 Amityville II: The Possession
1983 All in Favor
1990 Awakenings
1990 GoodFellas
1993 A Bronx Tale
1994 Quiz Show
1998 The Object of My Affection
1999 Flawless
2000 Center Stage
2001 Chosen
2002 Just a Kiss
2005 House of D
2011 Hanna
2016 Time and the Mermaid
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.