A work in constant progress (and occasional regress).
Release Date:
September 12, 1990
Original Title:
GoodFellas
Alternate Titles:
Buenos Muchachos
Buenos muchachos
Băieți buni
Chiến Hữu
Chłopcy z ferajny
Dobri fantje
Dobri momci
Gangsterët
Geri vyrukai
Good Fellas
GoodFellas – Drei Jahrzehnte in der Mafia
Labie puiši
Les Affranchis
Maffiabröder
Mafiabrødre
Mafiaveljet
Mafiáni
Möhkəm Dostlar
Nagymenők
Omad poisid
Os Bons Companheiros
Quei bravi ragazzi
Sıkı Dostlar
Tudo Bons Rapazes
Un dels nostres
Un dos nosos
Uno de los nuestros
Wise Guys
Τα καλά παιδιά
Добри момци
Добри момчета
Славные парни
Славні хлопці
Փառավոր տղաներ
החבר'ה הטובים
الأصدقاء الطيبون
الرفاق الصالحون
رفقای خوب
ښه دوستان
குட்பெலாஸ்
గుడ్ ఫెల్లాస్
ഗുഡ് ഫെല്ലാസ്
คนดีเหยียบฟ้า
მაგარი ბიჭები
グッドフェローズ
四海好傢伙
好家伙
盗亦有道
좋은 친구들
Genres:
Crime | Drama
Production Companies:
Winkler Films
Production Countries:
United States of America
Ratings / Certifications:
AR: +18 AU: R 18+ BR: 14 CA: 18A CZ: 15+ DE: 16 DK: 15 ES: 18 FI: K-16 FR: 16 GB: 18 GR: 18 HK: IIB HU: 16 IE: 18 IT: 14+ JP: R15+ KR: 18 LT: N-16 MX: C NL: 16|18 PH: R-18 PL: 18 PT: M/16 RO: 18 SE: 15 TR: 18+ TW: 15+ US: R
Runtime: 145
The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.
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1998 #94 |
100 Years: 100 MOVIES
100 Greatest American Movies Of All Time |
2007 #92 |
100 Years: 100 MOVIES — 10TH ANNIVERSARY EDITION
100 Greatest American Films Of All Time |
2008 #2 |
Top 10: GANGSTER
10 Greatest GANGSTER Films of All Time |
2012 #48 |
Directors' Top 100 Poll
Greatest Films of All Time |
ADR Editor:
Gail Showalter
Art Direction:
Maher Ahmad
Assistant Chief Lighting Technician:
Peter John Petraglia
Assistant Costume Designer:
Susan O'Donnell
Thomas Lee Keller
Assistant Editor:
Kent Blocher
Assistant Property Master:
John McDonnell
Assistant Sound Editor:
Anne Sawyer
William Docker
Brian Johnson
Michael Berenbaum
Associate Producer:
Bruce S. Pustin
Book:
Nicholas Pileggi
Boom Operator:
Louis Sabat
Camera Operator:
David M. Dunlap
Casting:
Ellen Lewis
Casting Assistant:
Laura Rosenthal
Chief Lighting Technician:
Jerry DeBlau
Construction Coordinator:
Louis Sanchez
Construction Foreman:
Arne Olsen
Costume Design:
Richard Bruno
Dialogue Editor:
Jeffrey Stern
Fred Rosenberg
Bruce Kitzmeyer
Marissa Littlefield
Director:
Martin Scorsese
Director of Photography:
Michael Ballhaus
Editor:
Thelma Schoonmaker
James Y. Kwei
Executive Producer:
Barbara De Fina
First Assistant Camera:
Florian Ballhaus
First Assistant Director:
Joseph P. Reidy
First Assistant Editor:
David Leonard
Foley Artist:
Marko Costanzo
Foley Editor:
Bruce Pross
Frank Kern
Foley Supervisor:
Ron Bochar
Hairstylist:
Alan D'Angerio
Ilona Herman
William A. Farley
Key Grip:
Dennis Gamiello
Location Manager:
Steve Rose
Makeup Artist:
Allen Weisinger
Carl Fullerton
Ilona Herman
Music Editor:
Christopher Brooks
Producer:
Irwin Winkler
Production Accountant:
Todd Arnow
Production Design:
Kristi Zea
Production Office Coordinator:
Alesandra M. Cuomo
Production Sound Mixer:
James Sabat
Property Master:
Robert Griffon Jr.
Screenplay:
Nicholas Pileggi
Martin Scorsese
Script Supervisor:
Sheila Paige
Second Assistant Camera:
Bobby Mancuso
Second Assistant Director:
Vebe Borge
Second Second Assistant Director:
Deborah Lupard
Second Unit Director:
Joseph P. Reidy
Set Decoration:
Leslie Bloom
Set Dresser:
Bruce Swanson
Sound Re-Recording Mixer:
Tom Fleischman
Sound Recordist:
Frank Graziadei
Special Effects:
Connie Brink
Steadicam Operator:
Larry McConkey
Still Photographer:
Barry Wetcher
Stunt Coordinator:
Michael Russo
Stunts:
Nicholas J. Giangiulio
Janet Paparazzo
Alex Stevens
Don Picard
Phil Neilson
Tony Guida
Norman Douglass
Peter Bucossi
Roy Farfel
Paul Bucossi
Supervising Dialogue Editor:
Philip Stockton
Supervising Sound Editor:
Skip Lievsay
Title Designer:
Saul Bass
Elaine Bass
Transportation Captain:
Bill Curry Jr.
Transportation Co-Captain:
Robert Leddy
Unit Production Manager:
Bruce S. Pustin
Unit Publicist:
Marion Billings
Wardrobe Supervisor:
Dean Jackson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.