Home

Amityville II: The Possession (1982) [R]

Release Date:
September 24, 1982

Original Title:
Amityville II: The Possession

Alternate Titles:
A démonok háza
Amitivilski užas 2: Posednutost
Amityville - djävulens krets
Amityville - paholaisen piiri
Amityville 2: A Possessão
Amityville 2: La posesión
Amityville 2: Paholaisen piiri
Amityville II - A Posse
Amityville II - Der Besessene
Amityville II: Djevelens forværelse
Amityville II: La posesión
Amityville II: Opętanie
Amityville II: Saplantı
Amityville II: The Possession
Amityville II: la posesión
Amityville II: le possédé
Amityville II: violenta posesión
Amityville Possession
Huset som gud glömde 2
Terror em Amityville
Terror em Amityville 2
The Amityville Horror 2: The Possession
Η βίλλα των δαιμονισμένων
Амитивил II: Обладаването
Амитивилль 2: Одержимость

Genres:
Horror | Thriller

Production Companies:
Estudios Churubusco Azteca S.A.
Media Transactions
Orion Pictures
The De Laurentiis Company

Production Countries:
Mexico | United States of America

Ratings / Certifications:
AR: 18  AU: M  DE: 16  ES: 18  FI: K-18  FR: 16  GB: 18  NL: 16  NO: 18  PT: M/18  SE: 15  US: R 

Runtime: 104

If these walls could talk... they would shriek!

Overview from TheMovieDB

Anthony and Dolores Montelli, along with their four children, move into their dream house in Amityville and are immediately plagued by a string of paranormal experiences. When the abusive Anthony wrongly places the blame on their children, Dolores recruits a local Catholic priest to exorcise the house.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Featurette

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

Art Direction:
Ray Recht

Assistant Editor:
Lori Blounstein

Associate Producer:
José López Rodero

Book:
Hans Holzer

Boom Operator:
Kevin Meehan

Camera Operator:
Daniele Nannuzzi

Costume Design:
Bill Kellard

Director:
Damiano Damiani

Director of Photography:
Franco Di Giacomo

Dolly Grip:
John Mazzoni

Editor:
Sam O'Steen

Executive Producer:
Bernard Williams
Dino De Laurentiis

Gaffer:
Michael F. Burke

Hairstylist:
Werner Sherer

Key Grip:
Dennis Gamiello

Location Manager:
Jeffrey Silver

Makeup & Hair Assistant:
Ed French

Makeup Artist:
Joe Cuervo

Music Consultant:
Gilbert Marouani

Music Editor:
Norman Hollyn

Original Music Composer:
Lalo Schifrin

Producer:
Ira N. Smith
Stephen R. Greenwald
Dino De Laurentiis

Production Coordinator:
Sherri Taffel Brown
Wendy G. Glickstein

Production Design:
Pier Luigi Basile

Production Manager:
G. Mac Brown

Property Master:
Wally Adee
Richard Adee

Screenplay:
Tommy Lee Wallace

Script Supervisor:
Sheila Paige

Set Decoration:
George DeTitta Jr.

Sound Editor:
Thomas A. Gulino
Robert Hein
Hal Levinsohn
Dan Lieberstein

Sound Mixer:
Kim H. Ornitz

Sound Re-Recording Mixer:
Dick Vorisek

Sound Recordist:
Neil Fallon

Special Effects Makeup Artist:
John Caglione Jr.

Special Effects Supervisor:
Glen Robinson

Stunt Coordinator:
Victor Magnotta

Writer:
Dardano Sacchetti

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.