A work in constant progress (and occasional regress).
Alias:
Ken Johnson
Ken L. Johnson
Kenneth Johnson
Foley Editor:
2003 Open Water
Sound:
2003 Open Water
2012 Top Priority: The Terror Within
Sound Designer:
2002 Friday After Next
2003 Open Water
2008 The Young & Evil
2009 Circle of Eight
2012 Top Priority: The Terror Within
Sound Effects Editor:
1996 Original Gangstas
1998 Meet Joe Black
1998 Without Limits
2000 How the Grinch Stole Christmas
2000 Road Trip
2002 Friday After Next
2002 Rollerball
2003 Open Water
2004 Exorcist: The Beginning
2008 The Young & Evil
2009 Circle of Eight
2012 Top Priority: The Terror Within
2013 Much Ado About Nothing
2017 It
2017 Shot Caller
Sound Re-Recording Mixer:
1996 Original Gangstas
1998 Meet Joe Black
1998 Without Limits
2000 How the Grinch Stole Christmas
2000 Road Trip
2002 Friday After Next
2002 Rollerball
2003 Open Water
2004 Exorcist: The Beginning
2007 Somebody Help Me
2008 The Young & Evil
2009 Circle of Eight
2012 Top Priority: The Terror Within
2013 Much Ado About Nothing
2017 It
2017 Shot Caller
2019 My Killer Client
2020 Nocturne
2021 Diary of a Wimpy Kid
2021 The Manor
Supervising Sound Editor:
1996 Original Gangstas
1998 Meet Joe Black
1998 Without Limits
2000 How the Grinch Stole Christmas
2000 Road Trip
2001 The Wash
2002 Friday After Next
2002 Rollerball
2003 Open Water
2004 Exorcist: The Beginning
2007 Somebody Help Me
2008 The Young & Evil
2009 Circle of Eight
2012 Top Priority: The Terror Within
2013 An Amish Murder
2013 Much Ado About Nothing
2015 Dangerous Company
2017 It
2017 Shot Caller
2019 Fatal Friend Request
2019 Merry & Bright
2019 My Killer Client
2020 Nocturne
2021 Diary of a Wimpy Kid
2021 The Manor
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.